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Italian Romanesque Architecture

Page titled 'Italian Romanesque' at top. This page features sketches and text relating to 'S. Michele, Pavia' and 'S Ambroggio, Milan'.

This is the seventeenth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.

Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.

Gorman, James

Italian Sketchbook

This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.

Mackintosh, Charles Rennie

Poster for exhibition 'La Comunita Cristiana Fiorentina e Toscana nella Dialettica Religiosa del ...

Poster for exhibition 'La Comunita Cristiana Fiorentina e Toscana nella Dialettica Religiosa del Cinquecento', Italy

Poster for exhibition 'La Comunita Cristiana Fiorentina e Toscana nella Dialettica Religiosa del Cinquecento' (The Florentine and Tuscan Christian Community in the Religious Dialectic of the Sixteenth Century) in Florence, Italy, 15 Mar 1980-15 Jun 1980.

Not available / given

Poster for exhibition 'La Comunita Cristiana Fiorentina e Toscana nella Dialettica Religiosa del Cinquecento', Italy

Poster for exhibition 'La Comunita Cristiana Fiorentina e Toscana nella Dialettica Religiosa del Cinquecento' (The Florentine and Tuscan Christian Community in the Religious Dialectic of the Sixteenth Century) in Florence, Italy, 15 Mar 1980-15 Jun 1980.

Not available / given

Plaster cast of Medici Venus

  • PC/196
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Venus with missing arm, supported by dolphin and cherub. Original: Roman copy of Greek statue c2 BC, of Hellenistic style. Listed in the first catalogue of casts as Greek, located in the 'Florence Gallery' and was purchased from D. Brucciani.

*Not available / given

Plaster cast of Sarcophagus of Giustina

  • PC/036C
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers.

*Not available / given

Plaster cast of Cantorie Panels

  • PC/050B
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

*Not available / given

Plaster cast of Cantorie Panels

  • PC/050F
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Original: Lucca della Robbia (1400-1482). Part of the two 'Cantorie' made for Florence Cathedral. Original currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

*Not available / given

Plaster cast of Mater Dolorosa

  • PC/052
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Mater Dolorosa (Latin) refers to the Virgin Mary in relation to the sorrows in her life.

*Not available / given

Plaster cast of decorative relief panel with classical figures from lid of chest

  • PC/083
  • Item
  • Mid 19th century-early 20th century

    • Part of Plaster Casts

Decorative panel showing classical figures; female figures surround the central panel of a male holding some sort of tool. Lower panel shows a central female figure flanked by two contorted males. Original: Michelangelo. Currently in the collection of The National Museum of Bargello, Florence, Italy.

*Not available / given

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