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Kilwinning Abbey

Kilwinning Abbey

Perspective drawing of the doorway to cloisters at Kilwinning Abbey. Underneath, a plan of the archway is drawn, accompanied by sections, elevations and perspectives of the clustered pillars. Measurements and notes are provided for various elements. The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

McGibbon, Alexander

Kilbirnie Parish Church

Kilbirnie Parish Church

Perspective drawing of Kilbirnie Parish Church, accompanied by small sections underneath with some measurements and notes. An annotation dates the church to '1640?' The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

McGibbon, Alexander

Kilbirnie Parish Church

Kilbirnie Parish Church

Perspective drawing of the gallery front at Kilbirnie Parish Church. The drawing is accompanied by smaller sections and elevations of the columns, and a rough plan of the gallery. Various measurements and descriptions of materials are noted. The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

McGibbon, Alexander

Kelso Abbey

Kelso Abbey

Perspective drawing of the east corner of the south transept at Kelso Abbey.  Accompanying it are several smaller perspectives and sections of architectural elements, annotated with measurements.  The drawing bears the stamp of the Glasgow School of Art Library.

McGibbon, Alexander

Kelso Abbey

Kelso Abbey

Perspective drawing of the west archway at Kelso Abbey. A section of the archway is overlayed above the perspective. Smaller sections and persectives of elements of the archway are also drawn. A note states that the drawing is a rough sketch because only a portion of the north side exists. Another annotation states that a capital is misplaced in the drawing. The drawing bears the stamp of the Glasgow School of Art Library.

McGibbon, Alexander

Jedburgh Abbey

Jedburgh Abbey

Perspective drawing of the west doorway at Jedburgh Abbey. It is labelled with various measurements and annotations. A cross-section of the archway is overlayed on top of the perspective, and a section of a column base is sketched and labelled with measurements below. Other small elements are also drawn. The drawing bears the stamp of the Glasgow School of Art Library.

McGibbon, Alexander

Jedburgh Abbey

Jedburgh Abbey

Perspective drawing of Jedburgh Abbey, displaying the portal leading to the cloisters in the south aisle of the nave. Underneath, plans of the archway and jamb are drawn, as well as cross-sections and perspectives of column bases and capitals. A note is written stating that the details are taken from a restored replica and not the original. The drawing bears the stamp of the Glasgow School of Art Library.

McGibbon, Alexander

Italian Sketchbook

This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.

Mackintosh, Charles Rennie

Italian Romanesque Architecture

Page titled 'Italian Romanesque' at top. This page features sketches and text relating to 'S. Michele, Pavia' and 'S Ambroggio, Milan'.

This is the seventeenth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

Gorman, James

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