License:
This image is provided under a Creative Commons BY-NC-SA License. You can download this version for private study or non-commercial use. Our terms, conditions and copyright policy (PDF) contains further information about acceptable usage. If you are seeking permission to publish, please contact us ›
Please click here if you would like to request a larger, high-resolution version ›
Key Information
Reference code
Title
Date(s)
- c1920 (Creation)
Level of description
Item
Extent
1
Content and Structure
Scope and content
Study of a young woman. Verso: Drawing (sanguine), Maurice Greiffenhagen, RA. RP. LLD.
Appraisal, destruction and scheduling
Accruals
System of arrangement
General Information
Name of creator
Biographical history
Maurice Grieffenhagen (15 Dec 1862-26 Dec 1931) was a painter of portraits and idyllic subjects, and a poster designer, decorator and illustrator, born in London, of Baltic German descent. he entered the R.A. Schools 1878; and won the Armitage Medal and other awards. From 1887 he was much engaged in book illustration, particularly for Rider Haggard's novels and for periodicals. He was influenced by Rossetti and the Venetians. He exhibited at the R.A., chiefly portraits, from 1884; A.R.A. 1916, R.A. 1922, and also exhibited at Munich, Dresden, Ghent and elsewhere. He taught at Glasgow School of Art 1906-1929. He decorated the British Pavilions for the Paris Exhibition 1925 and Antwerp 1930, but died in London the following year.
Greiffenhagen was appointed as Professor of the Life Classes (with responsibility for Drawing and Painting, Composition and so on) in 1906 and retired from the School in 1929. Greiffenhagen worked at the School for six months of every year. He kept a house in London and visited GSA when necessary to set work and check the progress of his students, leaving much of the actual teaching in the hands of his assistant professors, David Forrester Wilson and others. Greiffenhagen had to be present for examinations, the end of the year diploma show and at other formal occasions but for the most part he was allowed plenty of time to himself to ensure that his own career as an artist did not suffer. He was elected to the Royal Academy in 1922 at the same time as another GSA staff member Robert Anning Bell, and a luncheon was held for School staff to celebrate the occasion.
Archival history
Exhibited; The Flower and the Green Leaf, GSA 2009.
Custodial history
Presented by Jean Hunter, 1986.
Physical Description and Conditions of Use
Conditions governing access
Conditions governing reproduction
Language of material
Script of material
Language and script notes
Physical Description
Coloured chalk on paper
Dimensions: 240 x 180 mm
Finding aids
Related Material
Existence and location of originals
Existence and location of copies
Related materials
Notes area
Alternative identifier(s)
Keywords/Tags
Subjects
Place access points
People and Organisations
Genre access points
Status
Level of detail
Processing information
Language(s)
Script(s)
Sources
Digitised item metadata
Filename
NMC_0015.jpg
Latitude
Longitude
Media type
Image
Mime-type
image/jpeg