Design for Livingstone Museum Memorial - Livingstone the Liberator
- NMC/1364C
- Item
- 1934
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - Livingstone the Liberator
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - on board ship
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - The Departure of David Hunter
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - The Preacher
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - The Preacher
Miller, Archibald E Haswell
Design for Livingstone Museum Memorial - The Preacher
Miller, Archibald E Haswell
Design for Memorial/Roll of Honour
Four women to left and right. "AEH Miller '08" (in pencil), bottom left.
Miller, Archibald E Haswell
Three figures carrying picks and shovels.
Selby, Frederick
Design for Paterson Sons & Co Books - Bagpiper
Miller, Archibald E Haswell
Design for Pioneer Farewell Dance (Version 1)
Design for Pioneer Farewell Dance (Version 1)
Design for Pioneer Farewell Dance (Version 2)
Design for Pioneer Farewell Dance (Version 2)
Elevation to park.
Shaw, Marion Mitchell
Back elevation/section through large swimming bath/plan of upper floor.
Shaw, Marion Mitchell
End elevation/sections/plan.
Shaw, Marion Mitchell
Design for quadrangle of a town hall
Design for quadrangle of a town hall; end elevation, half plan for ground and first floors.
Williamson, William B F
Design for roll of honour, Seventh Blythswood Battalion
Miller, Archibald E Haswell
Composition study.
McCance, William
Design for sports pavilion and canteen
Front elevation/ground floor plan.
Coia, Jack Antonio
Design for sports pavilion and canteen
Cross section/elevation to sports pavilion/section facing factory.
Coia, Jack Antonio
Design for the Dug-Out, Willow Tea Rooms, Glasgow
Design for the staircase and vestibule, West Elevation, The Dug-Out, Willow Tea Rooms, Sauchiehall Street, Glasgow. Miss Cranston and her husband Major Cochrane commissioned Mackintosh to redesign the interiors of their home Hous'hill at Nitshill. Mackintosh designed several suites of furniture in 1904 and more pieces in 1909. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.
Mackintosh, Charles Rennie
Design for The Dug-Out, Willow Tea Rooms, Glasgow
Design for the Restroom, North Elevation, Willow Tea Rooms, Sauchiehall Street, Glasgow. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.
Mackintosh, Charles Rennie
Design for the Grand Hall, Glasgow International Exhibition, 1901
The competition, held in 1898, was won by the Glasgow architect James Miller with a considerably more ornate design for a 'bit of Spanish baroque confectionery' (McLaren Young). Like Miller's, Mackintosh's design derives from James Sellars' for the 1888 Glasgow exhibition, but simplified. 'The dome, perhaps a prerequisite for Glasgow exhibitions, remained, but it was presented with severe geometricality, with an Art Nouveau lantern surmounted by a Chinese coolie hat.'
Mackintosh, Charles Rennie
Design for The Hill House, Helensburgh, perspective from south-west
Design for Walter Blackie. 'When in 1902, Walter W Blackie, the publisher, decided to have a new house built on a site he had acquired overlooking the Firth of Clyde, he asked Talwin Morris, the art manager of his firm, for advice in the choice of an architect. Morris had no hesitation in recommending Mackintosh and when Blackie met him they found themselves very much in sympathy with each other. This happy relationship between clients and architect resulted in the largest and perhaps finest example of Mackintosh's executed domestic architecture.' (McLaren Young). The house survives in good condition and still containing much of the furniture which Mackintosh designed for it. The plan is similar to his design for Haus Eines Kunstfreundes, and the schemes for decoration and furnishings throughout the house were executed according to his designs.
Mackintosh, Charles Rennie
Design for The Scots Pictorial - drummer boy
Design published 21 July 1923. Annotated: "1st printing. Light Grey (warmish not blue)".
Miller, Archibald E Haswell
Design for The Scots Pictorial - drummer boy
Design published 21 July 1923. Annotated: "2nd printing. Vermilion and Orange Red".
Miller, Archibald E Haswell
Design for The Scots Pictorial - drummer boy
Design published 21 July 1923. Annotated. "3rd printing. Black".
Miller, Archibald E Haswell
Design for The Scots Pictorial - grouse shooting
Design published 6 October 1923.
Miller, Archibald E Haswell
Design for The Scots Pictorial - soldier carrying flag
Miller, Archibald E Haswell
Design for The Scots Pictorial calendar, 1914
"A E H Miller" (in pencil), bottom left.
Miller, Archibald E Haswell
Clifford, Sarah
Design for Windyhill, Kilmacolm, perspective from north-east
Design for William Davidson. In the mid 1890s Mackintosh met William Davidson, a young Glasgow businessman, who commissioned him to design some furniture for his flat in Gladsmuir, his parents' house at Kilmacolm. About 1899 Davidson decided to build his own house, and Windyhill was the first of Mackintosh's private houses. It was completed in 1901 and still survives. Mackintosh designed the furniture for the hall, drawing room, schoolroom and principal bedroom, much of which survives in the GSA collection.
Mackintosh, Charles Rennie
Design for Windyhill, Kilmacolm, perspective from south-west
Design for William Davidson. In the mid 1890s Mackintosh met William Davidson, a young Glasgow businessman, who commissioned him to design some furniture for his flat in Gladsmuir, his parents' house at Kilmacolm. About 1899 Davidson decided to build his own house, and Windyhill was the first of Mackintosh's private houses. It was completed in 1901 and still survives. Mackintosh designed the furniture for the hall, drawing room, schoolroom and principal bedroom, much of which survives in the GSA collection.
Mackintosh, Charles Rennie
Designs for theatre, house and hall
Three designs mounted onto one sheet. i. A Consul's house, office and reception salon. ii. A foyer in a Theatre. iii. A Scottish Hall.
Smith, William James
Detail from poster design of "The Highlanders Memorial Church" fundraising bazaar
Detail of Highland soldier in battle dress.
Miller, Archibald E Haswell
Detail of front entrance screen
Detailed sketch for proposed war memorial, Glasgow Academy
Miller, Archibald E Haswell
Detailed sketch for proposed war memorial, Glasgow Academy
Annotated by artist.
Miller, Archibald E Haswell
Details of RW outlets to Balc Units: 1/2FS
Details of RW outlets to gutter units: 1/2FS
Various studies of cornices, architraves etc.
Kerr, Robert
Different kinds of Street's lightings
Free hand sketches showing different kinds of lighting on three different street at Glasgow:
Platt, Christopher
Street scene (Medieval houses).
Mackie, Thomas Callendar Campbell
Diploma design: Municipal buildings - back elevation
Back elevation.
Coia, Jack Antonio
Diploma design: Municipal buildings - first floor
First floor plan.
Coia, Jack Antonio
Diploma design: Municipal buildings - front elevation
Front elevation.
Coia, Jack Antonio
Diploma design: Municipal buildings - ground floor
Ground floor plan.
Coia, Jack Antonio