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A collection of 27 mounted boards with hand-drawn designs for shawls, featuring the Kashmir cypress cone or 'Paisley' pattern.

A collection of 6 mounted boards with hand-drawn, hand-painted designs for shawls, featuring the Kashmir cypress cone or 'Paisley' pattern.

Pale blue sampler with grey metallic thread and chenille. Buttonhole stitch and couching.

Includes Pamela Mitchell's Travel Report.

German. Worked in white on blue silk. Showing calf lying in field of flowers. By Suse Sardeman-Bermuth, Berlin. Used to be framed.

From Berlin, Germany. Worked in white on rust silk. Charming drawing of foal. Used to be framed.

Papers relating to the design work of C A Wallace Shaw for Pringle of Scotland.

Papers relating to the design work of C A Wallace Shaw for Donna Karan.

Collection includes a number of photographs featuring Sheena Reid and other GSA students plus five textiles designed and made by Sheena Reid as a student at GSA.

A collection of work by textile designer Sylvia Chalmers, comprising Glasgow School of Art student material; work-related designs and sketches; magazine clippings; calligraphy samples; a programme for an exhibition titled "A centenary exhibition to celebrate the founding of the Glasgow Society of Lady Artists in 1882"; photographs; textiles such as aprons, tote bags, placemats, tea towels, kerchiefs, curtains and a banner; and textile design samples.

The collection includes:

• Textiles by Veronica Matthew;
• Artworks on paper by Veronica Matthew;
• Material relating to Art Therapy;
• Newspaper cuttings;
• Photographs;
• Personal papers.

Variety of materials relating to the design work of former GSA student C A Wallace Shaw, including student work; Pringle of Scotland LTD; Donna Karan International; Braemar International; and Fornton Knitting Company LTD. The collection also includes a number of personal and professional photographs; designs and textiles; and personal papers.

Please note that some of this material is not yet fully catalogued and therefore may not be accessible.

A collection of work by Dorothy C Smith including Glasgow School of Art student material and teacher training college material.

Includes:
GSA student notebooks

• teacher training notebooks from her time at Jordanhill teacher training college
• essays
• architectural drawings
• figure drawings
• printed designs
• paper-cut work
• leaf prints
• designs for repeat prints
• embroidery designs
• hadow work designs
• designs for embroidered textiles
• embroidery samplers
• embroidery samples
• a wooden stool with embroidered top
• a poster
• material relating to the proposed publication "Designing for Embroidery"
• material relating to the "Unbroken Thread" exhibition
• publications related to the Needlework Development Scheme

3 x 2nd year GSA student notebooks belonging to Isobel Alison Mitchell Shearer:

• History of Architecture
• History of Styles
• Dyed and printed fabric

Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.

A collection of Kath Whyte's personal papers which comprises:

• Family papers, press cuttings and photographs, c1909-1981
• School certificates, c1922
• Correspondence, 1927-1996
• Early sketches and drawings, 1920s
• ketchbooks, notebooks, photographs and correspondence from Gray's School of Art, c1922-1947
• Personal correspondence, 1922-1996
• National Identification Card, 1943
• Travel diary, c1940s
• Lecture notes, sketchbooks and notebooks, 1948-1974
• Assorted textile samples, sketch books and notebooks, 1950s-1970s
• Examples of weaving by Kath Whyte and her pupils, c1950s-1970s
• Diaries 1974-1988 and miscellaneous books owned by Kath Whyte
• Photographs (professional and personal), 1909-1996
• MBE medal and associated correspondence and photograph
• Extensive collection of undated slides
• Exhibition catalogues
• Textile and design pieces, c1930s-1970s

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

This collection contains the research materials of Liz Arthur used in writing 'Robert Stewart : Design 1946 - 95'.

It includes:

• copies of press cuttings and ephemera relating to Robert Stewart
• correspondence and notes relating to the book and associated exhibition held at Glasgow School of Art in 2003
• photographs, strip negatives and slide negatives of Robert Stewart's works
• and a small number of Robert Stewart's original works, including Christmas cards and textiles.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

This collection contains works of art done by Margaret Elizabeth Galt while in secondary school; her Glasgow School of Art general course and diploma course notebooks, along with textile samples; and notebooks from after her time studying at GSA.

Various samples of embroidered weave, canvas work and applique, plus bound volumes with relevant notes.

The collection contains 6 folders, binders, or books, which hold the samples of work:

• Blue Embroidery folder, containing 14 items
• Black binder of canvas work samples
• Patterned binder of canvas work samples
• Sampler fold-out book
• Pattern Making book
• Embroidery stitches folder

Plus six loose cards with designs and worked textiles attached.

The Anderson family archive includes material of 5 of its members, namely the sisters Violet Meikle (1873-?), Daisy Agnes McGlashan (1879-1968), Daisy's husband William Smith Anderson (1877-1929) and their two daughters Daisy M Anderson (1910-1996) and Agnes Violet Neish (nee Anderson) (c1912-2005).

The Anderson Family archive contains family papers, sketchbooks, photographs and letters from 1860 to 1969.

The archive contains a number of sketchbooks kept by family members. Those belonging to the women contain flower drawings and schemes for ornamentation whilst William Anderson's books reflect his life as a commercial traveller for an ironfounder's firm and contain scenes from London and elsewhere, as well as technical drawings and plans. As many of the members of Daisy Anderson's family attended the Glasgow School of Art, the collection throws light on the work of the School from the 1880s-1950s.

Additionally the collection includes correspondence, newscuttings and photographs. Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014, and has since undergone conservation.

Cretan. Traditional design of scrolling pattern of animals, figures, birds and flowers. Dark blue silk embroidery on natural linen background, mostly in Cretan stitch.

Small blue card folder with the hand-written label Patchwork. It contains a handwritten explanation of the technique and materials, the pattern design with different shapes in white paper glued into the folder, and the worked textile in patterned fabric with blue, green, red, black and white.

Personal photographs relating to C A Wallace Shaw.

Photo showing ballerina Margot Fonteyn of the Sadlers Wells Company wearing a Pringle of Scotland Cashmere twin set. Annotations on reverse of image describe how the ballerinas of Sadlers Wells Company would be given Pringle of Scotland sweaters to wear on an upcoming visit to the USA.

The photograph features a man wearing a religious outfit. The reverse of the photograph shows the following text:

"Arch. H Miller Esq.
Mansfield Lodge
Partickhill
Glasgow

Dear old Miller I hope you are enjoying yourself & not working too hard. Convey my respects to Miss Cathcart when
you see her.
A.L. Jackson"

Includes a black and white glossy photograph of a smiling Veronica Matthew in a white dress made with a printed shawl by Valerie Wilson (Bloomfield-Ambrose) in 1956 or 1957. "Weekly Scotsman. Edinburgh." written at bottom on the white border. Verso "Veronica Matthew / G.S.A. Fashion Show, 1956 or 1957 / The white dress belonged to Valerie Wilson, (now V. Ambrose), + made by her. The stole was a screen printed textile made by me in greens, red + a kind of Kakhi colour. The headdress was red knitting pins stuck into my bun. I was a student of Robert Stewart's / Printed Textiles Dept. + Kathleen Whyte's Modern Embroidery / 10 Aug 2016." Verso also includes a stamp that indicates the copyright and reference number for printing purposes.

The photograph features fourteen women representing a scene. One of the women is on her knees, head bowed. There is a sign with the words 'A daft lot'.

The reverse of the photograph shows a text addressed to Archibald Haswell Miller.

The photograph features eleven female students wearing a variety of outfits. The photograph shows five female names on the reverse.

Photographs from the deposited collection of C A Wallace Shaw, including both personal photographs, and photographs relating to professional design work.

Please note: a selection of these items are also available to view digitally under The Cloth Digital images, DC 089/3/4/3.