- NMC/0095A
- Item
- 1903
Montage of costume designs for the Masque of the City Arms.
Smyth, Dorothy Carleton
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Montage of costume designs for the Masque of the City Arms.
Smyth, Dorothy Carleton
Papers of Garcia Hunter, student at The Glasgow School of Art, Scotland
Includes:
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Hunter, Garcia
Glasgow School of Art, Renfrew St, Glasgow
Job files, images and drawings related to project.
Gillespie, Kidd and Coia
Part of Papers of James Cosgrove
Inscribed 'Jimmy Cosgrove Amsterdam, April 1988. Ken Mitchell, Tom Chambers'. Also entitled "A book of dreams" on the first page. Sketches of abstract figures and animals. Some mythological and biblical references.
Cosgrove, James
Material created for Project 3, First Year which relates to the history and design of The Glasgow School of Art building. Six Drawing and presentation sheets of architectural floor plans, elevations, and details.
Platt, Christopher
Sheet 2, The Glasgow School of Art, South Elevation
The Glasgow School of Art south elevation drawn as it was in 1910, without any written information about the architect, the history of the building.
Platt, Christopher
Sheet 4, The Glasgow School of Art, Floor Plans
Presentation sheet including copies of floor plan drawings and a photo of the east staircase at first-floor level. No references included.
Platt, Christopher
Sheet 5, The Glasgow School of Art, Wrought Iron Features
The presentation sheet includes photos of some wrought iron features with descriptions about the functional and aesthetics values of using such features as they were attached to the windows, above the main entrance, and balcony railings. Photos' references are unknown.
Platt, Christopher
Sheet 1, The Glasgow School of Art, North Elevation
The Glasgow School of Art north elevation as it drawn as it was in 1910, without any written information about the architect, the history of the building.
Platt, Christopher
Sheet 6, The Glasgow School of Art, Wrought Iron Features
The presentation sheet includes photos of some main features of the library such: pendant cluster of pierced metal lampshades, the construction of the coffered ceiling pillars and balusters. Photos' references are unknown.
Platt, Christopher
Sheet 3, The Glasgow School of Art, West and East Elevations
West elevation: drawn from a contract drawing of 1907 re-design of the original 1896 and altered by architect amending doorway, architrave, and corbels.
East elevation: drawing shows the building as built originally planned except for slight modifications.
Platt, Christopher
Perspective drawing of Glasgow School of Art from the north-west
View of the Glasgow School of Art, showing Hengler's circus, prior to the construction of the second half of the building.
McGibbon, Alexander
Papers of John Walter Lindsay, architect and student of the Glasgow School of Art
This collection contains:
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Lindsay, John Walter
Papers of Jessie Keppie, artist and student of The Glasgow School of Art, Scotland
Collection includes:
The photograph album contains photographs of "The Immortals", including Jessie Keppie, Charles Rennie Mackintosh, Herbert MacNair, Frances Macdonald, Margaret Macdonald and others of their circle.
The Moyr Smith sketches are from Moyr Smith's first published book Studies in Pictures. Smith trained in Glasgow, becoming influenced by Alexander Thomson and Daniel Cottier, moving to London in 1864.
Of great importance in this collection is a sketchbook of drawings by Charles Rennie Mackintosh. The sketchbook, dating from the 1890s, consists of 19 drawings of flowers, furniture sketches, and interior sketches of Craigie Hall, Pollokshields, Glasgow.
Keppie, Jessie
The Glasgow School of Art: Mackintosh Building - Library part sections/elevations
Architectural drawing of the GSA Mackintosh Building. Scale 1:20.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Ground Floor Mezzanine
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Section through library and studios
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - East Stair - plan and elevation
Architectural drawing of the GSA Mackintosh Building. Scale 1:20.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Library balcony and pendant
Architectural drawing of the GSA Mackintosh Building. Scale 1:5.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Studio Door and hanging strap
Architectural drawing of the GSA Mackintosh Building. Scale 1:10.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - West Doorway - Elevations/sections
Architectural drawing of the GSA Mackintosh Building. Scale 1:20.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Context and City Plan
Architectural drawing of the GSA Mackintosh Building. Scale 1:1250/NTS.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Ground Floor Plan
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - First Floor Plan
Architectural drawing of the GSA Mackintosh Building.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Second Floor Plan
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - First Floor Mezzanine (RL)
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Library balcony level
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Section through entrance
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - East Stair - vertical section
Architectural drawing of the GSA Mackintosh Building. Scale 1:20.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - West Doorway - Plan and section
Architectural drawing of the GSA Mackintosh Building. Scale 1:20.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - First Floor Mezzanine/Book Store
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section through existing building/section B.B
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: section through Museum/section D.D
Architectural drawing showing sections through building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: back elevation
Architectural drawing showing back elevation. On the left is the tower block of the Library. The little walkway at the top of the building (the 'Hen Run') links the new West wing with the earlier East wing, separated by the already built Director's Studio. The greenhouse cantilevered out from a studio on the top floor provided models for still life painting. The superimposed alterations show changes made to the first building, and those in pencil others thought of between 1907 and 1910.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: front elevation
Architectural drawing showing Renfrew Street elevation.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation and plan
Architectural drawing showing elevation and plan of building.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor - East wing
Architectural drawing showing basement plan of building. This sketch, very possibly not in Mackintosh's own hand but drawn by a draughtsman in his office, shows how the accommodation was arranged in the East wing basement before the GSA was completed with the addition of the West wing in 1906-09. The technical studios on the plan were housed in a temporary building which can be seen in the perspective drawing of the unfinished GSA.
Mackintosh, Charles Rennie
Glasgow School of Art Club invitation card (Version 1)
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November, 1894.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor
Architectural drawing showing basement floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Renfrew Street
Architectural drawing showing north elevation. The main difference between the completed North elevation and that shown in the 1896-97 design is the addition of an attic storey, but by setting back the upper row of windows Mackintosh made them quite invisible from Renfrew Street.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of first floor
Architectural drawing showing first floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of first floor
Architectural drawing showing first floor plan.
Mackintosh, Charles Rennie
Glasgow School of Art Club invitation card (Version 2)
Mackintosh, Charles Rennie
Includes:
Mackintosh, Charles Rennie
The Glasgow School of Art: Mackintosh Building - Basement Mezzanine
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
Design for Glasgow School of Art: additions to South-East wing - lower left
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of second floor
Architectural drawing showing second floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor
Architectural drawing showing plan of basement floor.
Mackintosh, Charles Rennie