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This poster advertised a ceilidh that was held in the Haldane Hall on the 19th of February 1972 as part of The Glasgow School Of Art's activities week. Activities week was an annual programme of talks, film screenings and social events that ran from 1971 to 1985. Playing at the ceilidh were a number of notable Scottish folk musicians including Cliff Hanley, Billy Connolly, Robin Hall, Jimmy McGregor and Charlie Williamson. An image of this poster can be found in the 1973 Glasgow School Of Art prospectus on page 21.

This poster advertised a talk given by Scottish composer Martin Dalby. Dalby came to The Glasgow School Of Art on Thursday the 21st of February 1974 to discuss composing in the 1970s. The talk was held in The Mackintosh Lecture Theatre at The Glasgow School Of Art.

This poster advertised a Christmas dance arranged by the drawing and painting department, the title of which was "Meet the Mob". Tickets were priced at £3.50 and the evening included a big band and a buffet.

This poster advertised the work of graduating students from the embroidered and woven textiles department who were exhibiting as part of The Glasgow School Of Art degree show in 1994. The exhibition was held in the Newbery Gallery in the Newbery Tower at The Glasgow School Of Art where the textiles department was based at that time. It was open from the 25th of June to the 1st July 1994.

This poster advertised a talk given by the mountaineer Con Higgins about his experiences at The Glasgow School Of Art. Higgins is known for tackling difficult climbs and was recognised as one of the first people to climb the 'Albatross' side of Ben Nevis in 1978.

This poster advertised the opening times of The Glasgow School Of Art student union, which is often referred to as The Vic Bar. The bar continues to be a large part of The Glasgow School Of Art community with a number of club nights, concerts and exhibitions being held there. The poster reads: "In the beginning there was darkness, and much dryness of many throats. Until a voice from the void said let there be cheap drink and the sound of many feet bopping it out on the floor. It gave us seven weeks to accomplish this task. Out from the depths came the chosen ones who stripped and screwed until on the seventh week came!!! A place of greatness. The hip, the hop, the thee place to be THE VIC. Hours of boozing service 11am - 2.30pm, 5pm - 11pm, with a licence to kill at the weekends - till 2.00am."

This poster advertised the work of graduating furniture, interior and product design students as part of the 1984 degree show at The Glasgow School Of Art. The exhibition ran from the 15th to the 21st of June and was held in the Newbery Lounge in the Newbery Tower on The Glasgow School Of Art campus. The poster is illustrated with a drawing of the Newbery Lounge from the vantage point of the Mackintosh Building.

This poster advertised a lecture given by the London based illustrator David Gentleman. It was held in the Mackintosh Lecture Theatre on The Glasgow School Of Art campus and was a Gordon Huntly and Kit Grant Memorial Lecture.

This poster advertised the Master of Fine Art exhibition of 1986. The exhibition was held in the McLellan Galleries on Sauchiehall Street from the 14th to the 19th of June and included work by a number of artists including Rosemary Beaton, Steven Elliott, Deran Fenwick, Gerard Ferris, Thomas Hegarty, Henry Kerr, Lorraine A. Lamond, Richard Levan, Tracy Mackenna, Craig Peacock and David Watt.

Architectural drawing of the GSA Mackintosh Building. Scale 1:20.

Line drawing showing the elevated rear (south) facade.

Line drawing showing the elevated section of the east half of the building (viewed from the South-west).

Line drawing showing an elevated, central section of the building, viewed from the South-east.

Line drawing showing the central section of the building, viewed from the south, and highlighting the entrance hall.

Line drawing showing section through the west half of the building including individual floor plans.

Line drawing showing a section through the first floor corridor, west.

Line drawing showing section through east staircase at second floor level.

Line drawing showing boiler room insulation and foul air exhaust.

Architectural drawing of the GSA Mackintosh Building. Scale 1:100.

Architectural drawing of the GSA Mackintosh Building. Scale 1:20.

Wooden display case showing process of wood and linoleum block printing, featuring ship design. Loose paper GSA label once attached to back of case with writing "Design. B-Block Printing". Due to information in archival documentation, display case can be dated pre-1943. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014 and was conserved in 2018.

The 1978 Fashion Show was held in the Mackintosh Lecture Theatre from the 24th to 28th April 1978. The film comprises a combination of still images and film footage of students preparing for the show behind the scenes, and modelling on the stage. There is a mixture of men’s and women’s garments. Styles and themes include metallic fabrics, sportswear, bodysuits and off-the-shoulder dresses. Children’s clothes were also modelled in the show although these are not shown in the film. Garments were designed and modelled mostly by students or former students. Indigo Designs also designed evening dresses for the show. Students involved in the show came from a variety of subject areas and years, including: 1st year; Embroidery and Weaving; Textiles; and Graphics. Hair was by the Hely Design Group and shoes were from Ravel. The set for the show consisted of a pale, self-coloured ruched fabric backdrop. A soundtrack was recorded separately to accompany the film but GSA does not hold a copy of this. A short clip of this film is available online at https://vimeo.com/channels/504825/222346017. To view the full length film, please contact GSA Archives and Collections. Note – the full length film contains some nudity at 5:17 and 9:42. The information above has in part been provided by staff and alumni of GSA.

• Minutes and correspondence of SAGA, 1966-1969
• Cash book, 1968-1969
• Receipts and cheques, 1969
• Catalogue of the 1st Annual Exhibition, c1966

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

A collection of photographs and negatives taken by George Oliver dating from 1948-1990 (apart from two dated c1897). George arranged his photographs into folders by approximate subject matter and gave each folder a title. This has been reflected in the catalogue with the folder titles in the catalogue being the exact titles George used. The folders have been arranged by subject matter where possible. There are exceptions to the above. Folders DC 066/2/20 and DC 066/2/86 have not been given a title by George and have been catalogued as 'Untitled'. There are exceptions to this with DC 066/2/78 containing photographs taken by Cordelia Oliver as they date from after George's death. As a result of the Mackintosh Building fire in 2014, folders DC 066/2/87, DC 066/2/88 and DC 066/2/89 contain photographs that have been rehoused since their deposit and are likely to have been taken out of other folders. It is not clear from which folders these photographs came originally, so they have been catalogued separately with their titles reflecting the subject matter of the photographs they contain.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Library at Glasgow School of Art. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). A more elegant version of the windsor chairs designed for the Dutch Kitchen at Argyle Street (Billcliffe 1906.49). These chairs proved much too delicate for their original purpose; only eight of approximately forty have survived, and all of these have had to be reinforced. They were replaced in the GSA Library c1950 by the much sturdier chairs originally designed for the Ingram Street Tea Rooms, MC/F/67. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited. The reverse of the poster is annotated with "Photo by Harry Kerr, Graphics".

This poster advertised two lectures focusing on films and film making which were given by both Joe McGrath and Bob Godfrey. The event was held in the Haldane building as part of The Glasgow School Of Art's annual Activities Week. Joe McGrath is known for his work as a director on films such as the 1967 version of Casino Royale, The Goon Show and Rising Damp. Bob Godfrey is an illustrator and animator, most famously known for his animation for children's television shows 'Roobarb' and 'Henry's Cat'. The poster is promoted on page 19 of The Glasgow School Of Art prospectus for 1972/73.

This poster advertised a concert of medieval music which was held in the Mackintosh Lecture Theatre on Thursday the 22nd of February 1973 featuring Neil Morrison on lute and guitar. Morrison taught at The Glasgow School Of Art from 1970 to 1972 and made his own instruments. He played a number of concerts around Glasgow at this time, including one at The Third Eye Centre in April 1987.

This poster advertised an event to mark the retirement of Robert Begg which took place on the 31st of May 1975. Begg was on the Board of Governors for The Glasgow School of Art between 1970 and 1975. The poster was designed and printed by Bob Stewart, who was a senior lecturer in design at this point.

Apologises for not giving Catterns his cheque and asks for examination results from GSA to be sent to him.

Acknowledgement of a cheque.