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Italy Sculpture
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Plaster cast of Standing Discobolus (Discophoros)

Original: Discovered in 1781 on Esquiline Hill. Considered to be a copy of an earlier Greek original. The popularity of the sculpture in antiquity was no doubt due to its representation of the athletic ideal. Discus-throwing was the first element in the pentathlon, and while pentathletes were in some ways considered inferior to those athletes who excelled at a particular sport, their physical appearance was much admired. This was because no one particular set of muscles was over-developed, with the result that their proportions were harmonious. Listed in the first catalogue of casts as Greek, located in Vatican and bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Photographed in GSA 1915.

Photographs

A collection of photographs and negatives taken by George Oliver dating from 1948-1990 (apart from two dated c1897). George arranged his photographs into folders by approximate subject matter and gave each folder a title. This has been reflected in the catalogue with the folder titles in the catalogue being the exact titles George used. The folders have been arranged by subject matter where possible. There are exceptions to the above. Folders DC 066/2/20 and DC 066/2/86 have not been given a title by George and have been catalogued as 'Untitled'. There are exceptions to this with DC 066/2/78 containing photographs taken by Cordelia Oliver as they date from after George's death. As a result of the Mackintosh Building fire in 2014, folders DC 066/2/87, DC 066/2/88 and DC 066/2/89 contain photographs that have been rehoused since their deposit and are likely to have been taken out of other folders. It is not clear from which folders these photographs came originally, so they have been catalogued separately with their titles reflecting the subject matter of the photographs they contain.

Oliver, George

Plaster cast of Aristotle

  • PC/200
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Roman copy (2nd century bc) of a Greek original (c325 bc); currently in the collection of the Museo Nazionale Romano, Rome.

*Not available / given

Plaster cast of bucrania

  • PC/180
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Bucrania thought to be from the Temple of Vesta. The Temple of Vesta is an ancient edifice in Rome, Italy, located in the Roman Forum near the Regia and the House of the Vestal Virgins. Listed in first catalogue of casts as Roman and purchased from D. Brucciani.

*Not available / given

Plaster cast of Lorenzo de' Medici

  • PC/040
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Michelangelo, c1526-1534. Lorenzo de' Medici (01 Jan 1449-09 Apr 1492) was an Italian statesman and de facto ruler of the Florentine Republic during the Italian Renaissance. Original currently in the Medici Chapel in the Church of San Lorenzo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Plaster cast of Germanicus (Marcellus)

  • PC/011A
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: The original scaled Roman statue of c50BC by the sculptor Kleomenes. The Nude male statue, erroneously identified as Germanicus, a member of the family of the Emperor Augustus, probably should be considered a portrait of a member of a wealthy family of the late Republic. Original currently in the collection of the Louvre, Paris, France.

Plaster cast of Mater Dolorosa

  • PC/052
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Mater Dolorosa (Latin) refers to the Virgin Mary in relation to the sorrows in her life.

*Not available / given

Plaster cast of Mercury

  • PC/014
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Greco-Roman attribution, shows Mercury God of merchandise and merchants, commonly identified with the Greek Hermes, fleet-footed messenger of the gods.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Plaster cast of Medici Venus

  • PC/196
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Venus with missing arm, supported by dolphin and cherub. Original: Roman copy of Greek statue c2 BC, of Hellenistic style. Listed in the first catalogue of casts as Greek, located in the 'Florence Gallery' and was purchased from D. Brucciani.

*Not available / given

Plaster cast of Sarcophagus of Giustina

  • PC/036C
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers.

*Not available / given

Plaster cast of Saint George

  • PC/037
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Donatello, c1416. Was placed in a niche on the north wall of Orsanmichele, Florence, Italy. Original in Museo Nazionale del Bargello, Florence, Italy.

Plaster cast of Giuliano de' Medici

  • PC/039
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Michelangelo, c1526-1534. Giuliano di Lorenzo de' Medici (12 Mar 1479-17 Mar 1516) was an Italian nobleman, one of three sons of Lorenzo the Magnificent. Original currently in the Medici Chapel in the Church of San Lorenzo, Florence, Italy.

Plaster cast of Sarcophagus of Giustina

  • PC/036A
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182B Brucciani & Co, London".

D Brucciani & Co

Plaster cast of Sarcophagus of Giustina

  • PC/036B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".

D Brucciani & Co

Plaster cast of foundling roundel

  • PC/044
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Foundling roundel, originally glazed blue and white terracotta. Original: Andrea della Robbia, 1487, at the Ospedale degli Innocenti, Florence, Italy. Annotated with numbers on reverse.

Commission Royale Belge Atelier du Moulage Bruxelles

Plaster cast of Mother and Child

  • PC/046
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Roundel, surrounded by fruits. Original: Studio della Robbia, c1490. Glazed terracotta. Original currently in the collection of the National Gallery of Ancient Art in the Palazzo Barberini, Rome, Italy. Annotated "D Brucciani & Co London EC" and "325".

D Brucciani & Co

Plaster cast of Virgin and Child

  • PC/047
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.

*Not available / given

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