The Young Regenerators Project - Drawing
- NMC/1926V
- Item
- 2018
Ink drawing, 'HIGH SCHOOL ART IS NOT Real ART!'
The Young Regenerators
The Young Regenerators Project - Drawing
Ink drawing, 'HIGH SCHOOL ART IS NOT Real ART!'
The Young Regenerators
The Young Regenerators Project - Drawing
Ink drawing of a To Do list: 'Buy eggs, Clean brushes, TIDY STUDIO, PRAY, GET TAPE'
The Young Regenerators
The Young Regenerators Project - Drawing
Ink drawing of claw-foot bathtub
The Young Regenerators
The Young Regenerators Project - Drawing
Ink drawing, 'SHE TURNT THE WAINS AGAINST US!'
The Young Regenerators
The Young Regenerators Project - Drawing
Ink drawing of piggy bank with five £1 coins
The Young Regenerators
Study of women crowded around The Well in Toledo (inscription verso).
Jackson, Alexander Logan
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Miller, Josephine Haswell
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
Henderson, Andrew Graham
Part of 'Round and About'.
Trotter, Robert
The Staff (The Glasgow School of Art)
Various GSA staff portrayed in caricature.
Coia, Emilio
"The shape of the colour red" tshirt (Version 3)
Part of Records of the Glasgow 1999 Festival Co Ltd, Glasgow, Scotland
"The shape of the colour red" tshirt (Version 2)
Part of Records of the Glasgow 1999 Festival Co Ltd, Glasgow, Scotland
"The shape of the colour red" tshirt (Version 1)
Part of Records of the Glasgow 1999 Festival Co Ltd, Glasgow, Scotland
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
The Severin Family 1958 toast and wish trust to all their friends
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Dog and flask of wine.
Severin, Mark
The Servants of the Queen (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Panelling and gallery.
Revel, John D
The Scottish Red Cross Territorial Brigade enrolment certificate
Miller, Archibald E Haswell
The Scottish Art and Design Collection
This personal collection, incorporating the Collections of National Society for Education in Art and Design Scottish Region, was deposited by Stuart W MacDonald, Senior Advisor for Strathclyde Region Educational Development Service, in February 1995.
It comprises material from various educational committees and forums with which he was associated, together with the Consultative Committee on the Curriculum item bank, an art projects resource bank for schools. The collection also includes a small number of books from Arthur MacMorland, a leading exponent of Children's Art in Scotland, and former student of Glasgow School of Art.
This includes:
Materials include teachers notes, study packs, examples of the kind of work produced in the schemes and teaching aids.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
MacDonald, Stuart W
The Scots Pictorial calendar, 1914
"A E H Miller" (in pencil), bottom left.
Miller, Archibald E Haswell
View of Italian hill-top Town. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
McKenzie, Alison
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Wood engraving by Rosalind Bliss of a partridge on a potted plant in Winter. Message inside and on back.
Bliss, Rosalind
Study of the Parthenon.
Spiers, Richard Phené
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Volume 3 of The Palette, Glasgow School of Art Annual (3 copies).
The Glasgow School of Art
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Volume 2 of The Palette, Glasgow School of Art Annual (2 copies).
The Glasgow School of Art
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Vol.1, No.1 of The Palette, The Glasgow School of Art Magazine.
The Glasgow School of Art
The Painters Colquhoun & McBryde (The Two Roberts)
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
The Monastery, Durnstein, Austria
"AE Haswell Miller, Durnstein 1922".
Miller, Archibald E Haswell
"The Minster Church of St. Cuthberga, Wimborne Dorset" tea towel
"The Minster Church of St. Cuthberga, Wimborne Dorset" tea towel featuring image of church.
Chalmers, Sylvia
The Magazine: Volume 4 (Page 9)
The Magazine: Volume 4 (Page 83)
The Magazine: Volume 4 (Page 82)
The Magazine: Volume 4 (Page 81)
The Magazine: Volume 4 (Page 80)
The Magazine: Volume 4 (Page 79)