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Folder containing 34 black and white and colour photographs of Joan Eardley and her work taken by George Oliver. Also contains exhibition catalogues and cuttings from such, press releases and postcards.

Folder containing negative strips and colour slides by Georga Oliver featuring the work of Joan Eardley.

Folder containing black and white photographs, taken by George Oliver and of various sizes. Some have been annotated. Includes: 2 copies of a photograph of Joan Earley painting of small boy with hands in pockets and 2 photographs of a Glasgow street scene.

Folder containing black and white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Includes: Joan Eardley exhibitions, Mackintosh furniture and the work of Jessie M. King.

Folder containing 147 black and white photographs of artworks taken by George Oliver. Includes: work by Bet Low and Joan Eardley.

Folder containing colour and black and white negatives of photographs taken by George Oliver. Some annotated. Includes: cars, a model Midland Bluebird bus in colour, Joan Eardley and a ceramic studio.

Folder containing black and white and coloured photographs, taken by George Oliver and of various sizes. Also contains some contact sheets. Some are annotated. Includes: architecture of Glasgow, Citizen's Theatre and Joan Eardley.

Folder containing black and white photographs taken by George Oliver and of various sizes. Some are annotated. Many are prints from photographs from DC 066/2/60-61. Includes: Joan Eardley.

Folder containing 49 black and white photographs of exhibitions held at the Third Eye Centre, taken by George Oliver and of various sizes. Most are annotated. Includes: 'Crawford and Company' curated by Cordelia Oliver, Joan Eardley exhibition and John Bellany exhibition.

Traditional artist's easel. According to donor, the artist's wife Mrs Nina Herman, the easel was borrowed by her husband from GSA c1950. This had been made possible by Joan Eardley. The easel never returned. On the death of Josef Herman, his widow began clearing out his studio. The drawing (NMC/633) was gifted to GSA as a thank you for the 50 year loan of the easel.

Folder containing black and white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Also contains a handwritten list of titles. Includes: Porche cars, William Johnstone paintings and plaster, guild of motoring writers, Castle Donnington, Cartier Bresson exhibition, Margot Sandeman paintings and Joan Eardley pastel and motoring pre-war.

Artworks, design pieces and architectural designs related to Glasgow School of Art staff and students.

Items include

• oil paintings
• ilk screen prints
• lithograph prints
• prints
• photographs
• sketches
• sketch books
• drawings
• watercolours
• collage
• metalwork, sculpture and ceramics.

Almost all works are by former students and staff or figures related to the history of The Glasgow School of Art. The earliest pieces date from the 16th century and later examples have been purchased from recent Degree Shows. The work is in a variety of media and includes drawings, paintings, prints, sketchbooks, furniture and sculpture. Artists represented include many key figures and the most influential and successful students.

There are also several works from former tutors including Neil Dallas Brown, David Donaldson and Fred Selby, alongside contemporary works by students, donated or purchased at degree show. Key works include those by: Maurice Greiffenhagen, Francis Newbery, John Quinton Pringle, Benno Schotz, Ian Fleming and James D Robertson. Suites of note include large collections of Joan Eardley sketches and paintings, Joan Palmer prints, and architectural drawings by Eugene Bourdon.

N-R. Includes correspondence with: The Lord Provost of Glasgow, about the Committee at the School that provides comforts for members of the School serving in the Forces; Miss P Price about the Interior Decoration Course at the School; The Royal Philosophical Society, about a lecture Walton is delivering; RAF bases about courses at GSA, a "Brains Trust" night and the loan of paintings to decorate the Sick Quarters at Compton Basset, Wiltshire including paintings by Joan Eardley & Margot Sandeman; The British Red Cross about rooms in the Art School; Sir John Richmond, about Committee at the School that provides comforts for members of the School serving in the Forces, and about the Exhibition of Edinburgh Industries; The Renfrewshire Educational Trust, about the progress of two students; F J Rutherford about designs for curtains of No11 Downing Street; Registrar of Glasgow University about the appointment of Walton as Honorary Lecturer in Industrial Design.

D-G. Includes correspondence with: D Donaldson about teaching at GSA; Sir Patrick Dollan, about the fund for the painting of Canteens, and about a 'Yuguslav' Exhibition; Sub Lt D S Ewart, about his war service; the exhibition for Kenneth Clark's visit; Joan Eardley about a Maintenance Scholarship; reference for John Fleming; Ian Fleming, about a debate at the Art Club; T A Fennimore, The National Register of Industrial Art Designers, about the visit of Kenneth Clark and the retirement of Hutchison; A Galt about war service; Free German League of Culture, Hutchison becoming a Patron; Marian Grotowski, Polish Artist, asking about whether he can study Sculpture at the Art School; A Gammon, Area Welfare Officer, Ministry of Labour & National Service, about a scheme to decorate recreation and dining rooms in Hostels across the country; Mrs Gordon, about a new course in Art Teaching that has been arranged for women students.

DATA PROTECTION NOTICE: This collection contains sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information the collection will not be available for researchers. Once this Data Protection work is complete, the collection will be open for access with sensitive information closed for 75 years from its date of creation. The majority of the papers of Douglas Percy Bliss consist of general and personal correspondence divided by year with a number of individual subject files from 1946-1964. Notable correspondents include the young Alasdair Gray, Edward Bawden, John Betjeman, Nikolaus Pevsner, Anthony Blunt, Robert Stewart, Joan Eardley, Gilbert Spencer and many other figures of the 1950s and 1960s art world in both London and Scotland. Series as follows: DIR/12/1: Correspondence files of Douglas Percy Bliss, 1946-1971 DIR/12/2: Working Papers of Douglas Percy Bliss, 1946-1964 DIR/12/3: Desk Diaries of Douglas Percy Bliss, 1947-1953

Small glazed ceramic vase with green swirls pattern. Simple green band around the mouth. Engraved marking on bottom - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).

Glazed ceramic egg cup with wide base. Turquoise glaze on inside and brown glaze on outside of egg cup. Brown and black glaze on base with band of tan, raised balls of clay. Engraved marking on bottom - "ST" (creator's initials) and another marking of a circle with an X over it (maker's mark).