Showing 111 results

Collection of cloud and sky study photographs. Photographs are mounted on a supporting cardboard backing. Most have a stamp on the support that says "Glasgow School of Art and Haldane Academy".

Collection of photographs of architectural exteriors and interiors of churches and other historical buildings in Italy. Photographs are mounted on a supporting cardboard backing. Back of photographs have stamp "Alex R. McGibbon".

Collection of photographs of architectural exteriors and interiors of churches and other historical buildings in Ireland and France. Photographs are mounted on a supporting cardboard backing. Back of photographs have stamp "Chas. E. Whitelaw". Many photographs have handwritten titles on cardboard below the photograph.

Group of miscellaneous photographs that do not fit an existing theme and do not have any notes indicating a collector/tutor, except one photograph which has a handwritten note "J Keppie" (John Keppie). Includes architectural photographs and photographic prints of various artwork and ornamental details.

Collection of photographs of architectural exteriors and interiors of churches and other historical buildings in Italy and France. Photographs are mounted on a supporting cardboard backing. Back of photographs have stamp "Eugene Bourdon, Architecte, Diplome par le Gouvernement". Some photographs have handwritten titles on the cardboard below the photograph.

Folder containing 85 black and white photographs depicting Glasgow city scenes of various sizes. All taken by George Oliver apart from two dated c1897. Includes images featuring the Barrowlands, the Gorbals (high-rise flats and tennements), St. Enoch Station and Hotel, West End, New Bedford Cinema, Ingram Street, and the Old Fruitmarket.

There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.

The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.

The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).

Folder containing 3 photographs and 1 contact sheet of historic Glasgow and Dumfries. The contact sheet comprises of photographs of a book containing images of historic Glasgow taken by George Oliver and is dated 1989. The photographs date from c1900, photographer unknown. Includes: photograph mounted on board entitled ' High Street from North, Dumfries'.

Collection of photographic copies of George Henry paintings, mostly portraits. Most are mounted on a supporting cardboard backing. Some have typewritten labels. Some are stamped or labelled with "A.C. Cooper, Fine Art Photographer".

Photograph album titled: 'Photographs of Decorative Works by Fra H Newbery'. Leather bound album of ten black and white photographs of paintings and other art works produced by Fra Newbery with a note of the name of the piece, and where they are located. Largely consists of works within churches in Dorset.

Folder containing 50 black and white photographs of buildings of various sizes, taken by George Oliver. Some annotated. All buildings featured are in Glasgow except one of a pub in London which dates from 1948. Also contains 2 photocopies of a line drawing by Thomas Williams depicting a busy cityscene beside a river. Photographs include: Templeton's Carpet Factory, Hampden Park, Glasgow Cathedral, St Enoch Station and Bute Hall.

Folder containing 49 black and white photographs of various sizes. All are taken by George Oliver with the exception of one which has been taken by Flora Ritchie, the cousin of George's wife, Cordelia Oliver. This photograph depicts a street scene in Townhead, Glasgow, c1950s. The remaining photographs depict various street scenes in Glasgow from 1948-1980s, most of which have been annotated. The earliest photograph dates from 1948 and depicts traction engines pulling North British Loco. Co. engine along Sauchiehall Street en route for the docks. Other scenes include: the construction of the M8, Gorbals, Queen Street Station and trace horses on West Nile Street c1948.

Folder containing 68 black and white photographs of various sizes. Taken by George Oliver and depicting Glasgow cityscenes from 1948-1980s.  Most have been annotated. Also contains a programme for Glasgow Coliseum dating from 1924. Includes general scenes of Glasgow including: Merchant City, construction of new flats at Anderston, Charing Cross and high rise flats of the Gorbals.

A folder containing 62 black and white photographs of Glasgow people and children, taken by George Oliver and of various sizes. Mostly unidentified. Includes: general street scenes, the Gorbals, Hutchesontown, demolision of tenements, Barrowlands, Ibrox, Glasgow Green, shops, and the Old Fruitmarket. Also includes a leaflet for 'Swing Hammer Swing' Citizen's Company, May 1996.

Folder containing 84 black and white photographs taken by George Oliver, of various sizes and depicting Glasgow city scenes from the 1950s-1980s. Some have been annotated. Images include: St Enoch Station, Glasgow Coliseum, Lesser Hampden, Gorbals tenements, Glasgow Central Mosque, Exhibition Centre and Pollokshields.

Folder containing 68 black and white photographs taken by George Oliver, of various sizes and depicting Glasgow streets and buildings. Some have been annotated. Includes: Exhibition Centre, Gorbals, Necropolis, West End. "Moon 4.3.5/f8 AB/1"; "60/f8 AB1 Wj 50/f8 AB1 Simbey (?) 70/f8c"; "51/f5.6 Kantor 45/5.6" annotated on original packaging.

Folder containing 20 black and white photographs of people in Glasgow, taken by George Oliver and of various sizes. Mostly unidentified. Includes: Barrowlands, Hutchesontown C area with Sir Basil Spence tower blocks, Humphrey Lyttelton performing on stage, and scrap metal collector with horse and cart.

This report details architecture student E. Mc Laren's experiences when travelling to Italy upon receiving the John Keppie Scholarship in 1947. The account is beautifully illustrated with his own photographs and highly detailed drawings in pencil, pen and watercolour.

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver. Most are annotated. Also includes a handwritten list. Includes: Leith docks 1966, Edinburgh, cars, Catterline, Crail, Rossyln Chapel, Festival of Britain 1951, start of Monte Carlo Rally at Blythswood Square in 1955, vintage motor cars in various locations, Richmond Horse Show 1948 and Glasgow.

These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The  Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.

Folder containing 84 black and white photographs depicting the clyde environment taken by George Oliver and of various sizes. Some have been annotated but most are unidentified. Includes: numerous pictures of clyde puffers steaming up and down the river, Grangemouth pictured from South Alloa, St Enoch Subway in the 1950s and taxi rank, a sail to the Kyles of Bute from Glasgow, Govan, cranes, bridges and various dock scenes.

Folder containing black & white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Includes: general street scenes of London, London streetscenes featuring cars, Brighton, Liverpool, Tunbridge Wells and Burlington Arcade. The original packaging contains information about the camera George used and technical photographic information.

Folder containing black and white negatives, contact sheets and photographs taken by George Oliver. Most have been annotated. Includes: Venice, Bath, Canterbury, Aachen, Deutsches Museum Munich, Oxford and Canterbury.

Folder containing black and white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Includes: children with boats, skating on the pond, Pollok house and the Burrell Collection.

Folder containing black & white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Includes: 1951 Festival of Britain, 1949 Richmond Horse Show, London buildings and cars, Bath, Rye, Dover and Canterbury. The original packaging contains technical photographic information including the type of camera used.

Folder containing 44 black and white and colour photographs of mostly unidentified shops fronts, all taken by George Oliver. Locations include: Glasgow, Edinburgh, St Andrews, and London. Shops include: grocers, chemists, booksellers, tobacconists, butchers and ironmongers.

Folder containing black & white photographs and contact sheets taken by George Oliver. Most are unidentified. Includes: Milan, Florence, interior of Galleria Vittorio Emanuele II in Milan showing Biffi Caffè, and a replica of Michaelangelo's David in Florence.

Folder containing 22 contact sheets and 224 negative of photographs taken by George Oliver. Majority are annotated. Includes: Museum of Childhood, Royal Scottish Museum, Henry Moore statues at Inverleith, New Town, Edinburgh University and Greyfriars graveyard.

Folder containing 76 black and white photographs of various scenes in Edinburgh, taken by George Oliver and of various sizes. Some annotated. Also contains a newspaper cutting of a picture taken by George of a horse and cart on the Royal Mile. Most date from the period that the Olivers lived in Edinburgh as their Edinburgh address is given on many of the photographs. Includes: Playfair Library, glass houses at the Botanic Gardens, Life Association of Scotland Building, Princes Street, George Street, George Street lane sales, Leith Docks and the New Town.

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver featuring various locations in Scotland. Most are annotated. Includes: Culross, Stirling, Grangemouth, Glasgow streets, Kirkcudbright streets, Oban, South Alloa, Stirling and Mull.

Folder containing black and white photographs featuring children, taken by George and of various sizes. Some are annotated. Includes: performances at the Third Eye Centre, street scenes and the Scottish Piping Centre.

Folder containing 8 contact sheets and 114 negative strip of photographs taken by George Oliver. Most are annotated.  Although the folder is entitled 'Edinburgh', some of the material is of scenes outwith Edinburgh and of cars. For example: scenes of George's Rolls Royce at Doune, Broughton House and an Albion car dating from 1920. The Edinburgh material includes: Museum of Childhood, Edinburgh University, New Town and George Street lane sales. Some negatives relate to photographs in the previous folder entitled 'Edinburgh Prints'.

Folder containing colour and black and white negatives, slides and photographs taken by George Oliver. Most are annotated. Also contains handwritten lists of images. Includes: Richard Demarco, children on Glasgow streets, Kelvingrove, City Chambers and general scenes around Glasgow.

Folder containing work produced by Dugald Cameron during his time on the Industrial Design diploma course at GSA.

This travel report was produced by John Grant MacDonald when he won the Minor Traveling Scholarship in 1955. Minor travelling bursaries of £20 were presented to several students per year at this time. John Grant MacDonald attended The Glasgow School of Art between 1952 and 1959 and studied architecture. The report details MacDonald's journey beginning in Paris and travelling North to Le Harve and ending his trip in London. The report reads like a diary, documenting MacDonald's journey in an imaculate handwritten format. There are also photographs included throughout, featuring various buildings in Paris, Rouen, L'Havre and London. The report is bound in blue, white and red paper, suggesting the French flag.

Folder containing black and white contact sheets and negatives by George Oliver. Includes: Art and Movement exhibition 1965, Luther light feature 'Strategy Get Arts' 1970, Open Air Sculpture at Ledlanet, Henry Moore sculpture in Edinburgh and George Ricky Exhibition Opening 1982.

Folder containing negative strips and colour slides by Georga Oliver featuring the work of Joan Eardley.

Folder containing 60 black and white photographs depicting terraces and tenements in Glasgow, of various sizes and taken by George Oliver. Some are annotated.

Folder containing black and white photographs taken by George Oliver and of various sizes. Some are annotated. Many are prints from photographs from DC 066/2/60-61. Includes: Joan Eardley.

Folder containing black and white photographs of landscapes taken by George Oliver. Some have been annotated. Includes: Brasov and Bucharest (Romania), Grangemouth, Aberdeen and various Scottish countryside scenes.

Folder containing black and white photographs, taken by George Oliver and of various sizes. Some have been annotated. Includes: 2 copies of a photograph of Joan Earley painting of small boy with hands in pockets and 2 photographs of a Glasgow street scene.

Folder containing 18 photographs of the Gorbals area, taken by George Oliver and of various sizes. Some are annotated. Includes: Citizens Theatre, high-rise flats, tenements and residents.

Folder containing photographs taken by George Oliver and of various sizes - many of which are prints of photographs in DC 066/2/60. Some have been annotated.

Folder containing black and white contact sheets of photographs taken by George Oliver.  Includes: College of Piping, Glasgow street scenes with children and general street scenes of Glasgow.

Folder containing 65 black and white photographs and 1 colour photograph of Glasgow's architecture, of various sizes, all taken by George Oliver. Some are annotated. Includes: Trongate, Templeton's Carpet Factory, The Mackintosh Building, Merchant City, towers of Park Church and Trinity College, St Andrews Parish Church, Adelphi Street UCBS bakery, fish market Clyde Street and Charing Cross Mansions.

Folder containing 41 black and white photographs of various sizes taken by George Oliver. Some are annotated. Includes: washing lines at Templeton's Carpet Factory, interior of the City Chambers, interior of the Mackintosh Library showing book trolley in a Mackintosh style, Glasgow Cathedral and high rise flats.

Folder containing 34 black and white and colour photographs of Joan Eardley and her work taken by George Oliver. Also contains exhibition catalogues and cuttings from such, press releases and postcards.