British. Rose coloured satin cover with figure of a saint, richly embroidered in coloured silks in split stitch and conching. By Joan Nicholson, Bromley.
Austrian. Satin with satin appliqué, embroidered with silks and metal threads in cross, four-sided, lazy daisy, stem, satin stitches, couching with gold work and beads. Inscription "Unsereliebefrau" at base. By Emmy Zweybruck-Proshashka. Vienna.
The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Original: Portal figures from Chartres Cathedral. The central tympanum illustrates the Apocalypse with a central Christ surrounded by twenty-four Elders.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Original: Portal figures from Chartres Cathedral. The central tympanum illustrates the Apocalypse with a central Christ surrounded by twenty-four Elders.
Roundel, surrounded by fruits. Original: Studio della Robbia, c1490. Glazed terracotta. Original currently in the collection of the National Gallery of Ancient Art in the Palazzo Barberini, Rome, Italy. Annotated "D Brucciani & Co London EC" and "325".
Panel depicting the infant Christ being attended by the wise men. Original: Tilman Reimenschneider, c1510. Lime wood. Rothenburg ober der Tauber, Germany. Currently in the collection of the British Museum, London, UK. Annotated "D Brucciani & Co London".
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Donatello, c1416. Was placed in a niche on the north wall of Orsanmichele, Florence, Italy. Original in Museo Nazionale del Bargello, Florence, Italy.
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182B Brucciani & Co, London".
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers.
Original: Lorenzo Ghiberti, 1452. Bronze. Gates of Paradise, Baptistry di San Giovanni, Florence, Italy. Currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy. In 2019, this item was conserved and now includes a central fragment, which was originally catalogued as a separate cast (PC/187).
Original: Donatello, c1435–1443. Carved marble in low relief. Original currently in the collection of the Victoria and Albert Museum, London, UK. previously incorrectly referenced as 'Pieta' meaning a depiction of the Virgin cradling Christ's body, due to similarity to Donatello's relief sculpture of the same subject and style.
Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".
Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".
Poster advertising 'Man Walks Among Us - A Sculpture by Kenny Hunter', St Mungo Museum of Religious Life and Art, Glasgow. The poster advertised the Jesus 2000 Commission, to mark the millennium.
Print of 'An Angel Adoring' by Robert Anning Bell. Protective cover sheet has annotation which attributes the original work to Robert Anning Bell, and the medium as a coloured plaster relief.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Print of 'Mary Kept All These Things in Her Heart' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Print of 'The Adoration of the Shepherds' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Print of 'The Presentation in the Temple' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Print of 'The Virgin and Child With Saints' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Print of 'The Youth of the Virgin' by Robert Anning Bell. Signature on reverse attributes the possession of the print to Dorothy Doddrell. Annotation in the lower corners states that the piece is published by The Medici Society, London and printed in England.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Booklet containing a print of 'Christ and his People'. Annotation on the cover notes that the reproduction is made in the colours of the original, taken from a book of prayers connected with the Order of St George by Flemish Artists in the late 15th century. Lower front cover states booklet is printed and sold on behalf of The Trustees of the British Museum.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Booklet containing a print of 'The Annunciation.' Annotation on the cover notes that the reproduction is made in the colours of the original, taken from an early 14th century East Anglian manuscript of 'La Lumiere As Lais'. Lower front cover states booklet is printed and sold on behalf of The Trustees of the British Museum.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
