- NMC/1582
- Item
- Mid 20th century
Symbolic Masonic apron.
17 results with digital objects Show results with digital objects
Symbolic Masonic apron.
Miller, Archibald E Haswell
Dunure Castle, Ayrshire (Version 2)
Dunure Castle, Ayrshire (Version 1)
Another design verso.
Miller, Archibald E Haswell
Photo of perspective view of maturing warehouse, Willowyard, near Beith, Ayrshire
Photograph of a perspective view of site.
Ferguson, Hugh C S
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with figure amongst trees, Ayrshire.
Raeburn, Agnes
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Winter landscape with cottage under snow. Location: Pinwherry, Ayrshire.
Alison, Henry Young
Rowallan Castle, Ayrshire - woodwork
Various elevations and details of timber panelling.
Fulton, James Black
Guthries Church, Fenwick - pulpit
Plan and elevations of decorative pulpit.
Fulton, James Black
Handkerchief, Ayrshire embroidery (Version 3)
Part of Records and textiles of the Needlework Development Scheme
Handkerchief, Ayrshire embroidery (Version 2)
Part of Records and textiles of the Needlework Development Scheme
Handkerchief, Ayrshire embroidery (Version 1)
Part of Records and textiles of the Needlework Development Scheme
Handkerchief, Ayrshire embroidery
Part of Records and textiles of the Needlework Development Scheme
Scottish. Very fine lawn with flower and leaf design at each corner and initial 'A' in pink in one corner. Very fine drawn fillings and drawn hem.
*Not available / given
Ayrshire Christening Robe (Version 1)
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Job files relating to the project (no images or drawings/plans).
Gillespie, Kidd and Coia
House for Dr Peter Forrester, Hurlford Road, Kilmarnock
Correspondence relating to the project.
Gillespie, Kidd and Coia
St Peter in Chains Presbytery, Ardrossan
Correspondence, invoices, accounts, planning permission document, report on tenders and other papers relating to the project; includes one document dated 1937 (measurement of plumber work).
Gillespie, Kidd and Coia
St Joseph's Church, Kilmarnock
Correspondence relating to the project.
Gillespie, Kidd and Coia
Our Lady, Star of the Sea Church, Saltcoats
Drawings related to the project.
Gillespie, Kidd and Coia
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Black ink wash drawing of a leafless tree. The work is titled, signed and dated.
Wilson, Colin
Bird watching station: East and West elevations
A tracing paper consisting of the east and west elevations. The drawing is in 1:50 scale and showing the finishing materials and colours.
Platt, Christopher
Bird watching station: North and South elevations
A tracing paper consisting of the north and south elevations. The drawing is in 1:50 scale and showing the finishing materials and colours.
Platt, Christopher
Bird watching station: Section BB
A tracing paper including section BB crossing the dining room, greenhouse and entrance facing the west elevation. The drawing is in 1:50 scale and shows the details of the construction materials and the windmill at the roof with a description of solar panels on the roof of the greenhouse.
Platt, Christopher
Bird watching station: Section AA
A tracing paper including section AA crossing the dining and living room facing the north elevation. The drawing is in 1:50 scale and showing the details of the construction materials and the windmill at the roof with a description of how to use wind to produce electricity and stored in batteries where it is fed through the building.
Platt, Christopher
Bird watching station: Thrid floor plan
A tracing paper showing the third floor plan of the design of the building. The drawing is in 1:50 scale and including the main space of the observatory and darkroom with the details of the walls and windows, staircase, and furniture.
Platt, Christopher
Bird watching station: Second floor plan
A tracing paper showing the second floor plan of the design of the building. The drawing is in 1:50 scale and including the spaces and rooms and details of the walls and windows, steps, staircase, and furniture.
Platt, Christopher
Bird watching station: First floor plan
A tracing paper showing the first floor plan of the design of the building. The drawing is in 1:50 scale and including the spaces and rooms and details of the walls and windows, steps, staircase, and furniture.
Platt, Christopher
Bird watching station: Site plan at Ailsa Craig
A tracing paper showing the site plan of Alisa Craig where the design will be built. The drawing is in 1:100 scale.
Platt, Christopher
A brief of the basic design requirements
A written sheet including a brief of the basic design requirements including function, occupation, construction, and location. The most important design criterion is: "the building must blend in with the surrounding landscape as camouflage".
Platt, Christopher
The final design project: Bird watching station
Material related to final project which was to design a bird watching station including tracing papers showing the drawings of the site plan, floor plans, sections, and elevations all in details. The material in this series was originally stapled together. Staples have been removed.
Platt, Christopher
Details of Park Centre: Culzean
A free hand drawing consisting of some details of Park Centre: Culzean, showing some details of window, door, main gate, and chair.
Platt, Christopher
Camellia house, Culzean Castle
A free hand drawings consisting of some details of Camellia house and grounds: Culzean.
Platt, Christopher
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
This work is presumed from the same series as "Pressed seaweed art (DC 120/1/1)," but not dated. Two pieces of kelp and red dulse seaweed are attached to the paper.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A drawing made of dried kelp and red dulse seaweed from the sea near Millport in Ayr, Scotland. Annotated "Millport. ap 3. 36." presumed to be the creation date. The pieces of seaweed adhere to the paper, maintaining their natural shapes.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A variety of artworks, including landscape drawings, designs and life sketches, unique paintings made of pressed seaweed, and one printed work. A few items have annotations, such as related locations to the works or some letters. None of them are dated, except for one piece of the seaweed work.
Meldrum, William
Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A number of sketches and photographs of works by William Meldrum. This collection includes figure and illustrative drawings, unique pieces made of seaweed, and a series of monochrome photographs featuring landscape paintings. Most of the items are undated however the dates of creation are presumed to fall between the 1880s and 1920s. A set of typewritten paper by an unknown author dated after 1966, features a brief biography of Meldrum and descriptions of two drawings along with their custodial histories.
William Meldrum tended to work on depicting city views of Glasgow in the early 20th century and landscapes of diverse areas in Scotland. He created multiple pieces of black-and-white photographs on which his paintings have been printed; some of the photographs have identical versions.
Meldrum, William
Part of Papers of Archibald Haswell Miller and Josephine Haswell Miller (nee Cameron)
Archibald Haswell Miller's sketchbook, dated 1919-23-31. On the front it lists three places; St Ives, Dunure, and Hailes. The sketchbook contains various drawings, including builds and designs of coats of arms.
Miller, Archibald E Haswell
Material relating to designs for Rolls of Honour
Part of Papers of Dorothy Doddrell
Variety of works created by Dorothy Doddrell relating to the Rolls of Honour of The Glasgow School of Art, Busby Parish Church, and Stevenson Memorial Church.
Doddrell, Dorothy Maria F
The papers listed here are the records of three private commissions undertaken by James Fulton between 1909 and 1912, while he was resident in London. The papers include correspondence with the clients, builders and tradesmen. There are rough plans only for the house for F. Hall Gibson, who appears to have been a friend of Fulton's family.
Fulton, James Black
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Katherine Cameron, Charles Rennie Mackintosh, Janet Aitken, John Keppie, Agnes Raeburn, Jessie Keppie, Frances Macdonald, Herbert MacNair, Margaret Macdonald.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Katherine Cameron, Charles Rennie Mackintosh, Janet Aitken, John Keppie, Agnes Raeburn, Jessie Keppie, Frances Macdonald, Herbert MacNair, Margaret Macdonald.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Frances MacDonald, Agnes Raeburn, Janet Aitken, Katherine Cameron, Jessie Keppie and Margaret Macdonald.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Charles Rennie Mackintosh, Jessie Keppie, Agnes Raeburn, Janet Aitken, Katherine Cameron, Frances Macdonald, John Keppie (head and shoulders), Herbert MacNair and Margaret Macdonald.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Back Row: Frances Macdonald
Middle Row L-R: Margaret Macdonald, Katherine Cameron, Janet Aitken, Agnes Raeburn, Jessie Keppie, John Keppie
Front Row L-R: Herbert MacNair, Charles Rennie Mackintosh
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Back Row: Frances Macdonald
Middle Row L-R: Margaret Macdonald, Katherine Cameron, Janet Aitken, Agnes Raeburn, Jessie Keppie, John Keppie
Front Row L-R: Herbert MacNair, Charles Rennie Mackintosh
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
L-R: Frances Macdonald, Agnes Raeburn, Janet Aitken, Charles Rennie Mackintosh, Katherine Cameron, Jessie Keppie, Margaret Macdonald.
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Back Row: Frances Macdonald
Middle Row L-R: Margaret Macdonald, Katherine Cameron, Janet Aitken, Agnes Raeburn, Jessie Keppie, John Keppie
Front Row L-R: Herbert MacNair, Charles Rennie Mackintosh
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Charles Rennie Mackintosh (top right), Herbert MacNair (bottom left), with Agnes Raeburn(?), Jessie Keppie(?) and her sister(?).
*Not available / given
Part of Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
These images show Charles Rennie Mackintosh and fellow Glasgow School of Art Students, Herbert MacNair, Frances Macdonald, Margaret Macdonald, Agnes Raeburn, Janet Aitken, Katherine Cameron and Jessie Keppie. Jessie Keppie's brother, John Keppie also appears in the photographs. John Keppie was a partner in Honeyman and Keppie, the architectural firm at which Mackintosh and Herbert McNair worked.
*Not available / given