Interior of Hous'hill, Glasgow - the drawing room
- MC/P/10
- Item
- c1904
The Drawing Room looking towards the Music Room.
Bedford Lemere & Co
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Interior of Hous'hill, Glasgow - the drawing room
The Drawing Room looking towards the Music Room.
Bedford Lemere & Co
Interior of Hous'hill, Glasgow - the music room
The music room looking towards the piano.
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Portrait of Charles Rennie Mackintosh
Portrait of Mackintosh as an old man, sitting side-on.
Ransford, William
Interior of Hous'hill, Glasgow - entrance porch
Entrance vestibule to the house, looking towards the stairs.
Bedford Lemere & Co
Interior of Hous'hill, Glasgow - the music room
The Music Room, with piano by George Walton.
Bedford Lemere & Co
Interior of Hous'hill, Glasgow - the blue bedroom
The blue bedroom looking towards the fireplace.
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Bedford Lemere & Co
Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Collection includes:
The photograph album contains photographs of "The Immortals", including Jessie Keppie, Charles Rennie Mackintosh, Herbert MacNair, Frances Macdonald, Margaret Macdonald and others of their circle.
The Moyr Smith sketches are from Moyr Smith's first published book Studies in Pictures. Smith trained in Glasgow, becoming influenced by Alexander Thomson and Daniel Cottier, moving to London in 1864.
Of great importance in this collection is a sketchbook of drawings by Charles Rennie Mackintosh. The sketchbook, dating from the 1890s, consists of 19 drawings of flowers, furniture sketches, and interior sketches of Craigie Hall, Pollokshields, Glasgow.
Keppie, Jessie
G's Sketchbook: Art School Prewar
Folder containing black and white contact sheets and negatives of photographs by George Oliver. Some are annotated. Includes: clocks in Kilmarnock, GSA's Mackintosh Building and Victoria street, Edinburgh.
Oliver, George
The Magazine: Volume 1 (Page 6)
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The Magazine: Volume 2 (Page 59)
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