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Free hand sketch showing the contrast between immediate shade and distant sunlit. Buildings invite you through the lane and rewards you at the other end with a street where you can check your bearings. Cobbles just past archway indicate lane running across path.

A tracing paper showing the eight proposals from the Design criteria.
1- Thou shalt have thy sleeping/recreational space away from thy work space
2- Thou shalt have some plant life in thy study bedroom
3- Thou shalt have a wash hand basin near some natural light
4- Thou shalt have storage to lay A1 sheets flat
5- Thy study/writing space must be attached to and lower down than thy drawing space
6- Thy bed must not be opposite an open door
7- Thou shalt have facilities for an electric kettle
8- Thou shalt have shelving above the bed and the drawing/study space

A poster design on tracing paper for an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has the title of "Inclined to Design", held at The Arts Guild, Campbell Street, Greenock, from 9th to 20th September (mentioned with no year). Designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibition is built on the idea that the architectural drawings become paintings and sculptures rather than just as end products for buildings, following London and New York architectural drawings sold as paintings. The main theme of the poster is centred around an arch, and a pendant hanging in the centre of the arch (from a drawing by David MacAuley), screen-printing by Colin Johnstone. The poster is rolled, and is in two pieces of tracing paper attached together by tape.

A free hand drawing consisting of some details of Park Centre: Culzean, showing some details of window, door, main gate, and chair.

Job files relating to the project; some drawings/plans are contained within the job file; no images.

Free hand sketch of two types of knives: fish knife, and bread knife. Details and dimensions show the differences between the two types in functions, weight, sharpness and edges.

Site map. Free hand sketch shows some features of the vernacular houses including information of the heating and lighting elements.

Different shapes of Temple's Floor Plans showing the development of the basic layout of the Peripteral Temple of the Parthenon

Free hand sketch of two types of fork: carved fork, and a modern table fork. Details and dimensions shown the differences between the two types in appearance, weight, and performance. A description of the preferred materials is provided as well.

Free hand sketches of buildings facades of Stehekin School. Details about design-awareness of the outdoor natural environmental elements and their impacts on the indoor built environment.

Free hand sketch showing the location of the Parthenon where it was erected on the Acropolis.

Free hand sketch of two types of spoon: soup spoon, and teaspoon. Details and dimensions show the differences between the two types in appearance, weight, and performance. A description of the preferred materials is provided as well.

Free hand sketches of The Clyde Valley, showing its major roads, rivers, and railways describing Glasgow as a Nodal City.

Free hand sketch showing the floor Plan and the East Elevation of the Parthenon.

Free hand sketch of an external perspective of an uninhabited church. A description of the original state of the church and the contrast between the Gothic windows with their ecclesiastical feel and the new dormer ones.

Free hand sketches of the Site map of The Clyde Valley, showing its major Towns and Industries.

Architectural details of the exterior column showing the basic elements.

Free hand sketches of some of Glasgow's building facades, including Glasgow Cathedral, Tenements, and Multi-storey flats. The drawing gives some architectural details and historical information, especially comparing their external appearance.

Three photographs from the converted church.
Photograph 1: analyses the interior design describing the furniture against the colours and textures of the background.
Photograph 2: describes the contrast between the chapel's original Gothic windows to the room upstairs which are lighted by the dormers.
Photograph 3: describes the setting room and the wrought iron staircase specially ordered from a Glasgow foundry.

Two vertical sections showing how the light entered the temple, one through the doorways, the second through the skylight.

Free hand sketch site map of The City of Glasgow showing some selected features including their icons and indexes.
The drawing focuses on the most comprehensive development areas: Townhead, Anderston Cross, Gorbals, and Govan.

Three photographs from the converted church.
Photograph 1: the upper hall landing converted to a space for work
Photograph 2: shows the main bedroom furniture
Photograph 3: shows the bedroom furniture

Free hand sketch showing two outline perspectives of the Parthenon with a brief history of the Parthenon. Timeline starting from the 6th century to1831 consists of 6 stages:
6th century: converted to Christian church
A.D. 1204: became Latin church
A.D. 1456: converted onto mosque
A.D. 1687: damage by shell during capture of Athens by Venetians
A.D. 1688: Athens restored to Turks and Parthenon suffered in their hands
1831: sculptures removed to British Museum.

A pencil drawing illustrating a decorative Gothic window, accompanied by the annotation "Gothic Window, Decorated Period" and stamped "The Glasgow School of Architecture, Session 1935-36."

These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The  Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.

Includes E. McLaren's Travel Report.

Tracing paper showing two elevations from the bed position: Elevation A, and Elevation B.

Tracing paper showing two elevations from the desk position: Elevation A, and Elevation B.

Estimates from contractors for work on the School Extension. GOV/5/10/5/1: Glasgow School of Art Proposed Extensions, Estimate for Glazier Work, c1927 (1 booklet) GOV/5/10/5/2: Glasgow School of Art Proposed Extensions, Estimate for Excavator, Mason, Brick and Concrete Works, c1927 (1 booklet) GOV/5/10/5/3: Glasgow School of Art Proposed Extensions, Estimate for Carpenter and Joiner Works, c1927 (1 booklet) GOV/5/10/5/4: Bundle of estimates for work by Robert Scott & Son, 1926 (3 items) GOV/5/10/5/5: Bundle of lists of offers and lowest offers from various contractors for School Extension work, 1927 (4 items) GOV/5/10/5/6: Letter from the Glasgow Corporation Electricity Department to the School providing an estimate for a supply of electricity to 172 Renfrew Street, 21 Nov 1927

Estimates for works, specifications of works, tenders, reports on tenders, related correspondence, 1897-1912. GOV/5/6/1: Estimate No.1 for mason work, by Robert Scott & Son (no. 3419), 1897 GOV/5/6/2: Estimate - proposed extensions & alterations by Robert Scott & Son - Masonry, etc. works, 1907 GOV/5/6/3: Estimate - extensions & alterations by Robert Scott & Son - Heating & Ventilation apparatus (no. 5216), 1908 GOV/5/6/4: Estimate No. 1 - mason work - accepted by J. Kirkwood (no. 3419) [Cref. 5/7/121], 1897 GOV/5/6/5: Report on tenders for the several works, 17 Sep 1897 GOV/5/6/6: Copy letter from Robert Scott to Honeyman & Keppie re: cost of excavations, 22 Sep 1906 GOV/5/6/7 File - Tradesmen's Estimates [c122 items] , 1896-1904 GOV/5/6/8: Letter from Keppie with two estimates re: blinds for windows [3 items], 31 Aug 1899 GOV/5/6/9: Estimate by G. Smith, Slater & Plasterer re: holes under the eaves,  6 Sep 1906 GOV/5/6/10: List of offers for alteration & extensions of GSA (for mason & carpenter work only), not dated GOV/5/6/11: Report on tenders for alterations and extensions, 1907 GOV/5/6/12: Memo on lowest tenders showing provisional sums allowed and extra costs of Arbroath stone over concrete for steps and supplementary offers and fees [2 copies], 1907 GOV/5/6/13: Specifications and schedules for electric power and lighting: (a) Summary of offers for electric lighting, with letter from James E. Sayers & Caldwell, 13 Jun 1908 (b) Letter from architects enclosing estimates, 15 Jun 1908 (c) Letter from architects enclosing copies of letters from Osbourne & Hunter, 2 Jun 1908 (d) Specifications and schedule from James E. Sayers & Caldwell, Jun 1908 (e) Letter from architects re: choice of tender, 23 Jun 1908 GOV/5/6/14: Specifications for the installation of a Lightning Conductor at GSA: (a) Messrs. Anderson & Munro - specification, Apr 1909 (b) Covering letter from Anderson & Munro, Apr 1909 (c) Osbourne & Hunter - specification, Apr 1909 (d) Telford, Grier & Mackay - specification, Apr 1909 (e) Claude Hamilton Ltd. - specification, Apr 1909 (f) Corresp. from James E. Sayers & Caldwell, May 1909 (g) List of tenders, not dated GOV/5/6/15: The National Telephone Company, estimates for telephone lines and telephones [2 items], 1909-1910 GOV/5/6/16: Halliwell Furnace & Engineering Co., London: (a) particulars, May 1910 (b) business card (c) article in the Sanitary Record & Municipal Engineering Vol XLV, No. 1067 [3 items] GOV/5/6/17: Tenders for the installation of an electric lift: (a) A & P Steven, Provanside Engine Works, estimate for an electric passenger lift, 17 Jan 1908 (b) R. Waygood & Co. Ltd., estimate for an electric lift and specification (inc. notes on requirements for lift from GSA, d. Dec 1911), Oct 1910 (c) A & P Steven, Provanside Engine Works, estimate for an electric goods lift, 20 Jan 1911 (d) A & P Steven, Provanside Engine Works, specification for a passenger lift at GSA, 8 May 1911 (e) British Engine, Boiler & Electric Insurance Co. Ltd., estimate for lift insurance, 31 Jan 1912 GOV/5/6/18: Estimate for fitting electric radiators into the Library, delayed, not dated GOV/5/6/19: Speirs A/C: scrap detailing excess over estimate lists extra fittings required, not dated GOV/5/6/20: Comparative statement of estimates and measurements for building, Jul 1909 GOV/5/6/21: Estimates & Corresp. re: clocks (a) Dykes Bros. Mar-Sep 1909 (b) The Magenta Company Mar-May 1909 GOV/5/6/22: Estimates re: window cleaning (a) Glasgow Corporation Water Works, 5 Nov 1908 (b) Estimate from Moses, Speirs & Sons with covering letter from architects, 17 Nov 1908 GOV/5/6/23: Estimate from Victor Devine, Plumber, 3 Dec 1907 GOV/5/6/24: Estimate from W.A. Davidson for Repousse Work, 17 Apr 1910 GOV/5/6/25: Estimate for insurance of Steam Boilers, 29 Jan 1908 GOV/5/6/26: Estimate from Wm. Douglas & Sons re: Painter Work in the Ornament Room, 27 Oct 1910 GOV/5/6/27: Estimate from M Stewart, Builder for work in the Animal Room, 20 Oct 1909 GOV/5/6/28: Estimate from G. Ferguson & Sons for platform for Animal Room, 12 Mar 1910

Collection of photographs of architectural exteriors and interiors of churches and other historical buildings in Italy and France. Photographs are mounted on a supporting cardboard backing. Back of photographs have stamp "Eugene Bourdon, Architecte, Diplome par le Gouvernement". Some photographs have handwritten titles on the cardboard below the photograph.

Detail drawings on tracing paper for project 2 Evergreen Club elevations all in scale of 1:100 showing the front elevation facing east, the rear elevation facing west, and two side elevations facing south and north. Human figures are included to bring drawings to life. The design indicates how the club fits within the surrounding landscape.

Detail drawings on tracing paper for project 2 Evergreen Club front elevations in scale of 1:50. Human figures are included to bring drawing to life. The design indicates how the club fits within the surrounding landscape.

Detail drawings on tracing paper for project 2 Evergreen Club. Plan and sections all in scale of 1:100. The floor plan shows room types, dimensions and furniture. Sections aa, bb, cc are all in details and include height dimensions, construction materials, and heating methods. Human figures are included to bring drawings to life. The design includes some facilities for disabled people.

Detail drawings on tracing paper for project 2 Evergreen Club section cc in scale of 1:20. Human figures and furniture are included to bring drawing to life. The design shows all the construction materials and details including:

• Floor materials and construction method
• Foundations
• Roof materials and construction method
• External and internal wall materials and construction method including windows openings
• Heating system

A copy from detail drawings for project 2 Evergreen Club section cc in scale of 1:20 with examiner notes especially on construction details.

Detail drawing on tracing paper for project 2 Evergreen Club site plan and landscaping in scale of 1:500 showing the North sign, main roads and the surrounding buildings.

Architectural drawings presenting the first submission of project 1 (Exhibition stand) including free hand sketches of plans, section, and elevation, all in scale 1:50 (approx.).

Architectural drawings of the existing boathouse showing the floor plans, sections, and elevations in scale 1:100. The drawings are all Rotring ink pen on tracing paper. The drawings are in their real measurement, however, there is no mention of the names of the spaces or the materials used on elevations and sections. The aim of this material is to study the existing boathouse and get an idea about the design of such a building.

Job files relating to the project (no images or drawings/plans).