- DC 029/7/31B
- Item
- c1930s-1970s
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
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Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
One of a set of six matching woven placemats in olive and white.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Grey linen sampler with two rows of sequins and metallic thread embroidery.
*Not available / given
Printed black and white top with animal print featuring lions and other big cats
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
MacIver, Marie
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Cream cotton sampler, collage effect with beads
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
*Not available / given
Big Fat Sampler, large wall hanging with square design
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Bold style sampler in coarse yarn, on yellow fabric, backing of beige linen. Various patterns of stitched squares in yellow, orange, green, and white. 4 macrame hooks at top edge with wooden hanging pole.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Open weave tapestry backing with woollen knotted stitching in browns and thick gold metallic thread.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Gold coloured embroidered rectangular runner with pulled thread work in centre and delicate embroidery in cream thread. 8 small bows at each short edge and stem stitch along both sides.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Sampler on open weave canvas with rows of straight stitch in cream and grey metallic thread
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
One of a set of six matching woven placemats in olive and white.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
One of a set of six matching woven placemats in olive and white.
*Not available / given
Colourful satin stitch sampler
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Colourful satin stitch wool sampler, square design.
*Not available / given
Cream and yellow striped sampler
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Cream and yellow striped sampler with cotton and rayon embroidery.
*Not available / given
Sampler with eye shaped design
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Black and white eye-shaped design in satin stitch.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Showing 'Midhurst - the town in the midst of the woods', with roads, buildings and figures. Very fine stitchery on natural cotton. Framed but unglazed.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
German. On white silk with woven spot design. Embroidered with silk, black cotton and metal threads in cross, four-sided, running, back, fly, satin stitches, couching and French knots. Shades of brown and oragne with naive figures and sacred emblems. The stylised figures and text are similar to those on the Hungertuch (Hunger cloth) Lenten cloth also made by the Munster school in the late 1920s. This was inspired by the 1623 Hungertuch Lenten hangings in Telgte, near Munster.
*Not available / given
The Glasgow School of Art painting smock
Blue linen artist's painting smock worn by a student of The Glasgow School of Art.
*Not available / given
Green silk batik dress possibly made using the traditional Asian batik wax resist dyeing process.
*Not available / given
Mink fur wrap with tails.
*Not available / given
Woven screen with a loose check pattern with brown string and brown, cream and green thread on wooden supports. It has metal fasteners in the wooden beams at top and bottom for hanging purposes.
Lindsay, John Walter
Woven screen with a loose check pattern with brown string and brown, cream and green thread on wooden supports. It has metal fasteners in the wooden beams at top and bottom for hanging purposes.
Lindsay, John Walter
Symbolic Masonic apron.
The Glasgow School of Art tie made by Rowans, Glasgow and Birmingham.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
German. Worked in white on blue silk. Showing calf lying in field of flowers. By Suse Sardeman-Bermuth, Berlin. Used to be framed.
Sandeman-Bernuth, Suse
Part of Records and textiles of the Needlework Development Scheme
From Berlin, Germany. Worked in white on rust silk. Charming drawing of foal. Used to be framed.
Sandeman-Bernuth, Suse
Panel - Madonna and Two Angels
Part of Records and textiles of the Needlework Development Scheme
Austrian. Satin with satin appliqué, embroidered with silks and metal threads in cross, four-sided, lazy daisy, stem, satin stitches, couching with gold work and beads. Inscription "Unsereliebefrau" at base. By Emmy Zweybruck-Proshashka. Vienna.
Zweybruck-Proshashka, Emmy
Wooden stool with embroidered top
Part of Papers of Dorothy Campbell Smith, student at The Glasgow School of Art, Scotland
Stool top in canvas stitches, dogs' hair and hand spun wool (natural brown and vegetable dyed). Label on back for The Unbroken Thread exhibition.
Smith, Dorothy Campbell
A painting skirt featuring a printed batik design. Made, used and worn by Cordelia Oliver.
Oliver, Cordelia
Small travelling bag with cotton ties.
Parker, Agnes Miller
Cummerbund with batik decoration.
Parker, Agnes Miller
Part of Records and textiles of the Needlework Development Scheme
British. Machine embroidered in grey, pink and black on white silk background. Showing a cupid or angel dancing through flowers and leaves. By Rebecca Crompton.
Crompton, Rebecca
Part of Records and textiles of the Needlework Development Scheme
British. Machine embroidered with design of horse and flowers in black, grey and pink on white silk. Back embroidered with spots. Quilted lining. By Rebecca Crompton.
Crompton, Rebecca
Part of Records and textiles of the Needlework Development Scheme
British. Blue silk, hand stitched quilting.
*Not available / given
Single curtain with applied batik decoration.
Parker, Agnes Miller
Part of Papers of Margaret Elizabeth Galt, student of Glasgow School of Art, Scotland
Samples of fabric designs woven in wool and coarse linen, presumably by Margaret Elizabeth Galt.
Galt, Margaret Elizabeth
Stiching sampler in blue pink and black wool on heavy fabric.
Stewart, Marion S
Tapestry panel showing green figure touching thin plant on a blue backdrop with a bright green border.
Stewart, Marion S
Tapestry of art school students
The heavy woollen tapestry depicts four female art school students.
Stewart, Marion S
'Cross Stitch' fold-out booklet
Part of Papers of Mary Mackie
Small blue card folder with the handwritten label 'Cross Stitch'. It contains a handwritten explanation of the technique and materials, the pattern design for a peacock in pen and ink on graph paper, and the worked textile in blue thread on white cloth.
Mackie, Mary
Sample of Drawn Fabric - coloured
Part of Papers of Mary Mackie
Embroidered pattern with different stitches in green, blue, red and pale brown silk thread on white linen. Pinned to white card. Labelled Drawn Fabric.
Mackie, Mary
Part of Papers of Mary Mackie
Two patterns of needleweaving in white and red thread on white cloth. Pinned to white card. Labelled Needleweaving.
Mackie, Mary
'Canvas Work' fold-out booklet
Part of Papers of Mary Mackie
Yellow folder labelled Canvas Work containing a handwritten explanation of the technique and the materials and a sample with nine shapes (squares and rectangles) in red and yellow wool showing a variety of stitches.
Mackie, Mary
'Drawn Fabric Work' fold-out booklet
Part of Papers of Mary Mackie
Yellow folder labelled Drawn Fabric Work containing a handwritten explanation of the technique and the materials and a sample with a central design of a tree or flowerand a border with patterns.
Mackie, Mary
Part of Papers of Mary Mackie
Black and white patterned ring binder containing 7 samples of canvas work showing different stitches and patterns:
Sample with yellow, gray, brown and green wool
Sample with black, peach, blue and olive green wool
Sample with bright pink, blue and yellow wool
Sample with black, brown, white and light green wool
Sample with black, yellow, white and blue wool
Sample with dark red, blue, dark green and white wool
Sample with dark green, acid yellow, peach and blue wool
Mackie, Mary
Part of Papers of Mary Mackie
A fold-out book, bound in red fabric, with a white cloth tie around it, embroidered with patterns in red thread. The tie is secured at the back with a red button in the design of spoked wheel and a loop of red thread. On the front cover is an embroidered label with the name 'Mary Mackie' in red thread on a white cloth.
Inside are six 'pages' each with a sample of embroidery attached:
Needlepoint depicting a small town with four buildings, roads and trees.
White needle lace (?) square with sections showing different patterns, with border.
White cloth square of counted-thread embroidery with nine different designs in red, black and orange with border.
White drawn thread work square with nine different designs, with border.
11 embroidered designs on differently coloured cloth depicting patterns and stylised plants.
Needlepoint depicting a white hart and flowers on a green background.
Mackie, Mary
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
3 yard length of woven fabric in green and cream from GSA Diploma show, 1958
Reid, Sheena
Embroidered empty visitor's book
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Orange textile cover of a visitor's book with black and white embroidery and purple cylindrical beads. Verso includes two cats and a porcupine and the words "Visitor's book" on the front. "Bushey sketch book" and "C. Robertson & Co. Ltd." company sticker on the inside of the front cover. Rest of the book is empty white pages of paper.
Reid, Sheena
Pair of embroidered birds with flowers in symmetrical design on green and white fabric pink, white, blue, green and burgundy threadwork.
Mackie, Mary
Framed embroidery of geometric design with orange, pink, purple, blue, and green thread on a purple background. Back of frame has label from "The Present Gallery, 16 Broomgate, Lanark", stating artist "Margaret McFarlane" and title of work "Broken Diamonds".
McFarlane, Margaret