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Part of 'Buy and Sell'.

Part of 'Buy and Sell'.

The collection consists of 305 photographs taken between 1853 and 1896. Sitters included local dignitaries, friends and family including John Brown, Queen Victoria's Ghillie. The collection also includes landscapes and the streets of Glasgow, particularly around the Pollokshields area on the south side of the city. Other subjects include ships, ship yards and stately houses.

The George and Cordelia Oliver Archive consists of:

• Newscuttings (featuring articles by Cordelia Oliver)
• photographs and negatives by George Oliver
• personal papers
• examples of artwork by Cordelia and George Oliver, various publications
• posters relating to cultural events in Glasgow and Scotland.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Collection of items related to the Glasgow based firm J. Giusti & Co. which specialized in the production of plaster figures, mould making, statuary repair, and other plaster work. The collection is primarily composed of plaster busts and portraits, six moulds, and two medals. The casts and moulds are formed after a range of sculptural styles including ancient Greek and Roman, French Gothic, Italian Renaissance, and 19th century anatomical studies.

The Giusti Plaster Cast Collection highlights mould making and casting processes that were used to produce objects for retail and to repair existing plaster casts. Records from The Glasgow School of Art document purchases and repairs from J. Giusti & Co. from as early as 1890, and casts related to those in the collection were widely used as teaching and learning tools at the GSA through at least mid-20th century.

As most of the items in the collection were used in commercial casting processes, very few items have a plain white, white washed, or decoratively painted surface that are often observed in plaster cast collections. Many of the plaster casts and all of the plaster moulds are widely covered with uneven layers of shellac that appear yellow, red, or brown. Shellac was applied as a sealant and resist agent to prevent existing plaster elements from sticking to fresh plaster elements during the casting process.

In addition to the plaster casts and plaster moulds, several items provide further insights into the material processes employed by J. Giusti & Co. Two medals (likely bronze) showcase the company's involvement with mould making for metal casting, and a gelatine mould is a surviving example of a traditional process used to produce detailed casts in small quantities.

An issue of The Glasgow Herald dated Tuesday, 21 November 1933.

There are no evident references to Mary Ramsay in this newspaper; however, this item has been retained as it was collected within a portfolio (DC 110/1/4) of Ramsay's loose artworks.

Part of 'At Work'.

14 textile items, thought to have been designed as part of Grace Melvin's diploma show c1918.

Material related to a booklet to study the constructional system of the Elgin Park Centre Greenhouse.

Part of 'At Work'.

Job files relating to proposed in-patient accomodation (hospice unit); no images, drawing or plans.

Images of Glasgow and New York split into 8 sections: City as Setting, At Work, Buy and Sell, Music and Some other Arts, Spaces, Round and About, By The Wayside, On the Way.

The collection comprises 348 images taken between 1995-2000 from Robert Trotter's exhibition 'New York, Glasgow: from the crowd' held at Glasgow School of Art School of Design Atrium Gallery in 2004. The images are of varying sizes and are in good condition. The images of street scenes in Glasgow and New York show musicians, market vendors and passers by against city centre architecture. emphasizing the similarities between city life in Glasgow and New York.

Copy of architectural drawing on a paper sheet showing a cross section of the Third Eye Centre, in scale 1:20. This material has no reference number, however, it seems that it comes from the same source of the item DC 121/5/4/3 (Boswell Mitchell & Johnston Architects & Planning Consultants in Feb 1975). It has been used by the architect to study the existing building before making the new changes.

Copy of architectural drawing on a paper sheet showing the design of the plan and elevation of entrance screen of the Third Eye Centre, in scale 1:20. This material made by Boswell Mitchell & Johnston Architects & Planning Consultants in Feb 1975, and has a reference number of 954/33. It has been used by the architect to study the existing building before making the new changes.

Copy of architectural drawing on a paper sheet showing the main indoor spaces of the ground floor plan of the Third Eye Centre, in scale 1:20. This material has no reference number, however, it seems that it comes from the same source of the previous item (Boswell Mitchell & Johnston Architects & Planning Consultants in Feb 1975). It has been used by the architect to study the existing building before making the new changes.

Architectural drawings on rolled greaseproof sheets to study the design of The Third Eye Centre in Glasgow as a side project which had been directed by the tutor of the third full-time year course. It consists of two sheets, a large rolled sheet, and a small rolled one. Greaseproof sheet has been used due to its cheap cost, stated by the architect.

Architectural drawing on a rolled greaseproof sheet to study the design of the front elevation of The Third Eye Centre, in scale 1:20. This drawing seems to be the first sketch as an attempt to present the main features of the façade. This sheet has been coloured from the back. The changes the architect made can be easily distinguished from the final submission shown within the large rolled sheet.

Architectural drawings on a large rolled greaseproof sheet to study the design of The Third Eye Centre in Glasgow as a side project which is directed by the tutor of the third full-time year course. This large rolled sheet consists of the architectural drawing of the building's ground floor plan in scale 1:100 showing its main functional spaces. It also consists of an enlarged part of the ground floor taken from the front side of the building with its upper floor plan, both in scale 1:50. This sheet also includes a sectional perspective in scale 1:20 taken from cash desk booking focal point looking towards its both sides to upstairs floor. This drawing consists of several human figures with humourous comments to give a sense of the real life of this social space. The rolled sheet also includes a coloured drawing of the front façade in scale 1:20, where the architect coloured this drawing from the back of the sheet.

Part of 'Buy and Sell'.

Folder containing 53 black and white photographs relating to the Third Eye Centre, taken by George Oliver and of various sizes. Some have been annotated. Includes: various performers, performances and general events.

Folder containing 49 black and white photographs of exhibitions held at the Third Eye Centre, taken by George Oliver and of various sizes. Most are annotated. Includes: 'Crawford and Company' curated by Cordelia Oliver, Joan Eardley exhibition and John Bellany exhibition.

Folder containing 60 black and white photographs of performances at the Third Eye Centre, taken by George Oliver and of various sizes. Most have been annotated. Includes: Billy Connolly, Tom McGrath, music and dance performances.

Yellow 'Tomorrow's Architects' t-shirts.

This overlay accompanies the poster for the screening of Bruce Lacey's "Mechanical Ballet" which can be found under reference number GSAA/EPH/10/162. Lacey is an eccentric character known for working with sculpture, sound and performance and has been featured in a number of British films including the Beatles' film 'Help'. The screening was held in The Haldane Building on the 15th of April 1971. Lacey screened a number of stills from his ICA exhibition during this event.

Job files relating to the project.

A tracing paper showing the typical day "A day in the life", consists of two charts: one for the day-time activities and the other for the night-time activities.

Folder containing 3 photographs and 1 contact sheet of historic Glasgow and Dumfries. The contact sheet comprises of photographs of a book containing images of historic Glasgow taken by George Oliver and is dated 1989. The photographs date from c1900, photographer unknown. Includes: photograph mounted on board entitled ' High Street from North, Dumfries'.

Folder containing black and white and coloured photographs, taken by George Oliver and of various sizes. Also contains some contact sheets. Some are annotated. Includes: architecture of Glasgow, Citizen's Theatre and Joan Eardley.

Glasgow street scene, featuring cars in front of tenement building.

Image of Glasgow back lane, featuring wall with graffiti.

Image of Glasgow public house.