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Glasgow, Scotland
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Different kinds of Street's lightings

Different kinds of Street's lightings

Free hand sketches showing different kinds of lighting on three different street at Glasgow:

  • Maxwell Street from Howard Street,
  • St. Enoch Car Park, Pedestrian Entrance view from inside,
  • St. Enoch Car Park, Pedestrian Entrance view from outside.

Platt, Christopher

Design for the Grand Hall, Glasgow International Exhibition, 1901

Design for the Grand Hall, Glasgow International Exhibition, 1901

The competition, held in 1898, was won by the Glasgow architect James Miller with a considerably more ornate design for a 'bit of Spanish baroque confectionery' (McLaren Young). Like Miller's, Mackintosh's design derives from James Sellars' for the 1888 Glasgow exhibition, but simplified. 'The dome, perhaps a prerequisite for Glasgow exhibitions, remained, but it was presented with severe geometricality, with an Art Nouveau lantern surmounted by a Chinese coolie hat.'

Mackintosh, Charles Rennie

Design criteria: "The eight proposals"

A tracing paper showing the eight proposals from the Design criteria.
1- Thou shalt have thy sleeping/recreational space away from thy work space
2- Thou shalt have some plant life in thy study bedroom
3- Thou shalt have a wash hand basin near some natural light
4- Thou shalt have storage to lay A1 sheets flat
5- Thy study/writing space must be attached to and lower down than thy drawing space
6- Thy bed must not be opposite an open door
7- Thou shalt have facilities for an electric kettle
8- Thou shalt have shelving above the bed and the drawing/study space

Platt, Christopher

Daylight effects on street: Royal Bank Place

Daylight effects on street: Royal Bank Place

Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.

Platt, Christopher

Daylight effects on street: looking through North Court Royal Exchange from Royal Exchange Square

Free hand sketch showing the contrast between immediate shade and distant sunlit. Buildings invite you through the lane and rewards you at the other end with a street where you can check your bearings. Cobbles just past archway indicate lane running across path.

Platt, Christopher

City Chambers, Cathedral, Templeton's etc.

Folder containing 41 black and white photographs of various sizes taken by George Oliver. Some are annotated. Includes: washing lines at Templeton's Carpet Factory, interior of the City Chambers, interior of the Mackintosh Library showing book trolley in a Mackintosh style, Glasgow Cathedral and high rise flats.

Oliver, George

Bury St. Edmunds sports & leisure centre: Structural report

Material related to the writing of structural report related to a project to design a sports council headquarters. It consists of a cover page ( made of cartridge) with 19 pages (with no binding) done in the form of hand writing with some free hand sketches including information about design criteria like: development of structural system from concept, integration of structural system into building fabric, influence of structural material, appropriateness of fabric/structure design & detail, and relationship between structural system & services system.

Platt, Christopher

Bothwell Church

Bothwell Church

Watercolour and pencil sketch of Bothwell Church. The backing board notes that the sketch depicts the church before restoration. A joint visit by the Glasgow and Edinburgh Architectural Associations was made to the church on 22 Jun 1889; McGibbon possibly attended this trip and produced this sketch. The drawing bears the stamp of the Glasgow School of Art Library.

McGibbon, Alexander

Art School from Pitt Street

Free hand sketch showing The Glasgow School of Art elevation from Pitt Street including some architectural descriptions, for example, the view of The Glasgow School of Art showing west side and part of south side and how different is was to the Neo-Classical buildings that were being built at the same time which belonged to where they originated in Italy and Greece whereas the Art School was designed with Scottish influences.

Platt, Christopher

A Roman catholic seminary & chaplaincy for Glasgow University: SW elevation to University Avenue

Architectural drawing on tracing paper includes the south west elevation in scale 1:100, showing the differences of the exterior design between the traditional building and the modern style of the new building. It shows the main entrance of the Wellington church, with six palladio columns. On the other side, the square windows show the simplicity of the new style representing the modern architectural movement at the time of designing this project. This elevation comes with coloured finishing.

Platt, Christopher

A Roman catholic seminary & chaplaincy for Glasgow University: Site plan & elevation to University Avenue

Architectural drawing on tracing paper showing the site plan in scale 1:500, situated at Glasgow University campus surrounded by University Avenue, Oakfield Avenue, Gibson Street, and Southpark Avenue. The site plan is presented with the north sign, the main building, the surrounding blocks and the landscape. The architect created these drawings with coloured presentation. The sheet also includes the elevation to University Avenue showing the whole design of the project with the new one and the other existing building within the site.

Platt, Christopher

A Roman catholic seminary & chaplaincy for Glasgow University: Second, third, and fourth floors

Architectural drawing on tracing paper showing the second, third and fourth floor plans, all in scale 1:100, in which all the functional spaces have been identified with coded numbers, then addressed their titles, as below:
1 student's bedroom, 2 bathroom, 3 terrace, and 4 pergola.

Platt, Christopher

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