Plaster cast of panel scene with figures in relief
- PC/072
- Item
- Mid 19th century-early 20th century
Part of Plaster Casts
Part of a temple frieze.
*Not available / given
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Plaster cast of panel scene with figures in relief
Part of Plaster Casts
Part of a temple frieze.
*Not available / given
Plaster cast of half section of classical relief with putti holding laurel wreath
Part of Plaster Casts
*Not available / given
Plaster cast of fragment of stele
Part of Plaster Casts
Stele refers to an upright stone or slab with an inscribed or sculptured surface, used as a monument or as a commemorative tablet in the face of a building. Annotated with Greek text "EYTYXO HPINH NIRON".
*Not available / given
Plaster cast of acroteria from Greek temple
Part of Plaster Casts
*Not available / given
Plaster cast of decorative capital
Part of Plaster Casts
*Not available / given
Plaster cast of top part of stele with antefixa ornament and Greek inscription
Part of Plaster Casts
With stylised leaves and Greek lettering. Bears illegible maker's stamp. Annotated with faint, illegible Greek lettering.
*Not available / given
Plaster cast of architectural fragment
Part of Plaster Casts
*Not available / given
Plaster cast of panel decorated with figures, putti, masks and foliage
Part of Plaster Casts
Low relief panel.
*Not available / given
Plaster cast of architectural fragment with leaf relief
Part of Plaster Casts
*Not available / given
Plaster cast of panel decorated with vase, birds and foliage
Part of Plaster Casts
In relief.
*Not available / given
Plaster cast of wooden carved decorated panel with foliage and two Satyr-like figures
Part of Plaster Casts
Panel showing scrolling foliage with two central figures turned toward each other in relief.
*Not available / given
Plaster cast of panel decorated with cornucopia of birds and foliage in relief
Part of Plaster Casts
Panel with floral ornamentations and eagle.
*Not available / given
Plaster cast of panel with figure of Ceres, animals and foliage
Part of Plaster Casts
In relief.
*Not available / given
Plaster cast of Apoxyomenos (Vatican Apoxyomenos)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: An athlete, caught in the familiar act of scraping sweat and dust from his body with the small curved instrument that the Romans called a strigil. This cast is of the legs of the cast only. Original currently in the collection of the Museo Pio-Clementino in the Vatican, Rome, Italy.
Plaster cast of Canephora (Kanephoros)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Canephora was an honorific office given to unmarried young women in ancient Greece which involved the privilege of leading the procession to sacrifice at festivals.Translated as: "Basket Bearer". Original currently in the collection of the British Museum, London, UK.
Plaster cast of Germanicus (Marcellus)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: The original scaled Roman statue of c50BC by the sculptor Kleomenes. The Nude male statue, erroneously identified as Germanicus, a member of the family of the Emperor Augustus, probably should be considered a portrait of a member of a wealthy family of the late Republic. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of Venus de Milo (Aphrodite of Milos)
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta
Part of Plaster Casts
Original: Agostino di Duccio, c1450. Basilica Malatesta, Rimini, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of relief altarpiece of Adoration of the Magi
Part of Plaster Casts
Panel depicting the infant Christ being attended by the wise men. Original: Tilman Reimenschneider, c1510. Lime wood. Rothenburg ober der Tauber, Germany. Currently in the collection of the British Museum, London, UK. Annotated "D Brucciani & Co London".
D Brucciani & Co
Plaster cast of shoulder muscle with neck and arm muscle structure
Part of Plaster Casts
*Not available / given
Plaster cast of cherub with dolphin
Part of Plaster Casts
Original: Andrea Verrocchio. Currently in the National Museum of Bargello, Florence, Italy.
*Not available / given
Plaster cast of panther catching a rabbit
Part of Plaster Casts
Sculpture of panther holding a captured rabbit in its jaws. This is after an original sculpture c.1850 by Antoine-Louis Barye.
*Not available / given
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
*Not available / given
Classical female figure, side view, in wooden frame. Inscribed verso: "This belongs to Violet Clifton. Left to John Laurie, Art Club, Bath Street, Glasgow".
*Not available / given
Print of 'An Angel Adoring' by Robert Anning Bell
Part of Papers of Dorothy Doddrell
Print of 'An Angel Adoring' by Robert Anning Bell. Protective cover sheet has annotation which attributes the original work to Robert Anning Bell, and the medium as a coloured plaster relief.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Bell, Robert Anning
Plaster seal featuring portrait of Charles Dowell
Plaster relief roundel with raised silhouette portrait of Charles Dowell and 'Chas R Dowell 1920' in raised lettering in legend. Signed W T Miller.
Drawing of bust of male. Annotated with the date '24.7.12'. Drawn while the artist studied at Dundee Technical College and School of Art, 1911-1912.
Wilson, Jessie Dunlop McCulloch
Bronze statuette of male figure. Il Penseroso is a vision of poetic melancholy by John Milton.
Portsmouth, Percival Herbert
Drawing of lion sculpture. Annotated with the artist's name and date '13.10.11'. Drawn while the artist studied at Dundee Technical College and School of Art, 1911-1912.
Wilson, Jessie Dunlop McCulloch
Plaster and resin cast, possibly taken from an older wood carving showing a nativity scene on the long face and an Annunciation and Joseph on either end. The reverse is hollow with rough resin marks. Shape suggests it is copied from a capital at the top of a pilaster. Formerly located in the Director's office.
*Not available / given
Carved tablet to Sir James Fleming
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
A carved tribute panel dedicated to Sir James Fleming (Chairman of GSA's Board of Governors). Located on the half landing between the ground and first floors of the Mackintosh Building. Panel unveiled, 17 January 1903.
Frampton, Sir George James
Design of King Edward VII and Queen Alexandra. Inscribed verso: "To James Fleming from Sir George Frampton".
Frampton, Sir George James
Plaster cast of relief panel with profile portrait head
Part of Plaster Casts
Annotated but illegible.
*Not available / given
Designed for the 'Rose Boudoir', International Exhibition of Modern Decorative Art, Turin, 1902. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
A Rose Boudoir included two gesso panels - composite works of plaster with pigment, set with glass beads - made exclusively by Macdonald. On the manifest for the exhibition, Mackintosh indicated that ‘duplicates only’ were available for sale. Two other versions, both in Glasgow, had the same design but with different palette and surface detail: The White Rose and the Red Rose hung above the mantle in the Mackintoshes’ own home, and can now be seen in the Mackintosh House at the Hunterian Art Gallery; and The Heart of the Rose belonged to Wylie Hill, a relative of Jessie Newbery, and was later given to the Glasgow School of Art. Previously it was assumed that these versions were created from a cartoon or template, each hand made, but it was difficult to tell which set came first, or even if they were made simultaneously. But recent analysis by Graciela Ainsworth Conservation Studio in Edinburgh has shown that the GSA version is not a gesso panel as we have come to understand Macdonald’s technique, but rather a traditional plaster cast that has been painted. This may seem like a minor technical point, but when considered alongside Mackintosh’s note that duplicates could be ordered, it reminds us that he carefully curated this space to show both that he and Macdonald could be commissioned to do entire rooms but were also very happy to have individual pieces replicated and sold on their own merit (information supplied by Dr Robyne Erica Calvert, Cultural Historian, Mar 2022).
Mackintosh, Margaret Macdonald
Volume II.
Brown, Duncan
Volume II.
Brown, Duncan
Volume II.
Brown, Duncan
Volume II.
Brown, Duncan
Volume II.
Brown, Duncan
Volume II.
Brown, Duncan
Volume II.
Brown, Duncan
Volume II.
Brown, Duncan
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze (Block XL from the North frieze)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Chest containing collection of cast reliefs
Wooden chest with twelve small shallow drawers and two larger drawers. Contains collection of cast reliefs of portrait busts, religious scenes, ancient Greek/Roman scenes, military scenes, and architecture.
*Not available / given