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211 results with digital objects Show results with digital objects

St Paul's Church & Presbytery, Shettleston

GKC/CS
Subfonds
1957-1973

Part of Records of Gillespie, Kidd and Coia Architects

Job files and drawings related to the project (no photographs).

Gillespie, Kidd and Coia

Notre Dame Convent & School, Ravenswood, Cumbernauld

GKC/CSC
Subfonds
[1960-1966]

Part of Records of Gillespie, Kidd and Coia Architects

Drawings and job files relating to the project (no photographs).

Gillespie, Kidd and Coia

St Francis Convent School, Merrylee, Glasgow

GKC/CSM
Subfonds
1946-1977

Part of Records of Gillespie, Kidd and Coia Architects

Job files, images and drawings related to the project.

Gillespie, Kidd and Coia

St Vincent de Paul Church, Thornliebank

GKC/CT
Subfonds
c1956-1971

Part of Records of Gillespie, Kidd and Coia Architects

Job files and drawings related to the project.

Gillespie, Kidd and Coia

St Andrew's Church, Whinhall, Airdrie

GKC/CWH
Subfonds
1950-1959

Part of Records of Gillespie, Kidd and Coia Architects

Drawings, photographs, and job files relating to the project.

Gillespie, Kidd and Coia

Convent and Church, Bearsden

GKC/CVBE
Subfonds
c1962

Part of Records of Gillespie, Kidd and Coia Architects

Drawings related to project.

Gillespie, Kidd and Coia

Glasgow Cathedral Precinct, Glasgow

GKC/GCP
Subfonds
Mid 20th century

Part of Records of Gillespie, Kidd and Coia Architects

Drawings related to project (no photographs or job files).

Gillespie, Kidd and Coia

St Margaret's Hospice/Convent, Clydebank

GKC/HO-CL
Subfonds
1969-1982

Part of Records of Gillespie, Kidd and Coia Architects

Job files, images and drawings related to project.

Gillespie, Kidd and Coia

St Joseph's Parish Hall, Grant Street, Helensburgh

GKC/PH-HE
Subfonds
[1949-1954]

Part of Records of Gillespie, Kidd and Coia Architects

Job files and drawings related to project.

Gillespie, Kidd and Coia

St Andrew's Cathedral, Clyde Street, Glasgow

GKC/RCCP
Subfonds
c1966-1976

Part of Records of Gillespie, Kidd and Coia Architects

Job files and drawings related to project.

Gillespie, Kidd and Coia

John Ogilvie Hall/R.C. Preparatory School, Langside

GKC/SEL
Subfonds
1956-1966

Part of Records of Gillespie, Kidd and Coia Architects

Job files, images and drawings related to project.

Gillespie, Kidd and Coia

Eve

NMC/0052
Item
1914

Part of Art, Design and Architecture collection

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study after Titian's 'The Fall of Man', c1570. The Titian original is held in the Prado collection, Madrid.

McGlashan, Archibald A

Christ Carrying the Cross

NMC/0982
Item
1924

Part of Art, Design and Architecture collection

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Biblical study of Christ bearing his cross to calvary. This painting was Milne's diploma submission in 1924.

Milne, Robert

St David's Church, Meadowhead Road, Plains, Airdrie

GKC/CP
Subfonds
[1947-1960]

Part of Records of Gillespie, Kidd and Coia Architects

Job files and drawings relating to the project (no photographs).

Gillespie, Kidd and Coia

Net Panel - St Francis (Version 1)

NDS/F/18/v1
Part
c1933-1938

Part of Records and textiles of the Needlework Development Scheme

Rosenstock, Käte Luise

Hanging Pieta (Version 1)

Part of Records and textiles of the Needlework Development Scheme

*Not available / given

Panel - Twelve Apostles (Version 1)

Part of Records and textiles of the Needlework Development Scheme

*Not available / given

Altar Hanging - Psalm 150 (Version 1)

Part of Records and textiles of the Needlework Development Scheme

Wichmann, Joanna

Ayrshire Christening Robe (Version 1)

NDS/GB/28/v1
Part
Early 19th century

Part of Records and textiles of the Needlework Development Scheme

*Not available / given

St Bride's Church, Cambuslang

GKC/CH-C
Subfonds
1952-1960

Part of Records of Gillespie, Kidd and Coia Architects

Job files relating to the project (no images, drawings or plans).

Gillespie, Kidd and Coia

Panel - Madonna and Two Angels

Part of Records and textiles of the Needlework Development Scheme

Austrian. Satin with satin appliqué, embroidered with silks and metal threads in cross, four-sided, lazy daisy, stem, satin stitches, couching with gold work and beads. Inscription "Unsereliebefrau" at base. By Emmy Zweybruck-Proshashka. Vienna.

Zweybruck-Proshashka, Emmy

Stole

Part of Records and textiles of the Needlework Development Scheme

German. On white silk with woven spot design. Embroidered with silk, black cotton and metal threads in cross, four-sided, running, back, fly, satin stitches, couching and French knots. Shades of brown and oragne with naive figures and sacred emblems. The stylised figures and text are similar to those on the Hungertuch (Hunger cloth) Lenten cloth also made by the Munster school in the late 1920s. This was inspired by the 1623 Hungertuch Lenten hangings in Telgte, near Munster.

*Not available / given

Missal cover

Part of Records and textiles of the Needlework Development Scheme

British. Rose coloured satin cover with figure of a saint, richly embroidered in coloured silks in split stitch and conching. By Joan Nicholson, Bromley.

Nicholson, Joan

Design for a pulpit-fall

NMC/0006
Item
c1898-1899

Part of Art, Design and Architecture collection

Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".

Newbery, Jessie Wylie

Portrait of man

NMC/0106
Item
c1931-1932

Part of Art, Design and Architecture collection

Study of Christ(?) with crown of thorns and serpent.

McLaren, Norman

Book illustrations

NMC/0196A
Item
1860s

Part of Art, Design and Architecture collection

'Indignation loosened Peter's tongue' (two male figures). Several of these illustrations appeared in 'Good Words' 1863.

*Not available / given

Book illustrations

NMC/0196B
Item
1860s

Part of Art, Design and Architecture collection

'He followed them through the fire...' (male figure). Several of these illustrations appeared in 'Good Words' 1863.

*Not available / given

Stained glass cartoon for St Mark's church, Southport

NMC/0282A
Item
c1930-1933

Part of Art, Design and Architecture collection

Replacement face used for St Paul (NMC/279A). Inscribed: 'beard to be white in the middle all down its length'.

Bell, Robert Anning

Stained glass cartoon for St Mark's church, Southport

NMC/0282B
Item
c1930-1933

Part of Art, Design and Architecture collection

Face used for John Wesley.

Bell, Robert Anning

Stained glass cartoon for the church of St Mark's, Southport

NMC/0283
Item
c1930-1933

Part of Art, Design and Architecture collection

Design for an angel. Identified as the right side angel at the tracery above the altarpiece six light window depicting the nativity.

Bell, Robert Anning

Stained glass cartoon for the church of St Paul, Sandgate, Folkestone

NMC/0276
Item
c1909

Part of Art, Design and Architecture collection

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Design for part of a memorial window for the Church of St Paul, Sandgate, Folkestone. Inscribed: 'For he that is mighty hath magnified me and holy is his name'.

Bell, Robert Anning

Stained glass cartoon for St Mark's Church, Southport

NMC/0274
Item
1932

Part of Art, Design and Architecture collection

The design depicts the Blessed Virgin Mary on the left side and a young boy (Hartley?) on the right. Design is for the lower section of a window in St Mark's, Southport; dedicated to the memory of Sir William Pickles Hartley of the Primitive Methodist Movement. Inscribed: 'What doth the Lord require of thee but to do justly and to love mercy and to walk humbly with thy God?'.

Bell, Robert Anning

Bible marker

NMC/0421
Item
c1908-1914

Part of Art, Design and Architecture collection

Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).

*Not available / given