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The collection consists of 305 photographs taken between 1853 and 1896. Sitters included local dignitaries, friends and family including John Brown, Queen Victoria's Ghillie. The collection also includes landscapes and the streets of Glasgow, particularly around the Pollokshields area on the south side of the city. Other subjects include ships, ship yards and stately houses.

Collection of items related to the Glasgow based firm J. Giusti & Co. which specialized in the production of plaster figures, mould making, statuary repair, and other plaster work. The collection is primarily composed of plaster busts and portraits, six moulds, and two medals. The casts and moulds are formed after a range of sculptural styles including ancient Greek and Roman, French Gothic, Italian Renaissance, and 19th century anatomical studies.

The Giusti Plaster Cast Collection highlights mould making and casting processes that were used to produce objects for retail and to repair existing plaster casts. Records from The Glasgow School of Art document purchases and repairs from J. Giusti & Co. from as early as 1890, and casts related to those in the collection were widely used as teaching and learning tools at the GSA through at least mid-20th century.

As most of the items in the collection were used in commercial casting processes, very few items have a plain white, white washed, or decoratively painted surface that are often observed in plaster cast collections. Many of the plaster casts and all of the plaster moulds are widely covered with uneven layers of shellac that appear yellow, red, or brown. Shellac was applied as a sealant and resist agent to prevent existing plaster elements from sticking to fresh plaster elements during the casting process.

In addition to the plaster casts and plaster moulds, several items provide further insights into the material processes employed by J. Giusti & Co. Two medals (likely bronze) showcase the company's involvement with mould making for metal casting, and a gelatine mould is a surviving example of a traditional process used to produce detailed casts in small quantities.

A variety of designs, correspondence, ephemera and photographs related to Archibald Haswell Miller. A large amount of items are dated to his time as either a student or a lecturer at The Glasgow School of Art.

A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.

This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).

This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.

The George and Cordelia Oliver Archive consists of:

• Newscuttings (featuring articles by Cordelia Oliver)
• photographs and negatives by George Oliver
• personal papers
• examples of artwork by Cordelia and George Oliver, various publications
• posters relating to cultural events in Glasgow and Scotland.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

A variety of loose artworks and six sketchbooks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint. This collection also includes a portfolio folder (DC 110/1/4) and personal papers (DC 110/3).

This collection includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

This item was severely damaged in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. Some fragments have been salvaged. The bell survives as it was not in the building at the time of the fire.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

86 Architectural Postcards belonging to former Architecture student William B F Williamson. Locations include Italy, Brazil, France, Glasgow, Canada, Egypt, Spain.

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Original mount with captions.

Notebook containing lecture notes and a letter to James Salmon from Frances Newbery. Also includes several sheets of notes on loose paper.

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

A variety of designs completed by Archibald Haswell Miller, including book covers, commercial artworks, and religious designs. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

A collection of six sketchbooks created by Mary Ramsay, including four from her time as a student at The Glasgow School of Art, one dated to after her studies, and one undated. These sketchbooks feature a variety of subjects and themes, including life drawings, portraits, illustrations, floral patterns, ceramics studies, book designs, card designs, and lettering. Most artworks are pencil on paper, with some also using paint, ink, and pastel. Some sketchbooks include a number of loose ephemera items, such as newspaper cuttings and postage stamps.

Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.

Variety of artworks created by Dorothy Doddrell, relating to Rolls of Honour, life drawings and sketches, and other designs

14 textile items, thought to have been designed as part of Grace Melvin's diploma show c1918.

Variety of works created by Dorothy Doddrell relating to the Rolls of Honour of The Glasgow School of Art, Busby Parish Church, and Stevenson Memorial Church.

A Retrospective read at the Jubilee Dinner in the Club House, 151 Bath Street, 30 November 1917.

Variety of works created by Dorothy Doddrell relating to the Glasgow School of Art Roll of Honour.

Includes:

• fashion and jewellery sketches and illustrations
• product catalogues for companies such as McDonalds Ltd, Watt Brothers and Whitneys Ltd featuring Garcia Hunter's fashion illustrations
• newscuttings featuring advertisements using Garcia Hunter's illustrations
• annotated photographs of Garcia Hunter
• correspondence.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Photograph showing the illuminated heading of the First World War Roll of Honours of The Glasgow School of Art. Annotations on the reverse attribute the calligraphy to Dorothy Doddrell.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Located inside folder DC 094 ...

Photograph showing the illuminated heading of the First World War Roll of Honours of The Glasgow School of Art. Annotations on the reverse attribute the calligraphy to Dorothy Doddrell.

Print of the illuminated heading for the Roll of Honour of The Glasgow School of Art. Annotation on the reverse attributes the design and execution to Dorothy Doddrell.

This collection contains:

• Notebooks, a sketchbook, scrapbooks, and student work from John Walter Lindsay's time at The Glasgow School of Art, 1943-1950
• Recollections of staff & students and his time at The Glasgow School of Art, 1990s
• Scrapbook giving an account of his travels following the award of the Haldane Travel Scholarship, 1950
• Miscellaneous magazine cuttings concerning architecture, c1950s-1990s
• Folder arranged by Lindsay containing material relating to Charles Rennie Mackintosh, 1968-1999
• Folder arranged by Lindsay containing correspondence, 1968-2006
• Photographs of Keppie Henderson Architects building models, c1950s-1990s
• Folder arranged by Lindsay containing material relating to his architectural career, c1940s-1990s

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Fashion illustrations and press cuttings of Glasgow-based artist Margaret Oliver Brown, c1951-1958.

This collection includes architectural drawings and related material from Andrew Samuel's time as a student at Glasgow School of Art and from his later career.

Includes:

• Newsletters and circulars, 1959-1978
• Membership records, 1960-1974
• Exhibition records including catalogues, invites, visitors' books, price lists and related correspondence, 1959-1979
• Press cuttings and notes, 1959-1976.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Folder containing 41 black and white photographs of various sizes taken by George Oliver. Some are annotated. Includes: washing lines at Templeton's Carpet Factory, interior of the City Chambers, interior of the Mackintosh Library showing book trolley in a Mackintosh style, Glasgow Cathedral and high rise flats.

A collection of sketches, designs, photographs and lithographs by Donald Melvin completed during his time as a student at Glasgow School of Art in the 1960s.
Includes work carried out as part of courses such as, for example, Interior Design, the History of Furniture, the 2nd Year General Course, the Pre-Diploma /Foundation Course and Woodcarving.

Also includes sketches carried out during GSA summer schools abroad in Florence and in Norway, and materials relating to extra-curricular activities such as photographs of productions staged by GSA Dramatic Club and Christmas ball posters.