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Photograph showing the illuminated heading of the First World War Roll of Honours of The Glasgow School of Art. Annotations on the reverse attribute the calligraphy to Dorothy Doddrell.

Photograph showing the illuminated heading of the First World War Roll of Honours of The Glasgow School of Art. Annotations on the reverse attribute the calligraphy to Dorothy Doddrell.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Located inside folder DC 094 ...

Illuminated manuscript page mounted on paper. 'D Doddrell, No. 151' written in upper right corner. Lower left corner has a The Glasgow School of Art tag for student work, dating the piece to 1913-14 and attributing it to Dorothy Doddrell.

Originally located inside folder (DC 094/1/2/1).

Small card. Calligraphy design on cover with illuminated initial. The Glasgow School of Art tag in the lower right corner dates the work to the academic session 1915-16, and the artist as Dorothy Doddrell.

Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Arc of painted textile design, mounted within paper. Monogram on the lower right of textile attributes the design and execution to Dorothy Doddrell. Interior annotation further attributes the work to Dorothy Doddrell at The Glasgow School of Art. Sticker on the back attributes work to D. Doddrell.

Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Sample of an illuminated poem entitled 'Golden Slumbers'. On the reverse, there is a The Glasgow School of Art student work tag.

Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Includes a Haldane medal awarded to Hugh Biggar.

Bust of Haldane? (obverse): figure of Minerva (reverse). Awarded to Hugh Biggar. The GSA was known as the Glasgow School of Art and Haldane Academy from 1869-1892. Inscribed obverse: "Glasgow School of Art and Haldane Academy"; On rim: "Hugh Biggar."

A variety of loose artworks, cover designs, correspondence, ephemera, and photographs completed by and belonging to Archibald Haswell Miller. The collections includes proofs for book covers and pamphlets, personal correspondence relating to his studies and subsequent career, different ephemera relating to Haswell Miller's student days and photographs of artworks and students and staff members of The Glasgow School of Art.

This collection also includes material relating to Georges-Marie Baltus (DC 098/2) , including photographs of his artworks and his Italian and European trips, and Francis H. Newbery (DC 098/3).

A variety of designs, correspondence, ephemera and photographs related to Archibald Haswell Miller. A large amount of items are dated to his time as either a student or a lecturer at The Glasgow School of Art.

A variety of designs completed by Archibald Haswell Miller, including book covers, commercial artworks, and religious designs. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

A variety of letter received by Archibald Haswell Miller. One of this letters dates to his time as a student at the Glasgow School of Art, whereas the others date to his time as a lecturer at the same institution.

Archibald Haswell Miller is granted the right to study at the Foreign Museums and Galleries.

Francis Newbury confirms the receipt of a letter sent by Archibald Haswell Miller. The letter shows two sketches of soldiers on the reverse.

Archibald Haswell Miller's offer to attach his Lithographic Section to the 7th Division is rejected by the Council.

Statement as to Recruiting Scheme informing that the Army Council considered the offer for a special Lithographic Section to be unnecessary.

A variety of ephemera primarily dating to the days of Archibald Haswell Miller as a student at The Glasgow School of Art.

The newscutting informs of the reception and dance that were held at The Glasgow School of Art on the day it was published. The evening entertainment included the presentation of two plays by Francis H. Newbery. It shows photographs of four principals in the plays: Miss J. Cameron, Mr A. G. Crombie, Mr J. C. M'Fayden, and Mr J. Huck.

Originally located within folder (DC 098/1/4).

The newscutting features a photograph of Dame Laura Knight with some of the principals inspecting diploma work during her visit to The Glasgow School of Art.

Collection includes a number of photographs featuring Sheena Reid and other GSA students plus five textiles designed and made by Sheena Reid as a student at GSA.

A number of photographs featuring Sheena Reid and other GSA students.

A variety of loose artworks and six sketchbooks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint. This collection also includes a portfolio folder (DC 110/1/4) and personal papers (DC 110/3).

This collection includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

A variety of artworks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint.

This subfond includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

A variety of life drawings and portraits completed by Mary Ramsay. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint.

This series includes one item by Jessie Wilson, another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

Study of female nude, from behind. This item bears a label for The Glasgow School of Art, but the date is not recorded.

Originally located inside portfolio folder (DC 110/1/4).

Study of a female nude, standing. This item bears a label for The Glasgow School of Art, listing the 1914-1915 session, and Mr Law as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of a female nude, seated and leaning over a desk. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and D F Wilson as the teacher.

On the reverse of this item is a drawing of a female nude, standing, in pencil - possibly a sketch for DC 110/1/1/5.

Originally located inside portfolio folder (DC 110/1/4).

Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

On the reverse of this item is a sketch of a female figure.

Originally located inside portfolio folder (DC 110/1/4).

Anatomical study of the muscular system of a standing figure. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Mr Dunlop as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Anatomical study of the skeletal system of a standing figure, featuring labels. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Mr Dunlop as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female. This item bears a label for The Glasgow School of Art, listing the 1914-1915 session, Mr Mainds as the teacher, and Jessie Wilson as the artist.

Originally located inside portfolio folder (DC 110/1/4).

Study of seated male. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Mr D F Wilson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of male nude, from behind. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of seated woman in robes. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Professor Wilson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Portrait of a woman wearing a bonnet. This item bears a label for The Glasgow School of Art, listing the 1914-1915 session, and Mr Law as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of standing male. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.

Originally located inside portfolio folder (DC 110/1/4)].

Study and sketch of seated girl. This item bears a label for The Glasgow School of Art, listing the 1917-1918 session, and Professor Greiffenhagen as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude, seated and holding a cross. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Ogilvie as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Mainds as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study and sketch of female nude, seated. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and D F Wilson as the teacher.

On the reverse of this item is a sketch of a female nude.

Originally located inside portfolio folder (DC 110/1/4).