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Mackintosh banner

Mackintosh banner

This screen printed banner with a large photo of Mackintosh depicts his signature and the Glasgow School of Art emblem reading: "There is honour in honest error none in the icy perfection of the mere stylist".

*Not available / given

Mackerel

Mackerel

Still life with mackerel. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.

Cox, David

Lunch, Original Refectory, GSA 42/43

Lunch, Original Refectory, GSA 42/43

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. GSA students and staff featured in this work include (from left to right), amongst others: Harry McLean, GSA student and conservator (seated at table bottom left, resting elbow on table); Hugh Adam Crawford, GSA staff, Drawing and Painting department (standing, front-facing, slightly left of centre); Joan Eadley, GSA student and artist (centre, standing, facing left); John Miller, GSA staff, Drawing & Painting department (slightly right of centre, facing right, carrying portfolio under right arm); Margot Sandeman, GSA student and artist (slightly right of centre, facing right, arms folded, in conversation with Cordelia Oliver); Cordelia Oliver, GSA student, art critic and journalist (slightly right of centre, facing left, in conversation with Margot Sandeman); Margaret McGavin, GSA student and artist (right of centre, adjacent to Cordelia Oliver, front-facing but looking right, in conversation with another female student); David Donaldson, GSA staff, Drawing and Painting department (right of centre, left-facing, positioned between Margaret McGavin and the female student she is talking to); Benno Schotz, GSA staff, Modelling and Sculpture department and sculptor (right hand side, facing left); Timothy Powell, GSA staff, Graphic Design department (right hand side, in the foreground, front-facing, wearing a suit).

Gardner, Tom

Low-backed armchair for the Director's Room, Glasgow School of Art

Low-backed armchair for the Director's Room, Glasgow School of Art

Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. These items were assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Low-backed armchair for the Director's Room, Glasgow School of Art

Low-backed armchair for the Director's Room, Glasgow School of Art

Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

Low-backed armchair for Board Room, Glasgow School of Art

Low-backed armchair for Board Room, Glasgow School of Art

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

Mackintosh, Charles Rennie

Litho print block

Litho print block

A litho stone with three separate plates of a steam train, an elephant and hippopotamus, and one of two unidentified animals. Beneath the steam train picture is a black marker pen label reading '3d HMO Painting Book Blue Sept 1938'.

*Not available / given

Linlithgow Palace and St. Michael's Church, Linlithgow

Linlithgow Palace and St. Michael's Church, Linlithgow

Perspective drawings of Linlithgow Palace and St. Michael's Church, Linlithgow. The upper left and right perspectives depict the windows of the palace chapel and the oriel towards the loch at Linlithgow Palace. The lower left perspective depicts the west window of St. Michael's Church. The drawing bears the stamp of the Glasgow School of Art Library. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

McGibbon, Alexander

Linlithgow Palace

Linlithgow Palace

Perspective drawings depicting four elements of the eastern side of Linlithgow Palace. The upper left perspective depicts the principal doorway to Parliament Hall. The upper right perspective depicts the fireplace inside Parliament Hall. The two lower perspectives depict the archway to the Loch and the niches above it. Accompanying plans and sections are also drawn, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

McGibbon, Alexander

Linlithgow Palace

Linlithgow Palace

Perspective drawing of Linlithgow Palace, viewed from the crypt. Underneath are labelled elevations, sections, and perspectives of windows and doors, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.

McGibbon, Alexander

Linen Cupboard for John Henderson

Linen Cupboard for John Henderson

Designed for John Henderson.'One of the earliest surviving pieces with repousse panels, here designed by Mackintosh. Although probably made by cabinet makers such as Guthrie & Wells, it has none of the more traditional mouldings that appear on the commercial bedroom units, probably because Mackintosh was designing directly for a client. The pendant leaf motif at the base was slowly transformed in later pieces, into a characteristic dip in the lower stretcher or apron based upon a favorite Mackintosh motif, the swooping bird.' (Roger Billcliffe). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

Mackintosh, Charles Rennie

Linen Cupboard for Gladsmuir

Linen Cupboard for Gladsmuir

Designed for the nursery, Gladsmuir, Kilmacolm. Probably made by Guthrie & Wells. The wide vertical panels running either side of the back of the cupboard, here terminating in two decorated lugs, are a motif Mackintosh often used in later work. One of Mackintosh's early pieces which William Davidson acquired for his home in his parents' house Gladsmuir before he built Windyhill. Original photos of the Windyhill interiors show it located in the hall.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Mackintosh, Charles Rennie

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