The Magazine: Volume 3 (Page 53)
- MC/A/15/3/p53
- Part
- Nov 1894
819 results with digital objects Show results with digital objects
The Magazine: Volume 3 (Page 53)
The Magazine: Volume 3 (Page 54)
The Magazine: Volume 3 (Page 56)
The Magazine: Volume 3 (Page 60)
The Magazine: Volume 3 (Page 63)
Part of Mary Ramsay artworks
A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.
Ramsay, Mary
Stained glass cartoon for the church of St Clement and St James, Horsley, near Derby
Stained glass cartoon for a two light memorial window. Inscribed: 'Come Holy Ghost'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design of four angels.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design for two angels.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design for four angels. Inscribed, 'Forgive them for... know not what they...' Fragment of larger design, now lost.
Bell, Robert Anning
Stained glass cartoon for St Mark's church, Southport
Design for St John (with bible). Preliminary drawings for one light windows for St Mark's, Southport, set into pairs in the facing North and South walls of the Church.
Bell, Robert Anning
Stained glass cartoon for the church of St Mark's, Southport
Design for an angel. Identified as the right side angel at the tracery above the altarpiece six light window depicting the nativity.
Bell, Robert Anning
Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".
Newbery, Jessie Wylie
Part of Material relating to Gerard V Murphy, former GSA student
A pattern design featuring a repeating arrangement of flowers in opposite directions in alternate rows.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A painted pattern design with two repeating decorative motifs intersected by diamond shapes.
Murphy, Gerard V
Photograph of Valerie Bloomfield-Ambrose's sculptures
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Includes a view of a living room with a focus on six sculptures of different people on a coffee table; "X Val's self portrait / Val's sculptures in their house / Florida, 2010" verso. Has small white border and is glossy.
Not available / given
A study and copy of images from the book 'Grammar of Ornament', by Owen Jones, published by Bernard Quaritch. Two colour drawings and some hand written text discussing Egyptian ornament and decoration.
Cameron, Dugald
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Corfe Castle, viewed from Corfe Castle Parish Church tower. Verso: To my friends Mary and Allan D. Mainds/ Corfe Castle Dorset/ A Souvenir from the Artists/ 1919.
Newbery, Francis Henry
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of full-length female nude.
Greiffenhagen, Maurice
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of seated nude (female) model.
Greiffenhagen, Maurice
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of washerwoman. Verso: Presented to the Glasgow School of Art by Prof. Maurice Greiffenhagen LLD/3rd, April 1930.
Greiffenhagen, Maurice
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study after Titian's 'The Fall of Man', c1570. The Titian original is held in the Prado collection, Madrid.
McGlashan, Archibald A
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract design.
Low, Bet
Part of Papers of James Cosgrove
10 small paintings mounted on card. Landscapes, portraits and abstracts.
Cosgrove, James
Castle in landscape with figures. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two studies of trees; pollard willow and oak. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Caesar's Tower, Kenilworth Castle and Dolbadden Tower, North Wales
Two studies of castle towers. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Midday, view of a cornfield. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of part of Battle Abbey, Sussex
View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Shepherd and sheep. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of County Mayo landscape (Ireland). One of seven works presented for GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Armour, William
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. A depiction of the Greek god Pan. One of seven works presented for GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Gibbons, Carole
David Donaldson and the 2nd Year Class, Back Studio, GSA, 42
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of GSA art students, including Dorothy Ballantyne, Marion Fletcher, Sheila Wilson, Tom Gardner (the artist), Jimmy Spiers, Audrey Scarle, Florence Jamieson, Fay Campbell as well as tutor David Donaldson, his wife Pat and son David, plus a life model who is thought to be a music student from Falkirk who studied at The Atheneum.
Gardner, Tom
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Those depicted include Danny Ferguson, Gordon Huntly, Lewis Allan, Eileen Allen, Joan Docherty, Molly Brown and Ishbel Macdonald.
Gardner, Tom
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait or artist; standing and wearing waistcoat. This painting was almost certainly exhibited at the Royal Glasgow Institute of the Fine Art in 1964.
Mackintosh, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Beach and rocks in foreground; land on left, mid-distance.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Mountain scene.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with figure amongst trees, Ayrshire.
Raeburn, Agnes
Large bunch of flower in square glass vase, small red bowl to right.
Anderson, Daisy McGlashan
Two roses in wine glass, one rose in glass bottle, dog ornament.
Anderson, Daisy McGlashan
Unfinished study, with pencil 'squared-off' under-drawing. Small watercolour detail in foreground.
Anderson, Daisy McGlashan
Cluster of summer flowers, in circular format.
Anderson, Daisy McGlashan
White roses in a blue and white bowl resting on round mirror.
Anderson, Daisy McGlashan
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding