- NMC/0042I
- Item
- 1923
Abstract skyline.
Pringle, John Quinton
Abstract skyline.
Pringle, John Quinton
Fenced field.
Pringle, John Quinton
Woman with hat.
Pringle, John Quinton
Trees and buildings, 'Bewdley'.
Pringle, John Quinton
Country skyline.
Pringle, John Quinton
Houses and skyline.
Pringle, John Quinton
Cottage.
Pringle, John Quinton
Open flats.
Pringle, John Quinton
Study of trees.
Pringle, John Quinton
Unfinished abstract landscape. Lower left: The early stages of a water colour drawing (subsequently damaged) made by Mr. J. Q. Pringle when at Whalsay.
Pringle, John Quinton
Unfinished study of trees.
Pringle, John Quinton
Landscape study.
Pringle, John Quinton
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study.
Pringle, John Quinton
Two country landscapes (folded).
Laurie, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study of woods in Milngavie, near Glasgow. Verso: 'Edge of a wood, Milngavie', John Laurie, 4 Somerset Place Mews Glasgow G3.
Laurie, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of trees.
Laurie, John
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Poster for exhibition 'Christopher Pratt silkscreen prints 1960 to 1982', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Christopher Pratt silkscreen prints 1960 to 1982', Glasgow Print Studio Gallery, Glasgow, 15 Nov 1983-08 Dec 1983. The exhibition toured a number of venues, namely Rome, Glasgow, Billingham, Berkshire, Dublin and Vienna between 1983 and 1985. The year is not given on the poster but is understood to be 1983 from the sources below.
Sources: https://www.exhibits.therooms.ca/ic_sites/pratt/life/timeline.htm; https://gsaarchives.net/collections/index.php/dc-030-1-3
Not available / given
Poster for 'LMS - The Firth of Clyde', for London Midland & Scottish Railway Company
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'LMS - The Firth of Clyde', for London Midland & Scottish Railway Company. Printed for the Foulis Archive Press, Glasgow School of Art by David J. Clark Ltd, Glasgow. Features artwork by Norman Wilkinson, 1925. The date of the poster is unknown but is believed to be the 1920s.
*Not available / given
Photograph of the Cuillin Hills view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the view of the Cuillin Hills on the Isle of Skye, Scotland. Annotated "Loch Scavaig, The Cuillin Hills from the south" on the reverse, but not dated.
Meldrum, William
Photograph of a stream view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the stream in Clarkston, Scotland, as annotated "Placid Stream Clarkston" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of Tollcross Park view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A black-and-white photograph of a watercolour painting featuring a view from Tollcross Park in Glasgow. A distant building, assumed to be a church, is visible over the woodland scenery. Annotated "Tollcross Park Glasgow" on the reverse, but not dated.
Meldrum, William
Photograph of a bay view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sepia-toned photograph of a watercolour painting depicting Gourock Bay, as annotated "Gourock at the Clyde" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of a painting featuring a boat on the river Tweed
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting depicting two people near the river Tweed in Melrose, Scotland. One person is standing towards the river, while another is on a floating boat in the painting. Signed "W. Meldrum," but not dated. Includes the annotation "The Tweed near Melrose" on the reverse of backing paper.
Meldrum, William
Photograph of a country mansion painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.
Meldrum, William
Photograph of a country house painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting depicting a house in the countryside. Signed "W. Meldrum," but not dated.
Meldrum, William
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A small print featuring the scenery in front of the courtyard of a Scottish manse. Annotated as "The Manse, Kilmore" on the upper left side, but not dated.
Meldrum, William
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
A collection of photographs and negatives taken by George Oliver dating from 1948-1990 (apart from two dated c1897). George arranged his photographs into folders by approximate subject matter and gave each folder a title. This has been reflected in the catalogue with the folder titles in the catalogue being the exact titles George used. The folders have been arranged by subject matter where possible. There are exceptions to the above. Folders DC 066/2/20 and DC 066/2/86 have not been given a title by George and have been catalogued as 'Untitled'. There are exceptions to this with DC 066/2/78 containing photographs taken by Cordelia Oliver as they date from after George's death. As a result of the Mackintosh Building fire in 2014, folders DC 066/2/87, DC 066/2/88 and DC 066/2/89 contain photographs that have been rehoused since their deposit and are likely to have been taken out of other folders. It is not clear from which folders these photographs came originally, so they have been catalogued separately with their titles reflecting the subject matter of the photographs they contain.
Oliver, George