- NMC/0596
- Item
- Early 20th century
Artist's palette used by Sir James Guthrie.
*Not available / given
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Artist's palette used by Sir James Guthrie.
*Not available / given
A variety of paintings and artworks completed by Archibald Haswell Miller and Josephine Haswell Miller, including urban landscapes, portraits, and military scenes. Some of these items are dated to their time as teaching staff at The Glasgow School of Art.
Miller, Archibald E Haswell
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Three watercolour artworks on paper by Veronica Matthew
Matthew, Veronica
Death mask of Tutankhamun painting
Painting titled 'Death Mask of Tutankhamun' mounted on brown then green card.
Gorman, James
A collection of personal papers and documents belonging to William Drummond Bone, including exam papers, army correspondance, fashion designs, essays, teaching notes and exhibition catalogues.
Bone, William Drummond
Papers of the Ballantine family, students at The Glasgow School of Art, Scotland
The collection is comprised of Lewis Ballantine's own works of art such as life drawings, self portraits, design work and sketchbooks, and photographs, as well as sketchbooks and notebooks that belonged to his mother and father.
The work in the collection by Lewis Ballantine forms a valuable record of his time at the Glasgow School of Art. They show the development of his work as an artist, and provide an example of the type of work that Drawing and Painting students were required to produce during this period.
Lewis Ballantine's mother, Alice Longmuir Nisbet was herself at Glasgow School of Art in the 1930s, and was involved in the Socialist Art Circle. The sketchbooks in this collection also contain works by other members of the group such as Stuart Henderson, Jimmy Morton, James ("Jimmy") Ogilvie, W. C. Thompson and John McLean. The photographs in the collection picture Alice Longmuir Ballantine and John ("Jack") Hendry Ballantine, and Lewis Ballantine's maternal grandfather, Robert Dow Nisbet.
Collection includes:
Ballantine, John Hendry
Collection includes:
The collection also includes original illustrations drawn by A S Boyd (aka TWYM) and Stephen Reid, both noted Scottish illustrators.
Additional uncatalogued material includes
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Hunter, William R
A variety of photographs featuring loose photographs of artworks and GSA students and staff.
Poster for 'Royal Glasgow Institute of the Fine Art Arts 127th Annual Exhibition', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'Royal Glasgow Institute of the Fine Art Arts 127th Annual Exhibition', McLellan Galleries, Glasgow, 09 Oct 1988-06 Nov 1988. Artwork featured is 'Still Life' by James D. Robertson, poster design by Michael Healey.
Healey, Michael
Poster for The Glasgow School Of Art degree show
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised The Glasgow School Of Art's annual degree show in 1984. The exhibition showcased work by graduating students in drawing and painting, photography, printmaking, murals, stained glass and sculpture. The degree show was held in the Mackintosh Building at The Glasgow School Of Art and ran from the 15th to the 21st of June. The photograph used on the poster shows exhibiting students sitting on the steps of the Mackintosh Building and was taken by Vaughan Judge who previously worked as a lecturer at the school. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited.
Judge, Vaughan
Poster for the Master of Fine Art degree show
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition of work by students graduating from the Master of Fine Art course as part of The Glasgow School Of Art's 1984 degree show. The image used on the poster was photographed by Jim Oakes and shows the exhibiting students standing on the fire escape steps of the JD Kelly building at The Glasgow School Of Art. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited. The exhibition ran from the 15th to the 21st of June.
*Not available / given
Presscuttings book belonging to Archibald McGlashan, student at The Glasgow School of Art, Scotland
Presscuttings book of reviews of exhibitions including those at the GSA Club, RSA and Glasgow Institute of Fine Art, 1913-1959.
McGlashan, Archibald A
Records of the Artist Teachers' Exhibition Society, Glasgow, Scotland
Dron, James Alexander
Records of the Glasgow League of Artists, Glasgow, Scotland
Includes:
Minutes, 1971-1981
Correspondence, 1971-1976
Treasurer's reports, 1972-1974
Catalogues of exhibitions, 1971-1979
Ephemera - invites etc., 1971-1979
GLA Exhibition posters, 1974-1979
Slide pack of members work, n.d.
Colour photographs of members work, 1978-1979
Photographs of GLA members, 1978-1979
Colour photographs of exhibitions of members work, 1974
GLA Print Pack, c1971-1981
Film - We're all Big Boys Now - a quick look at the GLA, 1974
Presscuttings, 1971-1974.
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Glasgow League of Artists
There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.
The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.
The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).
Raeburn, Lucy
The Magazine: Volume 1 (Page 1)
The Magazine: Volume 1 (Page 10)
The Magazine: Volume 1 (Page 11)
The Magazine: Volume 1 (Page 12)
The Magazine: Volume 1 (Page 13)
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The Magazine: Volume 1 (Page 17)
The Magazine: Volume 1 (Page 18)
The Magazine: Volume 1 (Page 19)
The Magazine: Volume 1 (Page 2)
The Magazine: Volume 1 (Page 20)
The Magazine: Volume 1 (Page 21)
The Magazine: Volume 1 (Page 22)
The Magazine: Volume 1 (Page 23)
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The Magazine: Volume 1 (Page 3)
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The Magazine: Volume 1 (Page 4)