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Aston Hall

Study of Aston Hall, near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Autumn

Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).

Mackintosh, Charles Rennie

Beech and Ash trees

Two studies of trees; beech and ash. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Boat harbour at sunset

Abstract oil painting on board of a boat harbour in blues and oranges. The painting is signed 'WILSON 72.' The back of the board is marked with a company stamp which reads 'CANVAS BOARDS FOR PAINTING IN OIL COLOURS' and the size of the board. The back of the board is also marked with handwriting which reads 'DO NOT TOUCH' and 'WET PAINT'.

Wilson, Colin

Bridgnorth Bridge

Study of bridge with buildings beyond. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Brochure of Panels of Mural Decoration for the New Men's Cafe and Smoke Room

Brochure of the mural panels created by Maurice Greiffenhagen, commissioned for the Men's Cafe and Smoke Room at Pettigrew & Stephens Ltd. 16 page brochure, image of the panel is accompanied by passages of classical writing.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Greiffenhagen, Maurice

Cabbages in an Orchard

From The Magazine, April 1894. The long text by Mackintosh which accompanies this watercolour in The Magazine (reproduced in full in Billcliffe's catalogue) suggests that he had already encountered public hostility to his work, possibly even from fellow students, on the grounds of incomprehensibility.

Mackintosh, Charles Rennie

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