- DC 111/2/24
- Item
- c2011
Part of Papers of James Cosgrove
Sketchbook started in Paris, includes sketches of 'One Minute Sculptures' by Erwin Wurm. Also, landscape sketches of Wester Ross.
Cosgrove, James
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Part of Papers of James Cosgrove
Sketchbook started in Paris, includes sketches of 'One Minute Sculptures' by Erwin Wurm. Also, landscape sketches of Wester Ross.
Cosgrove, James
London Notebook and Travel Journal
Part of Papers of James Cosgrove
Inside front cover is inscribed "This is one for London, March 2015". Includes sketches of figures, and landscapes.
Cosgrove, James
Part of Papers of James Cosgrove
Sketches, drawings, paintings, collage, poems and notes. Includes entries relating to visit to Rijksmuesum, Amsterdam.
Cosgrove, James
Welcome [sic] Trust Visit, 2014 (and other places, Malaga, Faro)
Part of Papers of James Cosgrove
Sketches, drawings, and notes, including cityscapes and landscapes.
Cosgrove, James
Part of Papers of James Cosgrove
Sketches, drawings, paintings, and poetry from travels around Mexico City.
Cosgrove, James
Part of Papers of James Cosgrove
Sketches from travel in Paris and London.
Cosgrove, James
Part of Papers of James Cosgrove
Travel journal, including sketches, drawings, paintings and notes, mixed media collages, and photographs.
Cosgrove, James
Part of Papers of James Cosgrove
Contains sketches, notes and stories, including writing on airports. Some pages headed 'Las Fallas, Valencia, March 2005' and 'Route 66'. Includes sketches for a landscape series.
Cosgrove, James
Framed print of aeroplane, G-Byug.
Cameron, Dugald
Some Cranbrook Notes (Michigan)
Part of Papers of James Cosgrove
Journal entries and recounts of visit to Cranbrook College, Washington, and Detroit. Includes live commentary of the Cranbrook College Fashion Show.
Cosgrove, James
Glasgow School of Art nameplate and crest.
ScotRail Ltd
Part of Papers of James Cosgrove
Sketchbook, inside cover reads 'EGYPT Luxor - October 12 1990 via London October 11. Sketches, text and tickets. Original copy.
Cosgrove, James
Part of Papers of James Cosgrove
Loose photocopies of pages from the Egypt 1990 notebook.
Cosgrove, James
Charles Rennie Mackintosh train name plate
Charles Rennie Mackintosh nameplate and crest from class 47 locomotive, inaugurated 1982.
ScotRail Ltd
Half inch detail of chapel 'A'. Signed "A.M.G.D.".
*Not available / given
Front elevation. Signed "A.M.G.D.".
*Not available / given
Advertisement for London Midland Region (LMR) of British Railways featuring Conway in Wales.
Murray, Sir David
Plan. Signed "A.M.G.D.".
*Not available / given
Longitudinal section. Signed "A.M.G.D.".
*Not available / given
Half plan looking up/looking down. Signed "A.M.G.D.".
*Not available / given
Advertisement for London Midland Region (LMR) of British Railways featuring the Nightmail.
Orpen, William
Advertisement for London Midland Region (LMR) of British Railways, featuring coal and British industries.
Clausen, Sir George
Advertisement for London Midland Region (LMR) of British Railways featuring the Scottish Highlands.
Cameron, David Young
Side elevation. Signed "A.M.G.D.".
*Not available / given
Main transverse section. Signed "A.M.G.D.".
*Not available / given
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
The photograph features a mountainous landscape.
*Not available / given
Poster depicting the Wallace Monument, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Poster depicting Castle Campbell, Dollar. For the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Poster depicting Linlithgow Palace, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Exterior view of basilica.
Dallachy, John Eadie Waddel
View of basilica from garden.
Dallachy, John Eadie Waddel
View of bell tower.
Dallachy, John Eadie Waddel
Mackintosh, Charles Rennie
Pamphlet for the P. Henderson & Company and the Irrawaddy Flotilla Company Limited
The cover image features a range of Burmese religious symbols and a steamship.
Miller, Archibald E Haswell
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Print of castellated tower and archway, probably Italian.
McGlashan, Archibald A
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Mosaic in St Marks, Venice (left hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Mosaic in St Marks, Venice (right hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Castellated tower and gateway, probably Italian.
McGlashan, Archibald A