Folder containing black and white and colour contact sheets, negative strips and photographs, of various sizes. Most are annotated. Includes: Barlinnie's Special Unit exhibitions and arts festivals, and James Cowie drawings.
Folder containing black and white contact sheets and negatives of photographs taken by George Oliver. Most have been annotated. Also contains handwritten lists. Includes: Stirling, Liverpool, Edinburgh College of Art and Lillie Art Gallery.
Inscribed 'Jimmy Cosgrove Amsterdam, April 1988. Ken Mitchell, Tom Chambers'. Also entitled "A book of dreams" on the first page. Sketches of abstract figures and animals. Some mythological and biblical references.
Folder containing black & white negatives and contact sheets of photographs by George Oliver. Most are annotated. Various subjects. Includes: Scottish Arts Council Collection, University of Stirling, Murals in Bridgeton, Normam Ackroyd etchings and June Redfern.
Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The Ferry on the River Blyth, Walberswick, Suffolk. The subject is the ferry at Walberswick in Suffolk where Newbery and his family spent many holidays.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of former Glasgow School of Art librarian.
Two landscapes. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Wind mill with cart and farm building. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce 'the personality of the Misses MacDonald from their works' and see them as 'middle-ages sisters, flat footed, with projecting teeth and long past matrimony... gaunt, unlovely females'. Gleeson White who visited Glasgow to see the Mackintosh group was pleasantly surprised to meet two laughing comely girls scarce out of their teens." (MacLaren Young).
Abstract figurative mono-print in black ink on white card. Collage pieces adhered. Pink and blue dotted ink pattern applied to surface of print.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Abstract figurative mono-print in black ink on white card. Shapes rendered in pastel colours using gouache. Similar design to DC 089/1/2/4/1.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Later accessions of material relating to Francis Newbery. Material was not deposited as part of his working papers as Director of the School, but includes some working papers and correspondence from during his time as Director in addition to papers dating to after his retirement, family records and photographs, and written materials regarding Newbery. Includes:
DIR/5/38/1: Correspondence, 1889-1947
DIR/5/38/2: Working Papers of Francis Newbery, 1902-c1910
DIR/5/38/3: The 'Masque of the City Arms' Papers and Correspondence, 1905
DIR/5/38/4: The Teaching of Design, Papers and Correspondence, 1910
DIR/5/38/5: Needlecraft in Secondary Schools Papers and Correspondence, 1910-1912
A view in Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Anatomical study of the muscular system of a standing figure. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Mr Dunlop as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Anatomical study of the skeletal system of a standing figure, featuring labels. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Mr Dunlop as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
A set of anatomical studies of a head, hand, leg, foot and human bodies. All the material has annotations of student registration number ("NO. 71") and signed "G. Murphy."
A sketch using pencil and white chalk and featuring a draped classical outfit, seemingly women's Chiton. The sheet has been Signed "W. Meldrum," stamped with "E.S.K. (Examined South Kensington)," and attached to backing paper.