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Architectural drawing on tracing paper showing the second, third and fourth floor plans, all in scale 1:100, in which all the functional spaces have been identified with coded numbers, then addressed their titles, as below:
Basement floor consists of: 1 chapel entrance, 2 chaplaincy entrance, 3 coats, 4 hall / cafeteria, 5 sitting alcove, 6 servery, 7 chair store, and 8 garden. Gallery floor consists of: 9 terrace, and 10 gallery. Fifth floor consists of: 11 television, 12 music, 13 common room, 14 tanks, and 15 roof.

Architectural drawing on tracing paper showing the second part of both the south east elevation to Oakfield Avenue and the long section in scale 1:100, in which this item has to be attached with the previous item from the left hand side to complete the whole elevation and section. All architectural details of the new building showing the modern style are compared with the traditional style of the existing building, especially with the design of the windows. The long section presents the main structural elements and the building construction system used for the new building. The architect created this façade with coloured finishing.

Architectural drawing on tracing paper showing the first part of both the north west elevation to garden and the long section in scale 1:100, in which this item has to be attached with the next item from the right hand side to complete the whole elevation and section. All the architectural details of the new building showing the modern style compared with the traditional style of the existing building, especially with the design of the windows. The architect chose to present these drawings with coloured finishing. There is an outline plan in scale 1:1000 to identify where the long section has been taken.

Architectural drawing on tracing paper includes a cross section in scale 1:100, showing the building construction system and its main structural elements. There is an outline plan, scale 1:1000, indicating where this cross section has been taken. Cross section shows the differences of the interior design between the traditional building and the modern interior design for the new building, simplicity vs heavy details.

Architectural drawing on tracing paper includes the north east elevation to Gibson Street, in scale 1:100, showing the the second part of this elevation, which has to be attached within the previous item from left hand side to complete the whole façade. The design reflects the modern style of the architectural movement at the time of designing this project. This elevation comes with mono-colour (black and white) finishing.

A copy of an architectural drawing on sheet paper related to the thesis project showing a plan of area floor of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing the plan of attics and ceiling of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing proposals for approaches to the University front entrances and addresses as drawing No.1. Although there is no reference number on this sheet, it seems like it has the same reference as the previous item. It shows the axis of main building complex.

A copy of an architectural drawing on sheet paper related to the thesis project showing the elevation to the lane of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152. This sheet has a tear.

A copy of an architectural drawing on sheet paper related to the thesis project showing the back elevation and sections of the Wellington Church. This material is a copy from an official document related to a "Proposed new buildings Hillhead". There is a signature of T L Watson, Thomas Lennox Watson, the architect who designed this church dated Oct. 1882, Glasgow. This material has been used by the architect in the stage of the pre-design analysis study of the thesis project. It originally comes from "Strathclyde Regional Archives" with reference of: H/HIL/1882/152.

A copy of an architectural drawing on sheet paper related to the thesis project showing the elevation to University Avenue of the Wellington Church and its front main entrance. Although this material has no reference, it comes from the same official document that related to a "Proposed new buildings Hillhead" designed by Thomas Lennox Watson. It is in a small size (seems it has been cut from a large sheet). This item has a torn edge (upper right hand side).

A 3/32 inch:1 foot (3:384) scale coloured balsa wood model made by students of the Manchester University School of Architecture (under the auspices of Professor Thomas Howarth?). This item is damaged and is awaiting conservation.

3 straps of decoration. Bears "J Giusti & Co, makers, St Vincent St, Glasgow" maker's stamp. Annotated "347".