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A series of 12 facsimile armchairs were commissioned by GSA in 2005 to replace the original armchairs (from 1906) that remained in situ and in daily use within the Board Room of Glasgow School of Art.

Design 1 Christmas Card. 'Dreaming of a White Christmas'. Reads on reverse with best wishes for Christmas and 2006, Jimmy".

Further title, 'Odds and Ends'. Sketches, printed and annotated poems, and stories. Designs of Landscape Brooches. Notes at the back of sketchbook regarding the history of the House for an Art Lover.

Christmas Card. 'Three wee kings'.

This material is currently uncatalogued and therefore not accessible for researchers. Includes student handbooks, department correspondence and administrative papers for MFA (Masters of Fine Art), BA Sculpture and Environmental Art, Painting and Photography, along with the external and internal correspondence of William Buchanan (Head of Fine Art Studies 1978/79; 1980/82), Cliff Bowen (Acting Head of Fine Art 1990) and Jack Knox (Head of Drawing and Painting 1981-1990). Committee papers held within this department include - Fine Art Board of Studies, Fine Art Course Evaluation Committee, Fine Art Course Committee, Fine Art Examination Board, Fine Art Senior Staff Meetings, Fine Art Student/Staff Consultive Committee, Fine Art Subject Examination Committee.

This poster features white images of twenty chairs with grey text to advertise an exhibition held in Jugendstilsenteret, Ålesund, Norway, from 6th June to the 12th Oct 2003. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

Christmas Card. 'I saw three ships sailing by'. On reverse of on reads: "To Mum and Dad With best wishes for Christmas and 2004 from James and Janet".

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

Sketchbook containing c. 100 paintings. Includes reproductions and over-paintings, collages, and poems.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the orginal armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

A series of 6 facsimile armchairs were commissioned by GSA in 2003 to replace the original armchairs (from 1904) that remained in situ and in daily use within the Director's Room of Glasgow School of Art.

Poster features a grey Mackintosh portrait focusing on his moustache, grey and orange in colour. Also features line drawings of Mackintosh chairs. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund, from the 6th June to 12th Oct 2003. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

Sketches relating to the architecture and culture in Arizona. Back cover inscribed: "Jimmy Cosgrove. Paris October 1993/ Arizona March 2002"

Collaged painting of street scene.

Christmas Card.

Collaged painting of the head and shoulders of a man with weathervane. Signed "COSGROVE".

Collaged painting of the head and shoulders of a man with animal.

Minutes of the Academic Council. Also contains minutes from a number of committees under the Academic Council, including: General Purposes Committee; Finance Sub-Committee; Ad Hoc Course CNAA Committee; Students Progress Committee; Director's Advisory Committee; Liberal Studies Committee; and Joint Examinations Committee; and a number of sub-committees that change from year to year. Other papers within the minute books include: prize lists; calendars of the academic year; copies of correspondence with bodies such as the CNAA; copies of External Examiner's reports that were discussed in committee meetings; some draft documents such as course monitoring and review forms; papers on subjects such as staff development and research; and summaries of departmental costs. Between 1973-1983 there are Day Books at AC/2 that contain supporting papers such as attendance sheets, correspondence, circulars and agendas but from 1983 these kinds of documents tend to be found within the minutes themselves. From 1991 onwards minute books were incomplete and therefore have been artificially compiled into the format of the earliest minute books from collections of Academic Council Papers by the cataloguing archivist. Format: The minutes between 1973-1989 have been arranged into folders covering the academic year and include an index book. From 1990 onwards the minute books are arranged by calendar year and are in chronological order. Data protection and sensitivity: Minutes over 30 years old are available for public consultation. Permission from the Academic Council is needed for access to those which are less than 30 years old. Records containing sensitive information about individuals have been collected into separate folders that will be closed for 75 years, in accordance with the Data Protection Act 1998. Folders are as follows: AC/1/1: 14 Jun 1973-30 Jan 1975 AC/1/2: 07 Feb 1975-27 May 1976 AC/1/3: 14 Jun 1976-27 Jun 1977 AC/1/4: 16 Sep 1977-20 Dec 1978 AC/1/5: 24 Jan 1979-16 Jun 1980 AC/1/6: 15 Sep 1980-15 Dec 1981 AC/1/7: 04 Feb 1982-04 Oct 1983 AC/1/8: 09 Sep 1983-20 Jun 1984 AC/1/9: 11 Sep 1984-14 Jun 1985 AC/1/10: 20 Sep 1985-13 Jun 1986 AC/1/11: 22 Oct 1986-12 Jun 1987 AC/1/12: 08 Oct 1987-25 Apr 1988 AC/1/13: 10 May 1988-23 Feb 1989 AC/1/14: 04 May 1989-11 Dec 1989 & appendix of Institutional Plan 1989 AC/1/15: 22 Jan 1990-21 Jun 1990 AC/1/16: 26 Sep 1990-28 Nov 1990 AC/1/17: 1991 AC/1/18: 1992 AC/1/19: 1993 AC/1/20: 1994 AC/1/21: 1995 AC/1/22: 1996 AC/1/23: 1997 AC/1/24: 1998 AC/1/25: 1999 AC/1/26: 2000 AC/1/27: 2001 (Mar-Jun only)

Typed draft copies and email correspondence of around 22 articles of 800-3000 word length, by Clare Henry for The Scotsman, The Herald and The Financial Times, January-December 2007. During this period Henry worked between the UK and the USA with the majority of articles featuring exhibitions and events in New York and the USA. Articles also written for Art Newspaper. Other paper work includes handwritten notes and email correspondence.

• 1 Jan (Scotsman) 42nd St Façade, Anne Militello
• 9 Jan (Scotsman) Sol LeWitt, Whitney Museum, New York
• 10 Mar (Financial Times) Vincent Van Gogh, Petit Boulevard, St Louis Museum, Staedel, Frankfurt, William T Kemper Foundation
• 17 Apr (Financial Times) Paul Mellon, Yale Centre for British Art, New Haven
• 6 Jun (Financial Times)Peter Paul Rubens, Hermitage Museum, Art Gallery of Ontario, Toronto
• 12 Jun (Herald Magazine) Frank Lloyd Wright and Charles Rennie Mackintosh
• 7 Jul (Herald Magazine) Frank Gehry, Jul (Exhibition Catalogue) Ian Scott, Jul (Art Newspaper) The Nordiska Akvarellmuseet, Sweden
• 27 Jul (Financial Times) Beyond the Easel; Bonnard, Vuillard, Denis, Roussel, The Metropolitan Museum, New York
• 4 Sep (Herald) William McTaggart, Gleneagles Auction
• 3 Sep (Sculpture Magazine) Fernando Botero, Marlborough, New York
• 10 Sep (Art Newspaper) Bulgarian Sculpture, Ilindentci Art Centre
• 11 Sep (Art Newspaper) New York Festivals, Rockefeller Centre, Howard Scott Gallery, Corning Glass Gallery, Kitchen, New Museum, Gales Gates, New York
• 26 Sep (Financial Times) Caspar David Friedrich, Metropolitan Museum, New York
• 22 Oct (Financial Times) Alberto Giacometti, MoMA, New York Oct Armani Sidebar, Nov (Art Newspaper) Asia Society, New York
• 3 Nov (Financial Times) Brazil Body and Soul, Guggenheim, New York
• 28 Nov (Financial Times) Museum of Work Religions, Taipei
• 12 Dec (Financial Times) Impressionist Still Life, Philips Collection, Washington
• 19 Dec (Financial Times) Norman Rockwell, Guggenheim, New York

[i]Articles written in this year which are not present in the archive

• 31 Jan (Financial Times) Polish Art 1945-2000, Chicago
• May (Sculpture Magazine) George Ricky, Maxwell Davidson Gallery, New York
• May Lynn Macritchie, Mark Walling
• Jun Bill Packer, Venice Biennale, Malcolm Morley[/i]

'Hunterston Angel' Christmas Card. Reads "with best wishes for Christmas and 2002" on reverse.

Papers of the Academic Council of the Glasgow School of Art. Includes: AC/1: Minutes, 1973-2001 AC/2: Day books, 1973-1983 AC/3: Sub-committees of the Academic Council, 1973-2000 AC/4: Course Documentation, 1980-2000 AC/5: Reporting and Reviews, 1978-2011 AC/6: Correspondence and Working Papers, 1973-2000 Access Restrictions: Most records which are over 30 years old are available for public consultation. Records which are less than 30 years old can be accessed with the permission of the head of the relevant department of the school. Records containing sensitive information about individuals have been collected into separate folders that will be closed for 75 years, in accordance with the Data Protection Act 1998.

Folder containing material relating to the 2001 exhibition 'Art Booms with the Guns: The War Years at the Glasgow School of Art'. Comprises of: photographs, contact sheets, negative strips, slides, sketches and newspaper cuttings. Includes: a copy of 'The Glasgow School of Art Through a Century 1840-1940' a souvenir booklet, a programme for 'A Masque of the City Arms' produced by The Glasgow School of Art in 1903 and a photograph of Cordelia wearing her painting skirt. Related material: http://capitadiscovery.co.uk/gsa/items/117906

Stencilled poster on fabric advertising events for Activities Week including a lecture by Jonathan Hodgson (animator); Jazz music; Film called 'Jazz in the Thirties'; the Frank Patrini Quartet; and cabaret by Three of a Different Kind.

Screen-printed poster on fabric with a portrait of Charles Rennie Mackintosh, his signature and the text/quote '"There is hope in honest error. None in the icy perfections of the mere stylist" Chas. R Mackintosh. Glasgow 1901'