The Magazine: Volume 3 (Page 56)
- MC/A/15/3/p56
- Part
- Nov 1894
The Magazine: Volume 3 (Page 56)
The Magazine: Volume 3 (Page 60)
The Magazine: Volume 3 (Page 63)
The Magazine: Volume 3 (Page 3)
The Magazine: Volume 3 (Page 6)
The Magazine: Volume 3 (Page 9)
The Magazine: Volume 3 (Page 10)
The Magazine: Volume 3 (Page 11)
The Magazine: Volume 3 (Page 12)
The Magazine: Volume 3 (Page 18)
The Magazine: Volume 3 (Page 19)
The Magazine: Volume 3 (Page 21)
The Magazine: Volume 3 (Page 24)
The Magazine: Volume 3 (Page 25)
The Magazine: Volume 3 (Page 30)
The Magazine: Volume 3 (Page 33)
The Magazine: Volume 3 (Page 37)
The Magazine: Volume 3 (Page 39)
The Magazine: Volume 3 (Page 47)
The Magazine: Volume 3 (Page 49)
The Magazine: Volume 3 (Page 59)
The Magazine: Volume 3 (Page 67)
The Magazine: Volume 3 (Page 68)
The Magazine: Volume 3 (Page 4)
The Magazine: Volume 3 (Page 7)
The Magazine: Volume 3 (Page 8)
The Magazine: Volume 3 (Page 13)
The Magazine: Volume 3 (Page 20)
The Magazine: Volume 3 (Page 28)
The Magazine: Volume 3 (Page 35)
The Magazine: Volume 3 (Page 38)
The Magazine: Volume 3 (Page 40)
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The Magazine: Volume 3 (Page 58)
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The Magazine: Volume 3 (Page 66)
The Magazine: Volume 3 (Page 70)
Pair of suede slippers, part of a Costume used in Glasgow School of Art Masque.
McGlashan, Daisy Agnes
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
Design for a School Diploma. Front of mount labelled 'SILVER MEDAL. FOR SET.'
King, Jessie Marion
Papers of Jane Richards and Fiona Jean Paton, students of The Glasgow School of Art
This collection relates to Jane Richards and her granddaughter Fiona Jean Paton who both studied at The Glasgow School of Art.
It includes:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
One item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018-19.
Richards, Jane
Records of The Glasgow School of Art Club
This collection includes ephemera from meetings, programmes and prizegivings.
The Glasgow School of Art Club
Part of a costume used in a Glasgow School of Art Masque.
McGlashan, Daisy Agnes
Part of a costume used in Glasgow School of Art Masque. The wig may have been acquired separately, after the rest of the outfit, which at one point is believed to have included a cape and dagger.
McGlashan, Daisy Agnes
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie