Trinity College Chapel, Cambridge
- NMC/0908.096
- Item
- Jun 1913
Detail of centre panel.
Beveridge, Thomas Johnston
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Trinity College Chapel, Cambridge
Detail of centre panel.
Beveridge, Thomas Johnston
Combination room, detail of panel.
Beveridge, Thomas Johnston
Folder containing 49 black and white photographs of various sizes. All are taken by George Oliver with the exception of one which has been taken by Flora Ritchie, the cousin of George's wife, Cordelia Oliver. This photograph depicts a street scene in Townhead, Glasgow, c1950s. The remaining photographs depict various street scenes in Glasgow from 1948-1980s, most of which have been annotated. The earliest photograph dates from 1948 and depicts traction engines pulling North British Loco. Co. engine along Sauchiehall Street en route for the docks. Other scenes include: the construction of the M8, Gorbals, Queen Street Station and trace horses on West Nile Street c1948.
Oliver, George
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 100 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1988, Art Review, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan, covering visual art exhibitions in Glasgow, Edinburgh, Stirling and Scottish regions. During the year Henry also covers art in Los Angeles, Yugoslavia, Siena, Venice, Dublin and India.
Some reviews focus on reviews of exhibitions in England, mostly London at Marlborough Gallery, Serpentine Gallery and Tate London. There are also reviews and features on the opening of Tate North, Liverpool. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on Scottish Arts Council funding cuts at Compass Gallery. The reviews also cover galleries: The Third Eye Centre, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery, Talbot Rice, Graeme Murray Fine Art, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow, and artist led galleries: WASPS, Collective Edinburgh and Transmission.
During this period Henry gives context and opinion on the condition of Glasgow’s Galleries in the lead up to Glasgow Capital of Culture *1990. Other feature and perspective pieces include: Richard Demarco, Fiona McLeod as new Fruitmarket director, Prince of Wales visit to The Glasgow School of Art, BBC week of British Art, McLellan Galleries refurbishment, Edinburgh International Exhibition and interview with Andy Goldsworthy. The exhibitions covered are solo shows, by artists Marie Barbour, Sol Lewitt, Mario Merz, Jacki Parry, Peter Howson, David Mach, Lucian Freud, Henry Moore in India and group shows Glasgow Photographers Group, New Scottish Art, and Old Master Paintings from the Thyssen Collection. Mayfest, Glasgow Garden Festival, Polish Realities Season and the Edinburgh Festival are also covered in detail.
Some correspondence also includes exhibition proposal to Royal Scottish Academy.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written draft copies of around 110 articles of 500-1100 word length, by Clare Henry for The Glasgow Herald, January-December 1989 with weekly Monday and Friday features, Art Review, Time Out, World of Interiors, ALBA, Galleries Magazine and Ikebana Ryussei Magazine Japan covering visual art exhibitions in Glasgow, Edinburgh, Aberdeen, Dundee and Scottish regions.
During the year Henry also covers art in Los Angeles, Amsterdam and Madrid. Some reviews focus on exhibitions in London at Serpentine Gallery and Tate London. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Scotrail Exhibition Centre and JD Kelly Gallery, including a feature on the opening of Barbizon Gallery Glasgow.
The reviews also cover galleries: The Third Eye Centre, Compass Gallery Edinburgh Printmakers Workshop, Fruitmarket Edinburgh (also referred to as Scottish Arts Council Gallery), Mercury Gallery and Talbot Rice, Graeme Murray Fine Art and the opening of Streetlevel Glasgow, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries WASPS, Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on the condition of funding, marketing, government policy and Glasgow’s Galleries in the lead up to Glasgow Capital of Culture 1990. Other feature and perspective pieces include, the cancellation of the Vienna 1960 exhibition by National Galleries of Scotland, the takeover row, funding and leadership of the National Galleries of Scotland, the sale of El Greco by National Gallery of Scotland, the wedding of Peter Howson and Terry Cullen, Soviet Season in Glasgow, Glasgow 1990 Build Up, Graeme Murray Fine Art at Amsterdam Kunstrai with Ian Hamilton Findlay and obituaries for Salvador Dali and William Barns Graham.
The exhibitions covered are solo shows, by artists Alf Lohr, Doug Cocker, Anthony Gormley, Andy Goldsworthy, Andy Warhol and Peter Howson and group shows for Royal Glasgow Institute.
Mayfest and the Edinburgh Festival and problems with funding are covered in detail, as is Soviet Season in Glasgow. Some correspondence proposing future articles with Ray Gard, Arnold Kemp from The Glasgow Herald and Time Out Sarah Kent.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 100 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1991 with weekly Monday, Friday and some weekend features. Articles also written for Art Review, Time Out, Museums Journal, Art Line, Portfolio and Galleries Magazine covering visual art exhibitions in Glasgow, Edinburgh, Stornoway, St Andrews, Kirkcudbright, Ayr and Scottish regions. During the year Henry also covers art in Budapest, Rome and Germany.
Some reviews focus on reviews of exhibitions in London at Scottish Gallery London, Marlborough Fine Art London, Royal Academy, Serpentine, Saatchi Gallery, Flowers, Art 91 and Tate. A number of the Scottish reviews are for exhibitions at former galleries: Main Fine Arts Studio Gallery Gibson Street, New 57 Gallery, 369 Gallery, Glasgow’s Glasgow, ASH Gallery Edinburgh, JD Kelly Gallery, Barbizon Gallery Glasgow. The reviews also cover galleries: The Third Eye Centre, Compass Gallery, Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Mercury Gallery, Talbot Rice, Graeme Murray Fine Art and Streetlevel Glasgow, McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), National Gallery of Modern Art Edinburgh, Royal Scottish Academy, People’s Palace Glasgow and Hunterian Gallery Glasgow and artist led galleries: WASPS, Collective Edinburgh, Project Ability and Transmission.
During this period Henry gives more context and opinion facts and figures on Glasgow after 1990 Capital of Culture and its bid for Capital of Art 1996. Other feature and perspective pieces include: the closure of Fruitmarket Gallery Edinburgh, Director of Visual Arts Glasgow post, Julian Spalding acquisition for new Art for Kelvingrove, Tribal Shields, Knoedler Gallery London, an open letter to SAC director regarding 369 Gallery Edinburgh closure, WASPS closure rumours, Scottish Visual Arts Crisis and Scottish Arts Council, Resignation of The Glasgow School of Art Director John Whiteman, Third Eye Centre bankruptcy, Glasgow Milestones.
The exhibitions covered are solo shows, by artists June Redfern, The Boyle Family, Stanley Spencer, Elspeth Lamb, George Wyllie, Hamish Macdonald, Adrian Wiszniewski, Eduardo Paolozzi, Ian Hamilton Finlay, Jo Spence, Joyce Cairns, Ken Currie, Anthony Caro, Cathie Wilkes, Peter Howson and David Mach and group shows for Royal Glasgow Institute, Glasgow Group Points East, New Beginnings Season and Scottish Arts Council touring bus. Mayfest, the Edinburgh Festival, Windfall and New Beginnings Season are covered in detail. Also includes: correspondence and delegate information for Points East conference Glasgow, National Art Collections Fund Saved for Scotland exhibition press information, Glasgow 1990 Statistics Fact Sheet, British School in Rome Visit, Scottish Tourist Board strategy planning, New Art in Scotland exhibition planning and selection minutes and notes, invitation to the wedding of Angela Wrapson and George Kerevan, correspondence with Robert Johnston, notes from Chelsea Arts Club debate on Art as Goods or Ideas, correspondence with Chelsea Art Club, correspondence from Mark Fisher MP.
Also included are catalogue essay commissions for David Toner at Gatehouse Gallery and Chelsea Arts Club Centenary.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Articles written for The Glasgow Herald unless otherwise stated.
Hand written and typed draft copies of around 150 articles of 500-1500 word length, by Clare Henry for The Glasgow Herald, January-December 1997, with Monday weekly articles and a weekend feature art guide feature, including regular book reviews and a new ‘Picture of the week’ feature. Articles also written for Galleries Magazine, International Magazine, Chelsea Arts Club magazine, AN Newsletter, Financial Times and Interiors Magazine covering visual art exhibitions in Glasgow, Edinburgh, and increasingly in other places in Scotland such as St Andrews, Aberdeen, Stirling, Dumfries and Aberfoyle. Exhibitions in London, Venice and Berlin also feature including Art Fair 97 London.
A number of the Scottish reviews are for exhibitions at former galleries: Compass Gallery, Gatehouse Gallery Glasgow, Fly, Duke Street Glasgow. The reviews also cover private galleries: Edinburgh Printmakers Workshop, Fruitmarket Edinburgh, Talbot Rice, Billcliffe Fine Art, Nancy Smillie Gallery, Fiction Gallery Glasgow, Art Exposure Glasgow and Streetlevel Glasgow, as well as publicly funded galleries: McLellan Galleries, Tramway, Kelvingrove (also known as Glasgow Art Gallery), Burrell Collection Glasgow, National Gallery of Modern Art Edinburgh, Royal Scottish Academy and artist led galleries Collective Edinburgh and Transmission.
During this period Henry gives more context and opinion on Sir William Burrell's will, Glasgow City Council, Norway Art & Architecture, Kelvingrove redevelopment, Julian Spalding, Arran Ross, Fergusson Award Winner Perth, Christine Borland nominated for Tate Turner Prize, Baltic Flour Mill Gateshead and Princes Diana's death. The exhibitions covered are solo shows, David Nash, Margot Sandeman, Calum Colvin, Roman Singer, Sophie Macpherson, Bill Viola, Jacqueline Donachie, John Houston, Sunil Gawde, Barbara Rae and Simon Starling.
Group shows include Animal The Lost Ark, CCA, Rolling Devolution, Crawford Centre St Andrews, the Vigorous Imagination Ten Years On, New Contemporaries, CCA Glasgow and Sensation, Royal Academy London, Saatchi Collection. Edinburgh Festival is covered in detail as well as Mayfest and The Glasgow School of Art Degree Show.
Profiles on Julie Roberts, Alan Davie, Bruce McLean, Johnny Dumfries, Joan Sommerville and Tim Mara Obituary. Also included are catalogue essays for Philip Hughes, Francis Kyle Gallery, Marj Bond, Thackary Gallery London, Contemporary Scottish Art, Albermarle Gallery London, Graham Hillier, Francis Kyle London, George Devlin, Billcliffe Fine Art Glasgow and other paper work includes correspondence to Harry Reid, Keith Bruce, Donald Dewar and The Glasgow School of Art, press releases and invoices for work.
[i]Articles written in this year which are not present in the archive:
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 28 articles of 1000-1500 word length, by Clare Henry for The Financial Times, January-December 2002. During this period Henry worked between the UK and the USA with many of the articles featuring exhibitions and events in New York. Articles also written for Gabrius Magazine and The Sunday Herald. Other paper work includes handwritten notes.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 24 articles of 800-3000 word length, by Clare Henry for The Financial Times, January-December 2006. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for The Scotsman and exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Articles, reviews and features
Typed draft copies and email correspondence of around 7 articles of 800-2000 word length, by Clare Henry for The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for exhibition catalogues. Other paperwork includes handwritten notes and email correspondence.
[i]Articles written in this year which are not present in the archive
Henry, Clare
Entrance and façade to an art gallery: working details
A second year project. Corrections in red ink.
Penman, Larmont Douglas
Winchester College Chapel, 17th century cartouche.
Beveridge, Thomas Johnston
Choir stalls, detail of door.
Beveridge, Thomas Johnston
Detail of main cornice at wings of screen.
Beveridge, Thomas Johnston
Trinity College Chapel, Cambridge
Detail of carved panel.
Beveridge, Thomas Johnston
Detail of bracket under main cornice.
Beveridge, Thomas Johnston
Trinity College Chapel, Cambridge
Detail of altar rail in oak.
Beveridge, Thomas Johnston
Pembroke College Chapel, Cambridge
Half full-size detail of altar rail.
Beveridge, Thomas Johnston
Pembroke College Chapel, Cambridge
Half full-size detail of lectern.
Beveridge, Thomas Johnston
Paneling from a House in Exeter
Various decorative pilasters.
Beveridge, Thomas Johnston
Panelling over two floors.
Beveridge, Thomas Johnston
25 High Street, Guildford, Surrey
Staircase detail.
Beveridge, Thomas Johnston
Detail from Morning Chapel.
Beveridge, Thomas Johnston
South elevation of library. Another drawing, verso.
Beveridge, Thomas Johnston
The King's dressing room.
Beveridge, Thomas Johnston
Detail of haffits.
Beveridge, Thomas Johnston
University College Chapel, Oxford
Capital on screen.
Beveridge, Thomas Johnston
Detail of truss at sides of mantel.
Beveridge, Thomas Johnston
Elevation of Common Room.
Beveridge, Thomas Johnston
East wall of library.
Beveridge, Thomas Johnston
Trinity College Chapel, Oxford
Detail of President's seat.
Beveridge, Thomas Johnston
St Nicholas Church, Deptford, Kent
Detail of cartouche.
Beveridge, Thomas Johnston
Detail of pediment over china cupboard.
Beveridge, Thomas Johnston
Private dining room.
Beveridge, Thomas Johnston
Detail of bracket in oak.
Beveridge, Thomas Johnston
Detail of George II's private chamber.
Beveridge, Thomas Johnston
Detail of panel.
Beveridge, Thomas Johnston
Detail of capital and pilaster in King's Gallery.
Beveridge, Thomas Johnston
Details from Combination Room.
Beveridge, Thomas Johnston
Various details.
Beveridge, Thomas Johnston
Detail of library bookcases.
Beveridge, Thomas Johnston
Detail of library bookcases.
Beveridge, Thomas Johnston
South choir aisle.
Beveridge, Thomas Johnston
Detail of panel over mantlepiece.
Beveridge, Thomas Johnston
Detail of bookcase.
Beveridge, Thomas Johnston
25 High Street, Guildford, Surrey
Staircase detail.
Beveridge, Thomas Johnston
St Nicholas Church Deptford, Kent
Detail of mouldings.
Beveridge, Thomas Johnston
Bishop's throne.
Beveridge, Thomas Johnston