- NMC/0096H
- Item
- c1900
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
A Camp, Act I, Sc I (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The Ferry on the River Blyth, Walberswick, Suffolk. The subject is the ferry at Walberswick in Suffolk where Newbery and his family spent many holidays.
Newbery, Francis Henry
A Glasgow Bookman - Adam L Gowans Esq
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of former Glasgow School of Art librarian.
Dodd, Phyllis
A Heath Cloudy Effect and Snowdon, North Wales
Two landscapes. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Wind mill with cart and farm building. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce 'the personality of the Misses MacDonald from their works' and see them as 'middle-ages sisters, flat footed, with projecting teeth and long past matrimony... gaunt, unlovely females'. Gleeson White who visited Glasgow to see the Mackintosh group was pleasantly surprised to meet two laughing comely girls scarce out of their teens." (MacLaren Young).
MacNair, Frances Macdonald
A Room, The English King's Palace, Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of village with church.
Miller, John
Study of Venetian canal with gondolier in foreground.
Jackson, Alexander Logan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract figure.
Palmer, Joan
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Organic shapes painted in black ink on paper. Background painted in cream coloured gouache with pink, gold and blue paint marks. Abstract piece on card and white ink attached to item with line drawing of leaf motif in ballpoint pen adjacent. Similar style and application of material to DC 089/1/2/4/9.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Geometric design painted in gouache with organic shapes. Orange, blue and cream coloured design
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract drawing in brown ink rendered with purple and cream coloured gouache.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Organic shapes painted in black ink and rendered in pink, white and green gouache. Gold and copper coloured flecks of ink on surface of design.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Abstract pattern design (Version 1)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Miller, Josephine Haswell
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Act V, Sc I/Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
A view in Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Aglovale (for The Death of Tintagiles)
Costume design for Maurice Maeterlinck's The Death of Tintagiles.
Meikle, Dorothy
Argyll landscape with farm buildings.
Gorman, James
Costume design for performance of Parsifal.
Smyth, Dorothy Carleton
An Effect after a Storm/Transient Effect
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of highland landscape.
Paterson, George William Lennox
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of the artist's wife.
Laurie, John
"A E H Miller Rome 1913" bottom right.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Study of Aston Hall, near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Study of cathedral, with river to the foreground.
Paterson, Alexander Nisbet
Backyard, Shore Street, Greenock
Backyard of Greenock tenement building.
Gorman, James
"A E Haswell Miller 1924. Bamburgh Castle. August 1924" (in pen), bottom right.
Miller, Archibald E Haswell
"A E Haswell Miller 1924. Bamburgh Castle. Sept 1924" (in pen), bottom right.
Miller, Archibald E Haswell
Bamburgh, sunken boat on shoreline
"A E Haswell Miller 1924" (in pencil), bottom left.
Miller, Archibald E Haswell
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Basilica of San Francesco d'Assisi, Assisi Italy
"A E H Miller 1913" bottom right.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Sandy shoreline with headland in distance.
Alison, Henry Young
Beadnell Church, Northumberland
"A E Haswell Miller 1924" (in pen), bottom right.
Miller, Archibald E Haswell
Two studies of trees; beech and ash. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David