Letter of congratulations to The Glasgow School of Art from John Byrne, artist
An A4 size letter featuring watercolour paintings commemorating the 150th anniversary of the Glasgow School of Art , 6 January 1995.
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Byrne, John
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
The Magazine: Volume 1 (Page 1)
The Magazine: Volume 1 (Page 4)
The Magazine: Volume 1 (Page 15)
The Magazine: Volume 1 (Page 24)
The Magazine: Volume 1 (Page 32)
The Magazine: Volume 1 (Page 35)
The Magazine: Volume 2 (Page 1)
The Magazine: Volume 2 (Page 9)
The Magazine: Volume 2 (Page 12)
The Magazine: Volume 2 (Page 13)
The Magazine: Volume 2 (Page 16)
The Magazine: Volume 2 (Page 21)
The Magazine: Volume 2 (Page 24)
The Magazine: Volume 2 (Page 28)
The Magazine: Volume 2 (Page 38)
The Magazine: Volume 2 (Page 39)
The Magazine: Volume 2 (Page 43)
The Magazine: Volume 2 (Page 44)
The Magazine: Volume 2 (Page 47)
The Magazine: Volume 2 (Page 51)
The Magazine: Volume 2 (Page 53)
The Magazine: Volume 2 (Page 60)
The Magazine: Volume 2 (Page 64)
The Magazine: Volume 2 (Page 65)
The Magazine: Volume 3 (Page 1)
The Magazine: Volume 3 (Page 5)
The Magazine: Volume 3 (Page 16)
The Magazine: Volume 3 (Page 17)
The Magazine: Volume 3 (Page 23)
The Magazine: Volume 3 (Page 29)
The Magazine: Volume 3 (Page 31)
The Magazine: Volume 3 (Page 32)
The Magazine: Volume 3 (Page 34)
The Magazine: Volume 3 (Page 36)
The Magazine: Volume 3 (Page 42)
The Magazine: Volume 3 (Page 53)
The Magazine: Volume 3 (Page 54)
The Magazine: Volume 3 (Page 56)
The Magazine: Volume 3 (Page 60)
The Magazine: Volume 3 (Page 63)
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
Poster for an exhibition of work by Brian Kelly
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition of prints by the artist Brian Kelly. The exhibition was held in the Scottish National Gallery in Edinburgh.
*Not available / given
Poster for the graphic design with illustration and photography degree show
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition of work by graduating students from the graphic design with illustration and photography department which was exhibited as part of The Glasgow School Of Art degree show in 1994. The exhibition was held in the Foulis building at The Glasgow School Of Art from the 25th of June to the 1st of July. The image used on the poster was an illustration by Helen Stephens and the typography was created by Marie There Cassidy and Nadine Lewis, all of whom graduated in 1994.
*Not available / given
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Poster for a film screening of 'The Passion of Joan of Arc'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Robert Heatherington has designed a poster for the Carl Dreygar film 'The Passion of Joan of Arc'. Heatherington has created the poster using screen print techniques.
Heatherington, Robert