- NMC/0766
- Item
- c1939
Line of cottages, trees in foreground.
Gray, William
Line of cottages, trees in foreground.
Gray, William
Landscape with cottages and hills
"11.4.40" (in pen), bottom left.
Miller, Josephine Haswell
Probably Italy.
Miller, Josephine Haswell
Miller, Josephine Haswell
Miller, Josephine Haswell
Landscape with mountains and buildings on hilltop, Italy
Miller, Josephine Haswell
Landscape with river and fields
Annotated (in pen), bottom left.
Miller, Josephine Haswell
Landscape with trees and hills. Composition under-drawn with pencil grid.
Gray, William
Stylised landscape.
Furlong, Michael
Miller, Josephine Haswell
Miller, Archibald E Haswell
Mackintosh, Charles Rennie
"Josephine Haswell Miller" (in pen), bottom right; "Josephine Miller 1927" (in plate), bottom left.
Miller, Josephine Haswell
Miller, Josephine Haswell
Etching.
Baird, Johnstone
Malcesine waterfront, Lake Garda, Italy
"Malcesine, Lago di Garda" (in pencil), bottom right.
Miller, Archibald E Haswell
"AE Haswell Miller 1928" (in pen), bottom left.
Miller, Archibald E Haswell
With farm buildings in centre of composition.
Gray, William
Midday, view of a cornfield. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Cottage near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Views of Windsor Castle and Conway Castle. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Rough ink sketch on reverse.
Thomson, Robert Sinclair
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Abstract landscape.
Robertson, James Downie
'Night Ride to Alston, Hairpin at Cupola'
Abstract landscape in shades of blue, grey, brown and beige - fading distant light suggested. Possibly bleach treated.
Manning, Mick
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Oil painting of Lithuanian landscape
Oil painting on MDF board, Lithuanian landscape.
Morkunaite, Sigita
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Photograph of a bay view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sepia-toned photograph of a watercolour painting depicting Gourock Bay, as annotated "Gourock at the Clyde" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of a country house painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting depicting a house in the countryside. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of a country mansion painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.
Meldrum, William
Photograph of a painting featuring a boat on the river Tweed
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting depicting two people near the river Tweed in Melrose, Scotland. One person is standing towards the river, while another is on a floating boat in the painting. Signed "W. Meldrum," but not dated. Includes the annotation "The Tweed near Melrose" on the reverse of backing paper.
Meldrum, William
Photograph of a stream view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the stream in Clarkston, Scotland, as annotated "Placid Stream Clarkston" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of the Cuillin Hills view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the view of the Cuillin Hills on the Isle of Skye, Scotland. Annotated "Loch Scavaig, The Cuillin Hills from the south" on the reverse, but not dated.
Meldrum, William
Photograph of Tollcross Park view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A black-and-white photograph of a watercolour painting featuring a view from Tollcross Park in Glasgow. A distant building, assumed to be a church, is visible over the woodland scenery. Annotated "Tollcross Park Glasgow" on the reverse, but not dated.
Meldrum, William
A collection of photographs and negatives taken by George Oliver dating from 1948-1990 (apart from two dated c1897). George arranged his photographs into folders by approximate subject matter and gave each folder a title. This has been reflected in the catalogue with the folder titles in the catalogue being the exact titles George used. The folders have been arranged by subject matter where possible. There are exceptions to the above. Folders DC 066/2/20 and DC 066/2/86 have not been given a title by George and have been catalogued as 'Untitled'. There are exceptions to this with DC 066/2/78 containing photographs taken by Cordelia Oliver as they date from after George's death. As a result of the Mackintosh Building fire in 2014, folders DC 066/2/87, DC 066/2/88 and DC 066/2/89 contain photographs that have been rehoused since their deposit and are likely to have been taken out of other folders. It is not clear from which folders these photographs came originally, so they have been catalogued separately with their titles reflecting the subject matter of the photographs they contain.
Oliver, George
Two studies of trees; pollard willow and oak. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Landscape study.
Pringle, John Quinton
Poster for exhibition 'Christopher Pratt silkscreen prints 1960 to 1982', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Christopher Pratt silkscreen prints 1960 to 1982', Glasgow Print Studio Gallery, Glasgow, 15 Nov 1983-08 Dec 1983. The exhibition toured a number of venues, namely Rome, Glasgow, Billingham, Berkshire, Dublin and Vienna between 1983 and 1985. The year is not given on the poster but is understood to be 1983 from the sources below.
Sources: https://www.exhibits.therooms.ca/ic_sites/pratt/life/timeline.htm; https://gsaarchives.net/collections/index.php/dc-030-1-3
Not available / given
Poster for 'LMS - The Firth of Clyde', for London Midland & Scottish Railway Company
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'LMS - The Firth of Clyde', for London Midland & Scottish Railway Company. Printed for the Foulis Archive Press, Glasgow School of Art by David J. Clark Ltd, Glasgow. Features artwork by Norman Wilkinson, 1925. The date of the poster is unknown but is believed to be the 1920s.
*Not available / given
Heath scene. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View on the Thames. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Island landscape with crofter to the foreground.
Wylie, Gus
View looking towards Sant'Agostino.
Selby, Frederick