- NMC/0841
- Item
- 1976
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of singer and microphone.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of singer and microphone.
Brown, Neil Dallas
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Study of male; head and upper body, arms crossed.
Anderson, Steven
"A E Haswell Miller 1924" (in pen), bottom right. Another drawing verso.
Miller, Archibald E Haswell
Berwick upon Tweed, view of bridges
"A E Haswell Miller 1924" (in pen), bottom right.
Miller, Archibald E Haswell
Berwick upon Tweed, view from shore
"A E Haswell Miller 1924" (in pen), bottom right.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
"AE Haswell Miller, 1922" bottom left.
Miller, Archibald E Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Mountain scene.
Alison, Henry Young
Bellengere (for The Death of Tintagiles)
Costume design for Maurice Maeterlinck's The Death of Tintagiles.
Meikle, Dorothy
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with mountains.
Mackie, Thomas Callendar Campbell
Hedge with rocks to the foreground.
Nagl, Hazel
Two studies of trees; beech and ash. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Beadnell Church, Northumberland
"A E Haswell Miller 1924" (in pen), bottom right.
Miller, Archibald E Haswell
Sandy shoreline with headland in distance.
Alison, Henry Young
Miller, Archibald E Haswell
Basilica of San Francesco d'Assisi, Assisi Italy
"A E H Miller 1913" bottom right.
Miller, Archibald E Haswell
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Bamburgh, sunken boat on shoreline
"A E Haswell Miller 1924" (in pencil), bottom left.
Miller, Archibald E Haswell
"A E Haswell Miller 1924. Bamburgh Castle. August 1924" (in pen), bottom right.
Miller, Archibald E Haswell
"A E Haswell Miller 1924. Bamburgh Castle. Sept 1924" (in pen), bottom right.
Miller, Archibald E Haswell
Backyard, Shore Street, Greenock
Backyard of Greenock tenement building.
Gorman, James
Study of cathedral, with river to the foreground.
Paterson, Alexander Nisbet
Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Study of Aston Hall, near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Miller, Archibald E Haswell
"A E H Miller Rome 1913" bottom right.
Miller, Archibald E Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of the artist's wife.
Laurie, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of highland landscape.
Paterson, George William Lennox
An Effect after a Storm/Transient Effect
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Costume design for performance of Parsifal.
Smyth, Dorothy Carleton
Argyll landscape with farm buildings.
Gorman, James
Aglovale (for The Death of Tintagiles)
Costume design for Maurice Maeterlinck's The Death of Tintagiles.
Meikle, Dorothy
A view in Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Act V, Sc I/Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Miller, Josephine Haswell
Abstract pattern design (Version 1)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Organic shapes painted in black ink on paper. Background painted in cream coloured gouache with pink, gold and blue paint marks. Abstract piece on card and white ink attached to item with line drawing of leaf motif in ballpoint pen adjacent. Similar style and application of material to DC 089/1/2/4/9.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Geometric design painted in gouache with organic shapes. Orange, blue and cream coloured design
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing in brown ink rendered with purple and cream coloured gouache.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Organic shapes painted in black ink and rendered in pink, white and green gouache. Gold and copper coloured flecks of ink on surface of design.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract figure.
Palmer, Joan
Study of Venetian canal with gondolier in foreground.
Jackson, Alexander Logan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of village with church.
Miller, John
A Room, The English King's Palace, Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton