- NMC/0229A
- Item
- c1930s-1950s
Advertisement for London Midland Region (LMR) of British Railways, featuring coal and British industries.
Clausen, Sir George
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Advertisement for London Midland Region (LMR) of British Railways, featuring coal and British industries.
Clausen, Sir George
Advertisement for London Midland Region (LMR) of British Railways featuring the Scottish Highlands.
Cameron, David Young
Exterior view of basilica.
Dallachy, John Eadie Waddel
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
View of basilica from garden.
Dallachy, John Eadie Waddel
Sketch of (Italian) decorative panels
Italian subject matter. A study from Mackintosh's tour of Italy in 1891 as part of the Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Some Cranbrook Notes (Michigan)
Part of Papers of James Cosgrove
Journal entries and recounts of visit to Cranbrook College, Washington, and Detroit. Includes live commentary of the Cranbrook College Fashion Show.
Cosgrove, James
Storia del vita di San Giovanni Evangelista, Venice
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Poster depicting Castle Campbell, Dollar. For the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
View of bell tower.
Dallachy, John Eadie Waddel
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Two figures from the tomb of Canova, Venice
Study of figures from the tomb of Canova in Santa Maria dei Gloriosa, Venice.
Fulton, James Black
Poster depicting the Wallace Monument, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Welcome [sic] Trust Visit, 2014 (and other places, Malaga, Faro)
Part of Papers of James Cosgrove
Sketches, drawings, and notes, including cityscapes and landscapes.
Cosgrove, James