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Various correspondence of Francis Newbery, and relating to Francis Newbery. Some correspondence dates from his time as Director of the School but other correspondence dates to after Newbery's retirement. Most of the correspondence is Newbery's but some is from the School Secretary or others connected with the School of Art. The letters include correspondence with artists, writers and architects such as: William Morris, Charles Francis Annesley Voysey, P Wilson Steer, David Young Cameron, Auguste Rodin, John Lavery, Walter Crane, and H.G. Wells. Correspondence as follows: DIR/5/38/1/1: Letters from William Morris to Mr Mavor, 1889 (4 letters): (a) Letter about Morris visiting Glasgow to give a lecture and about his travelling expenses,14 Jan 1889 (1 sheet). (b) Letter about a series of lectures Morris was to give upon his visit to Glasgow to groups such as 'the Glasgow Branch of the S. L.' , the students of the School of Art, and the Edinburgh Socialists, 21 Jan 1889 (1 sheet). (c) Letter addressed 'Dear Sir' about lectures Morris plans to deliver on his visit: 'Arts & Crafts', and 'Gothic Architecture' for the Haldane Students, 24 Jan 1889 (1 sheet). (d) Letter about Morris' travel arrangements to Glasgow, 06 Feb (1 sheet). DIR/5/38/1/2: Postcard, perhaps from T. P. C..(?) of 146 Blythswood Drive (portion of postcard damaged) to Francis Newbery about an engraving of a brooch found at Duncan Keith's auction rooms, called 'The Macgregor Brooch', 14 Mar 1896 (1 item). DIR/5/38/1/3: Letter from Edward J Poynter to Newbery conveying thanks for Newbery's congratulations on Poynter's election, 04 Dec 1896 (1 sheet). DIR/5/38/1/4: Letter from John Lavery to Newbery about his seeing Newbery's paintings at an exhibition in Venice,18 May 1897 (1 sheet). DIR/5/38/1/5: Letters from Walter Crane to Newbery, 1897-1913 (3 letters): (a) Letter to Mr & Mrs Newbery thanking them for their hospitality during his short stay, 12 Dec 1897 (1 sheet). (b) Letter to Newbery thanking Newbery for his kind letter on Crane's appointment, 28 Aug 1898 (1 sheet). (c) Letter to Newbery thanking Newbery and his wife for their hospitality during his visit, 12 Jun 1913 (1 sheet). DIR/5/38/1/6: Letters from staff to Newbery requesting an increase in salary, 1898 (5 letters): (a) Letter from John Dunlop, 12 Sep 1898 (1 sheet). (b) Letter from James M Dunlop, 13 Sep 1898 (1 sheet). (c) Letter from A Aston Nicholas, 15 Sep 1898 (1 sheet). (d) Letter from Johan Keller, 17 Sep 1898 (1 sheet). (e) Letter from James Gray, 19 Sep 1898 (1 sheet). DIR/5/38/1/7: Draft letter to Mr R S Allan about classes at the School, c1900 (3 sheets). DIR/5/38/1/8: Correspondence to Newbery about a fire escape stair, 1900 (2 letters): (a) Letter from W Forrest & Salmon cover letter returing documents sent by Newbery concerning a proposed escape stair, 07 Dec 1900 (1 sheet). (b) Letter to Honeyman & Keppie from Robert Scott, Measurer & Valuator about the cost of a fire escape stair for the Glasgow School of Art, 01 Aug 1900. Enclosure of the above (1 sheet). DIR/5/38/1/9: Letters from Auguste Rodin to Newbery, 1901-1903 (2 letters): (a) Letter, in French, about the return of plaster casts to Rodin and about an exhibition of plaster casts, 29 Apr 1901 (1 sheet). (b) Letter, in French, thanking Newbery for his kind wishes, 11 Dec 1903 (1 sheet). DIR/5/38/1/10 Correspondence between Newbery and Vanderstappen about proposing Mr Delville and Mr Paul Artot as Professors at the School, 1902 (4 letters). DIR/5/38/1/11: Letter and transcription of letter from William Leiper, Architect, to Newbery, 1904-1905 (2 letters): (a) Letter from Leiper to Newbery congratulating Newbery on the work of the School observed by Leiper on a recent visit, 13 Dec 1904 (1 sheet). (b) Typed transcript of the above letter from William Leiper to Newbery, 13 Dec 1904. Also on this sheet is a typed transcript of a letter from Alexander Roche to Newbery about an enclosed cheque for a supplementary travelling studentship, 22 May 1905 (1 sheet). DIR/5/38/1/12: Letter from W Forrest Salmon of Salmon & Son & Gillespie Architects to E Catterns, School Secretary, apologising that Salmon will be unable to attend the next Governors' meeting and recording his thoughts on some business such as his support for the re-election of W Fleming to the Chair, 26 Sep 1906 (1 sheet). DIR/5/38/1/13: Letter from George Gregory to Newbery about arrangements for Mr Wilson's class coming to 'modelling' (the sculpture department), 12 Oct 1906 (1 sheet). DIR/5/38/1/14: Correspondence about a letter to Newbery from Sir Henry Craik, Oct 1906 (2 letters): (a) Letter from Newbery to James Fleming requesting Fleming to telephone him to discuss an enclosure. On the back is a draft reply to the enclosure that Newbery wishes to discuss with Fleming (see below for enclosure), Oct 1906 (1 sheet). (b) Letter from H Craik to Newbery enquiring about the possibility of a position for a 'W Kennaway' who was at the Athenaeum School of Art in Glasgow until it closed. (enclosure of above correspondence), 23 Oct 1906 (1 sheet). DIR/5/38/1/15: Correspondence with Mr Robertson Weir, 1909-1919 (3 letters): This correspondence was donated to the School of Art Archives and Collections by the daughter of Robertson Weir in 1994. (ACC 52) (a) Letter from Newbery to Robertson Weir about Weir's trasmission to the Scotch Education Department. Refers to the course of study and Training of Teachers in the Special Subject of Art (Article 47), 04 Nov 1909 (1 sheet). (b) Letter from Newbery to Robertson Weir expressing his relief that Weir survived the War, 19 May 1919 (1 sheet). DIR/5/38/1/16: Letter from J Struthers of the Scotch Education Department to Newbery about the possible uses of the bursary of a student Mr Alexander Gordon, 28 Jul 1910 (2 sheets). DIR/5/38/1/17: Letter from H G Wells to Newbery thanking him for sending a copy of the Art School 'Masque', 10 Jun 1927 (1 sheet). DIR/5/38/1/18: Letters from Charles Francis Annesley Voysey to Newbery, 1927-1931 (2 letters): (a) Letter about a letter Newbery sent to 'MacAlister' that was flattering to Voysey and thanking Newbery for his support, 15 Nov 1927 (1 sheet). (b) Letter to Mr and Mrs Newbery apologising for having missed them when they went to his show and asking them if they have ever visited Sir Herbert Cook who lives in a house built by Voysey for Alfred Sutro, 05 Oct 1931 (1 sheet). DIR/5/38/1/19: Letter from P Wilson Steer to Newbery thanking Newbery for his congratulations and reminiscing about Walberswick, 19 Jan 1931 (1 sheet). DIR/5/38/1/20: Letter from D. Y. Cameron to Mr & Mrs Newbery thanking them for their sympathy on the death of his partner, c1930s (1 sheet). DIR/5/38/1/21: Letter from Archibald A McGlashan to 'Alick' thanking Alick for sending a painting of Francis Newbery and reflecting on the character of Newbery, 03 May 1947 (1 sheet).

Correspondence with & about W.E.F. Britten, Professor of Design & Decorative Art, about teaching and timetables.

Correspondence re: Mr Morley Fletcher, Principal of Edinburgh College of Art.

Includes correspondence with M. Baltus, Professor of Technics & History of Art.

Correspondence with Robert Anning Bell, Professor of Design, about position of Director of Design.

These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The  Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.

Folder containing 34 black and white and colour photographs of Joan Eardley and her work taken by George Oliver. Also contains exhibition catalogues and cuttings from such, press releases and postcards.

Letterbook of outgoing correspondence, pages 360-718 - includes letters to Frances MacNair re: unable to undertake enamel and metalwork classes (367); W Heath Wilson re: a visit to the School (374); to Rodin requesting the reproduction of one of his statues (403); Hilaire Belloc re: lecturing at GSA (424); the Formal Opening Masque (448, 474-5, 477, 504, 621, 645, 653, 666 & 683); notes to Mr. Baltus about presenting a lecture (498); to Charles McLure & R. Currie Robertson re: scholarship travel in Spain (518, 577); the Opening Exhibition of past student's work (548); E. Lagorara, Italian Consul General for Italy re: explanation of 1902 Turin Exhibition (575); E.A. Hornel re: the loan of a painting (599); correspondence, re: the Diploma and design for the certificate (608-9, 629); to Mr Rennie re: the best way to lecture to Art Students (620); to Dr. Struthers, Scottish Education Department re: a visit by Newbery to Egypt, Greece and Constantinople (695). Letters re: the New Building: choice of School Chairs by Mackintosh & Newbery (382); fittings required by Pr. Baltus for the Composition Department (387); to Mackintosh requesting that the furnishing of rooms be hurried forward (397); Scott St. Railings -problems with children climbing on them (407); the furnishing of the Dark Room as (410); to Professor Britten re: the Professor's Private Studios (418); to architects re: easels (428); stone carving room (445); coloured stickers on furniture to keep them in their correct rooms (491); to A. Proudfoot re: furnishing the Common Room (514); to Mackintosh re: fittings for the Metalwork Rooms (528); to Mackintosh re: tree trunk in Metalwork rooms (572); to Mackintosh re: screens between Architecture and Ornament Rooms (673). Please note: DIR/5/5 is Vol 2 of DIR/5/4.

Letterbook of outgoing correspondence, pages 1-500 - includes letters re: reference for James Huck (86); letter to C F Voysey re: post of Design Professor (90, 97 & 131); to Bourdon re: the design of the Architectural rooms in the new building (121); Newbery's ideas about decorative art and its place in GSA (174); visits of Newbery & C R Mackintosh to Technical Studios at Birmingham School of Art & in London (188 & 204); to Frances MacNair re: teaching metalwork and enamels at GSA (225, 269); to Henry Wilson re: reservations about the new Professor of Design, Mr Britten (316). Extension to School building: requesting for a fireplace for Headmaster's studio (239), cleaning of windows and pigeons (244), heating arrangements & partitions in the Life School (279), school dances and architect's fears about unsafe floors (339).

Letterbook of outgoing correspondence - includes letters to Mr Nunn Ayles re: role of art teachers (16 Feb); to Professor Britten re: use of models in the Architect's Life Class and the Composition Class (31 Jan & 1 Feb); Anning Bell re: post of Director at LCC School of Arts & Crafts being offered to Newbery (10 Mar); Anning Bell: re: post at GSA in Design Dept. (Mar-Apr); Sir William Bilsland re: the success of lectures at GSA (1 May); Reference for P. Wylie Davidson (8 Mar); Mr Ewen re: Children's drawing at Higher level (2 June); Messrs. Grindlay, Staffs. re: work by Herbert MacNair (10 Jan); Mr Gray re: the misbehaviour of architectural students (19 May); to Greiffenhagen re: officialdom, including comparison of Scottish Education Department with South Kensington system & remark about ECA (27 May); to Housekeeper at GSA re: dusting of casts and cases (10 Jan); Mr Whitelaw Hamilton re: Glasgow Artistic Circles (25 May); Mrs Talwin Morris re: the purchase of books and bookbinding equipment (May); C.R. Mackintosh re: the lift (1 Feb), invite to lunch to meet Anning Bell (11 Feb), request for name-plate for Entrance Hall (23 Mar); Baltus re: lectures at GSA (28 Jan); to Mary Newbery re: family arrangements, etc. (20 Mar); Pr. Orlik, Berlin re: exchange of students' works for comparison (Jan-Feb); Mr Orr: re art education, etc. (June); George Pirie: re becoming a Visitor to GSA Animal Class (4 & 9 June); David Rollo re: scholarship travel in Italy (23 Mar); W.G. Strickland, National Gallery of Scotland re: Henry MacManus, first Headmaster of GSA (1 Mar); to Bernard Shaw asking him to give a lecture at GSA (4 May); Mr Weeks, Bridport re: design for a memorial to John Beard (May-June).

Outgoing letters, D-J: to James Dron re: Art Teachers' Exhibition Society (Mar-Jan) & re: David Sutherland - writes disclaimer (Jun); Arnold Fleming re: School matters and staff (May-Jan); Findlay re: the use of goats in the Animal Classes (Mar); Dr Gemmell re: play based on the Foulis Brothers (Dec); Mr Grigor re: Bursaries available at GSA (Dec); James Gray re: reports on teachers in GSA (Nov); Greiffenhagen re: teaching arrangements (Apr-Sep); E.A. Hornel re: a Scholarship for Mr Heughan (Jan); Bailie Hoey re: Panels at Possil Library (Dec); Inventory of contents of Newbery's studio at GSA (May); Miss Incledon re: the East Anglian Art Club (Sep-Nov); Professor Joachim, Glasgow University re: music for GSA plays (Jan); to the Janitor re: the keeping of a goat for the Animal Class (Mar).

Outgoing letters, K-Mc: Pr. Keller re: lack of students in the Day Life Modelling Classes (Oct); Alfred A. Longden, Board of Trade re: general matters (Dec-Jan); Ann Macbeth re: note on classes to be undertaken by Embroidery students (n.d.); Mr Miller re: travelling scholarship, refs: to Paris, the Impressionist movement, & Berlin (Oct-Dec); Mr Monro re: a sitting for the Building Committee painting (Nov); Professor James Mavor, Toronto re: the sale of paintings by Olive Carleton Smyth (May); to C.R. Mackintosh re: reproduction of Talwin Morris' tomb & other drawings (Nov); Dr MacDonald, Scottish Education Department re: list of unsuccessful Diploma candidates, with reasons given for failure, and notes on Greiffenhagen & Clausen as jurors (Nov); Frances MacNair re: work in Liverpool and loneliness (Jun).

Outgoing letters, A-C - including letters to Gaetano Ballardini, Director of the International Museum of Faience, Faenza re: the appointment of Newbery to the Museum Board (Dec); to Miss Boyd re: production of a play based on the Foulis Brothers (Nov); J.T. Brown of the Muirhead Trust re: naming of the Women's Common Room as the: Muirhead Women's Common Room" (Oct); Professor Baltus re: illness in Spain and general School matters (Sep-Nov); letter from Bourdon re: scholarship travels in Italy & reply from Newbery (June); Charteris, Beltane Society: incl. ref. to illness and overwork (Jan); Walter Crane re: asks him to present Diplomas, ref. to Newbery's illness (Apr-Jun); George Clausen re: visit to Glasgow (May).

Outgoing letters, N-R: Notes to Mr Nicholas re: lectures about textile design (Feb); David Ogg re: lectures at GSA on history & art (Feb-May); George Pirie re: Animal Class, includes references to students' opinions of the class, ducks dying and elephants (Feb-Jan); Ruby Pickering, Johannesburg re: how to start an Art School (June); Mr Cayley Robinson, London re: becoming a visiting lecturer (Oct); Col. James Spens re: "stirring up interest in the Military Forces" (Mar).

Outgoing letters, G-K: Norah Neilson Gray re: application for place on the staff (Jan); H. Pilling Gill, Adelaide School of Art re: reference for Mr. MacKinnon (Dec); Greiffenhagen re: judging diplomas, exhibition of a portrait, arrangements for classes (May-Oct); Major Garwood re: a lecture at GSA and art classes for Territorial Officers (Feb-Apr); Giraldon re: visits by Newbery to Paris (Mar-Apr); Notes to Mr Gray re: work in the Evening School & Life Classes (Feb-Mar); to "The Herald" discussing student magazines, particularly "The Vista" (Jan); William Hunter re: scholarship travel in Europe (Oct-Dec); J. Henderson, Governor re: petition from students for Zoo (Apr).

Outgoing letters, sundries: Letters re: Artist Teachers' Exhibition Society (Mar); corresp, re: visits to High Schools on behalf of the Scottish Education Department; review of lecture given by J. Pennell on Lithography; note on Newbery being asked to contribute to the Golden Book for Hofrat Alexander Koch, with request to send sketch of GSA from C. R. Mackintosh (Nov); Draft for arrangement of class for Ecclesiastical Needlework; instructions to staff re: Out of Door work (Apr); notes for tests for Design Students by Anning Bell.

Outgoing letters, S-T: Dorothy Carleton Smyth re: a visit to Berlin, the School Wardrobe, costumes, etc. (Mar-Jan); Michael Sadler, Leeds University re: lecture at GSA (Feb-Nov); Charles Scott, Canada re: GSA graduates working in Canada (May); Professor A.E. Taylor, St. Andrews University re: a lecture on philosophy at GSA (Mar-Apr).

Outgoing letters, Mc-R: C. R. Mackintosh, London re: architectural work on the new Renfrew St. property, refers to "the beautiful house you gave us", the loan of two paintings for a lecture by E.A. Walton - one a landscape & one of flowers, their possible sale, with comments by Newbery (Oct-Dec); Cayley Robinson re: arrangements for teaching at GSA (Sep-Dec).

Outgoing letters, U-Z: J. Vaughan re: Lending Museum Scheme; (Feb-Nov); Mrs Wyper re: British Empire Shakespeare Society (Jan 1913-Jan 1914); Frank Young re: art in schools particularly at Strathbungo School (Apr).

Outgoing letters, F-H: J. Arnold Fleming on the death of Sir James Fleming, Chairman of the Governors (May); Professor Patrick Geddes re: a competition for architecture students (May); Norah Neilson Gray re: a more permanent position on the staff (Jan & June); Mr Groundwater re: effect of war on Service Staff (Sep); William Hunter re: scholarship travel in Germany, Italy & Spain, with advice about health and problems during wartime (Mar-Aug).

Outgoing letters, I-M: personal letter to Mr Jackson on his resignation from GSA (Aug); John Lindsay, Town Clerk, Glasgow re: Lending Museum Scheme & Langside Library (Jun); Mr E. Lesser & Miss G. Lesser re: B Schotz studying at GSA (Jul); Sir John Stirling Maxwell, on his placing the contents of his library at the disposal of the students (Feb); Herr & Frau Muthesius re: assistance to travelling scholarship students, etc. (Feb-Mar); Alice Morris re: gift of a signed Aubrey Beardsley drawing (Apr); Cllr. Mitchell re: GSA exhibits at the Lyons Exhibition (Mar-Jul).

Outgoing letters, A-B: Reference for Professor Paul Artot, detailing his work at GSA (Jul); to W.B. Yeats re: requesting a lecture at GSA (Mar); Professor Baltus re: arrangements for lectures, his staying in Belgium because of the War (May-Aug); Professor Paul Bartlett re: report on the visit of Sir George Frampton to GSA, working at GSA with ref. to work of Alexander Proudfoot (Jan-May); Anning Bell re: an exhibition of Decorative Art in France, includes refs. to staff at GSA and Mr & Mrs Mackintosh, work in the Design Section at GSA with personal reflections on staff including Greiffenhagen (Feb-May).

Letterbook of outgoing correspondence, pages 1-359- includes letters re: Decorative Art Studios Teachers (357); letters to Professor Bourdon re: Architectural Studies Class (85) and the lecture scheme (324); letters about the progress of Highland Society Bursars (251); letters to the British Empire Shakespeare Society re: Recitals (24); letter to C Thorpe Davie re: invitation to a Vocal Recital (145); letter to Sir James Fleming re: Reception at the Art Club (44); letters to Honeyman, Keppie & Mackintosh re: the new lecture theatre (16) and updates on the progress of various parts of the School (79), etc; letter to Hutcheson's Boys Grammar School (254); letter to Sir John Stirling Maxwell about what was discussed at a meeting he could not attend (92); correspondence with Charles Rennie Mackintosh about details of the School of Architecture (55) etc; letters to Baron Van Overloep (53); letters to Dorothy C Smyth re: costumes for the School wardrobe (319).

Outgoing letters, A-B : J.W. Allen, publisher re: Mr Dunlop's book on Anatomy & Mr Wylie Davidson's book on metalcraft (Dec); Miss Alma Assafrey re: Possil Library Panels (Feb-Mar); Professor Artot re: stopping the Animal Class (Mar); Paul Wayland Bartlett, new Professor of Sculpture at GSA re: a visit by Bartlett to GSA, a lecture from Sir George Frampton at GSA and a visit by Greiffenhagen to Paris (Apr); Robert Brechin re: loan of sheep for the Animal Class, to be taken care of by George Pirie (Oct); Anning Bell re: his visit to Europe, the purchase of casts, comments on the Design Section, the Possil Park Panels (Mar-Oct); Professor Bryce, Regius Professor of Anatomy, Glasgow University re: permission for GSA anatomy students to work at the University (May).

Letterbook of outgoing correspondence, pages 1-500 - includes letters re: appointment of Maurice Greiffenhagen (23, 49); to Charles Rennie Mackintosh re: the proposed extension (48, 55, 82, 84); to Norah Neilson Gray re: establishment of "Drawing for Fashion" classes (60, 182, 203, 396); gaining a diploma (162); Allan D Mainds re: scholarship trip to Europe (189, 251); reference to new building - "good and useful structure" (214); the use of animals in the Animal Room (240); students' balls (428, 452); Decorative Art at the Edinburgh International Exhibition of 1907 (442); general School administration, in particular finding a successor to Mr Delville.

Outgoing letters, N-S: David Ogg re: lectures at GSA (Jun, Sep); Joseph Pennell re: lecture at GSA (Nov, Dec); A.N. Paterson re: furniture design (May); Michael S. Sadler, Vice-Chancellor of the University of Leeds re: a lecture at GSA, with reference to Post-Impressionism (Jan); Dorothy Carleton Smyth, Gaiety Theatre, Manchester re: the loan of costumes (Nov); Lord Provost, Glasgow re: the decoration of Civic Buildings [handwritten draft] (Nov); Rev John Smith re: reference for C.R. Mackintosh as architect for proposed School in Calder St. (May).

Outgoing letters, L-Mc: J. Lindsay, Town Clerk, Glasgow re: Possil Park Panels (May); Alfred A. Longden, Board of Trade re: Exhibition in Ghent (Feb-Nov); Fred Miller re: Furniture Design Classes (Nov-Dec); A.E.H. Miller re: scholarship travel in Europe, particularly at the Kunstgewerbe School, Berlin (Feb-Apr); Ann Macbeth re: Carnegie Grant, general school organisation (Jun-Aug).

Outgoing letters, T-Z & Sundries: Mr Tatlock re: the use of artificial daylight for painting (Apr); Mrs Wyper re: British Empire Shakespeare Society (Dec-May); Robertson Weir re: joining up, Newbery's opinion of WWI (Aug); E.G. Wylie re: stirring up the architectural students to support the war effort, etc. [manuscript, possibly written by Jessie Newbery] (Sep); W.B. Yeats re: lecture at GSA (Mar); communication to the Scottish Education Department re: Continuation Classes at Strathbungo and the development of a Joint Art Committee (n.d.); Lecture -Decorative Art and the Modem City (n.d.).

Outgoing letters, S-Z: F. Stockdale re: the Bourdon memorial (Dec); John S Samuel, City Chambers, Glasgow re: a proposal for the Incorporated Soldiers & Sailors Help Society to make some "souvenirs" (Sep-Dec); Thomas Train, British Expeditionary Force re: reference for a commission, Newbery's reaction to war and its effect on GSA (Nov); C.F.A. Voysey re: designs for stained glass and cretonne (Oct); E.A. Walton re: his lecture at GSA and the choice of paintings required (Octec); Harry Wilson re: Proposed Arts & Crafts exhibition (Nov-Dec).

Outgoing letters, C-E: D. Bannatyne, Haldane Trust re: winners of Haldane Bursaries for 1913-14 (June); J. Clark, Glasgow School Board re: use of a model under ten years old in GSA (Feb); Miss E.J. Cameron re: postponing Scholarship travel [manuscript] (Aug); invitation to Alfred Drury to visit Sculpture section of GSA (May).

Outgoing letters, D-G: Instructions to Mr. Dunlop about the Evening School (Oct); Editor of the Daily News re: the role of the machine in arts and crafts, refers to William Morris, Walter Crane, Mackintosh, Voysey, etc. (Oct); James Dron re: Artist Teachers' Exhibition Society & lecture from E.A. Walton (Oct-Dec); Norah Neilson Gray re: organisation of classes (Oct); John R. Findlay re: suggested British Industries Fair in Glasgow (Dec).

Letterbook of outgoing correspondence, pages 1-500 - including letters to Scottish Education Department; to Muthesius; to Professor Behrens of Düsseldorf, re: a visit to German Art Schools (232); award of the Haldane Traveling Scholarship to D. Forrester Wilson; Adolphe Giraldon re: the Design Section (116, 197 & 207); Eugene Bourdon re: the teaching in the School of Architecture (115); the Masque of the City Arms (133); Delville re: models required for the Life Classes (143); Professor Geddes re: directing the Masque and personal news (146); James Dunlop re: work by Design students (201); woman designers in Glasgow (249); the Bram Stoker Medal (311); Professor Baltus re: lectures to be given at GSA (343 & 350); Lavery re: the International Society (365); replacement for Delville (403-404); absenteeism among architectural students (434); general School administration.

Outgoing letters, Mc-P: Ann Macbeth re: her decision to leave GSA, the "irritant character" between GSA and the Technical College (Mar-Jul); C. R. Mackintosh re: drawings & estimates for window & door from Dalhousie St. into the Animal Room (Feb); D. MacLeod, Glasgow Provincial Committee re: Summer Vacation Courses Art: 55 (Mar); A. McGlashan re: travelling student scholarship (Jan-Mar); Ruby Pickering re: loans of casts, etc. for school in Johannesburg (Mar); George Pirie re: arrangement & payment for visits to Animal Class (May).

Outgoing letters, Q-S: Mr Ramsay re: scholarship travel in Europe (Jan-Mar); Sir Isidore Spielmann, Board of Trade re: Exhibition of Decorative Arts, Paris & work presented by GSA staff and students (Apr-Jul); Dr Baird Smith, Franco-Scottish Society re: Bursary for architecture student to travel abroad (May); Sir John Struthers, Scottish Education Department re: the unveiling of the Building Committee painting, refs. to Sir James Fleming's illness (May); Olive Carleton Smyth re: more permanent position on school staff (Jun).

Sundries: Programme of work for the Modelling & Sculpture Section; draft of a lecture given by Newbery on 20 Dec 1913 - "The Four Corners of a Picture"; draft of manifesto for the Artist Teacher's Exhibition Society, prepared by Mr Dron (Mar); notes on the proposed work on artistic anatomy by Miss Parkes (Dec); draft of rules for Essay Competition; [also ref. for Miss Keppie, dated 1910].

Outgoing letters, C-F: James Dron re: Artist Teachers' Exhibition Society (Mar-Jan); Patrick S. Dunn re: staff salaries, particularly Professor Baltus' & his Tempera Class (Mar); Mr Ewen, re: art education (May); Sir George Frampton re: visit to GSA (Jan); Sir James Fleming re: the development of the Ceramics class (May).

Outgoing letters, T-Y: Lawrence Weaver, London re: National Art Survey (Jun).

Outgoing letters, A-C: W.E. Bates, Bridport Boy's School re: Newbery Prizes for Drawing (Sep-Oct); Mme. Baltus re: leaving Glasgow with her daughter (Oct); Sir James Bell re: lecture by E.A. Walton (Dec); J. Brown, Muirhead Trust re: assistance to furnish a rest room for women in 166-172 Renfrew St., also refers to women's war work and the role of the woman artist in war (Jun-Nov); to Mme. Bourdon re: a commemorative plaque for Eugene Bourdon (Nov); D.Y. Cameron re: the effects of WWI -musing on art during war (Oct). [Also some letters from 1915, incl. list of Haldane Bursary winners].

Outgoing letters, H-M: F. Harcourt Kitchin re: portrait of a Devonshire woman that Newbery is presenting to City of Exeter Museum (Sep); Rev Langdon, Membury re: commemorative panel in church (Sep-Oct); Allan D. Mainds re: entertainment for "Jock's Box for limbless Soldiers & Sailors" (Dec).

Papers and correspondence relating to the 'Masque of the City Arms', a show organised by the School of Art in 1905. (13 items) Papers and correspondence include: passage explaining that the 'Masque of the City Arms' was performed by students of the School of Art in Dec 1904, and outlining the circumstances for its repeat in March 1905; lists of names of cast and orchestra members; correspondence regarding obtaining musicians, and organising venues, for the Masque; flier for the 'Masque of the City Arms', in St Andrew's Halls, 30 Mar 1905.