Dunstanburgh Castle, Northumberland
- NMC/1232
- Item
- 1923
"A E Haswell Miller 1924" (in pen), bottom left. "Dunstanburgh Castle Northumberland Aug 1924".
Miller, Archibald E Haswell
Dunstanburgh Castle, Northumberland
"A E Haswell Miller 1924" (in pen), bottom left. "Dunstanburgh Castle Northumberland Aug 1924".
Miller, Archibald E Haswell
"AE Haswell Miller, 1922" (in pencil), bottom left.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Rothenburg ob der Tauber; viewed from town
"A E Haswell Miller 1922" (in pen), bottom left.
Miller, Archibald E Haswell
Rothenburg ob der Tauber; viewed across fields
"A E Haswell Miller 1923" (in pen), bottom right.
Miller, Archibald E Haswell
"AEH Miller, Munchen 09".
Miller, Archibald E Haswell
Annotated by artist.
Miller, Archibald E Haswell
"A E Haswell Miller 1919" (in pen) bottom left. Annotated by artist.
Miller, Archibald E Haswell
"A E Haswell Miller 1920 Toledo" (in pen), bottom right.
Miller, Archibald E Haswell
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
"A E Haswell Miller 1921" (in pen), bottom left.
Miller, Archibald E Haswell
Rocher St. Michel, Le Puy, France
"A E Haswell Miller 1920" (in pen) bottom right.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
"A E Haswell Miller 1926" (in pen), bottom left.
Miller, Archibald E Haswell
Portrait of Marion Osborne Blythe (nee Dempster)
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of a lady.
Mainds, Allan Douglass
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Miller, Archibald E Haswell
Collioure, France, overlooking the bay
"Collioure" (in pencil), bottom left. Annotated by artist.
Miller, Archibald E Haswell
The Cote Vermeille, Collioure, France
"A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Miller, Archibald E Haswell
"A E Haswell Miller 1920" (in pen), bottom left.
Miller, Archibald E Haswell
"A E Haswell Miller Toledo 1920" (in pen), bottom left.
Miller, Archibald E Haswell
Design drawing for lino of Hengler's Circus, Sauchiehall St, Glasgow. Viewed from Loggia at The Glasgow School of Art.
Harris, Margaret Helena
Study of Hengler's Circus, Sauchiehall Street, Glasgow. Viewed from loggia at The Glasgow School of Art.
Harris, Margaret Helena
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Decorative panel with lettering: Script reads: God Bless The Men That Build The Ship/Tis Not For Wages/Only That They/Labour But To Save/Men's Lives.'.
Craig, Ailsa
Still life composition.
McCance, William
Cathedral, Le Puy en Velay, France
"A E Haswell Miller Le Puy 1920" (in pen), bottom left.
Miller, Archibald E Haswell
Mackintosh produced a number of very similar paintings of stylised bouquets of flowers at this time, c1918-20.
Mackintosh, Charles Rennie
Miller, Archibald E Haswell
"AEH Miller. Pasillipo. 1913" (in pen), bottom right.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Unfinished study of trees.
Pringle, John Quinton
"A E Haswell Miller 1920" (in pen), bottom right.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Unfinished abstract landscape. Lower left: The early stages of a water colour drawing (subsequently damaged) made by Mr. J. Q. Pringle when at Whalsay.
Pringle, John Quinton
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of Glasgow architect, John Keppie. Signed lower left: To my friend John Keppie/Maurice Greiffenhagen 1917.
Greiffenhagen, Maurice
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of washerwoman. Verso: Presented to the Glasgow School of Art by Prof. Maurice Greiffenhagen LLD/3rd, April 1930.
Greiffenhagen, Maurice
Mackintosh, Charles Rennie
Bouquet of flowers in blue vase.
Gray, James
Study of a young woman. Verso: Drawing (sanguine), Maurice Greiffenhagen, RA. RP. LLD.
Greiffenhagen, Maurice
Photograph of a country mansion painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.
Meldrum, William
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of the artist Ancell Stronach.
Law, Andrew
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study after Titian's 'The Fall of Man', c1570. The Titian original is held in the Prado collection, Madrid.
McGlashan, Archibald A
Painted during their stay in Suffolk, when Mackintosh and Margaret Macdonald had left Glasgow.
Mackintosh, Charles Rennie
Probably near Naples.
Miller, Archibald E Haswell
Figure drawing.
McCance, William