Showing 26 results

Scottish. Crewel work on natural linen. Basket of flowers motif, worked predominently in shades of green, orange and pink. Woollen fringe. Has label from G.S.A. Needlework Exhibition of 1916. Designed by Mrs. Newbery (Jessie Newbery). Worked by Mrs. Rowat (her aunt), Glasgow.

The publications of the Needlework Development Scheme were central to its aims. The two bulletins, "And So to Sew" and "And So to Embroider" published three times a year, were issued free until 1958 until demand led to a charge being levied for orders of over 24 copies. At its height in the 1950s, the scheme spent the current equivalent (2003) of £1 million printing the bulletin and distributing it primarily to school girls as well as other interested parties. Other publications featured accounts of the Scheme's development along with images of selected needleworks or focused on particular themes within the collection, such as Swedish needlework.

Includes 3 adverts and order forms for the NDS bulletin publications. Each of the adverts includes short synopses of the new issue and other publications under the NDS such as some of their books.

A black hardcover book published by NDS on different embroidery stitches and techniques based on the contents of the Needlework Development Scheme embroidery bulletins (see NDS/PUB/5). Contains 144 pages.

Publications published by NDS on how to do various embroidered activities.
Contains copies of Bulletins 7B-28B, 29-39. All comprise of 2 copies other than 16B, 26B, and 38, which only contain 1 version.

Publication published by NDS on how to sew various textile activities.
Contains copies of Bulletins 1-6B, 8A, 9A, 13A-15A, 17A-28A. All comprise of 2 copies other than 8A, 13A, and 15A, which only contain one version.

British formal flower motif outlined in chain-stitched metal thread, on linen. Blackwork fillings in silk in several patterns have become worn in places. The motif has been cut out of background and mounted on modern linen. About half the metal thread embroidery is modern restoration. Shows influence of formal Sanish design. Much of the outline is restoration and has been remounted. This work may have been carried out in J&P Coats studio. Another identical and two related motifs, donated to the NDS by John Jacoby are in the Embroiderers' Guild Collection (EG 206). Originally they may have been part of a cover for a long cushion.

German. On white silk with woven spot design. Embroidered with silk, black cotton and metal threads in cross, four-sided, running, back, fly, satin stitches, couching and French knots. Shades of brown and oragne with naive figures and sacred emblems. The stylised figures and text are similar to those on the Hungertuch (Hunger cloth) Lenten cloth also made by the Munster school in the late 1920s. This was inspired by the 1623 Hungertuch Lenten hangings in Telgte, near Munster.

The collection consists of the surviving papers of the Needlework Development Scheme and over 100 examples of needlework. Of these examples, 28 are from Great Britain and 54 are examples of non-British work including examples from Greece, India, Norway, Sweden, Italy, Switzerland, Turkey and Bosnia. Items include ecclesiatical, domestic, costume, clothing and modern embroideries, tea cosies, funeral pall, clothing, lace work, wall hangings, samplers, linen work and cushion covers.

The surviving papers include a complete inventory of 1012 items that were part of the Needlework Development Scheme prior to its dispersal in 1961. This provides information on the original numbering scheme used for the needlework examples and also provides information on the provenance of each item, although this is not necessarily the creator of the item but the person from whom the item was received, as well as a description of the item itself. There is an inventory of the parts of the collection received by the Glasgow School of Art, insurance details concerning the collection and the correspondence of the Needlework Development Scheme, 1931-1941.

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

British. Scallop-edged cream taffeta apron. Silk and metal threads. Symmetrical floral design incorporating metal thread areas padded with cord. Extensive use of pearl and sequins. Framed.

Danish. Traditional work on natural linen incorporating drawn thread work and embroidery in satin-stitch. Relies for its effect on the changes of texture of the embroidery . Design based on stylised flower and plant forms.

Portuguese. Part of peasant costume. Closely woven in red wool on white warp. Geometric design in bright colours in loom embroidery - extra weft pulled up in loops on the surface Yellow braid waistband, and pink braid edges.

Scottish. Very fine lawn with flower and leaf design at each corner and initial 'A' in pink in one corner. Very fine drawn fillings and drawn hem.

Indian. Rust cotton background tie-dyed deep brown and embroidered with geometric design. Cotton and silk embroidery in subtle colour scheme.

Cretan. Traditional design of scrolling pattern of animals, figures, birds and flowers. Dark blue silk embroidery on natural linen background, mostly in Cretan stitch.

British. Machine embroidered with design of horse and flowers in black, grey and pink on white silk. Back embroidered with spots. Quilted lining. By Rebecca Crompton.

Swedish. Cloth made for festival decoration. Embroidery in white wool on red cotton. Border design based on snowflakes.

British. Muslin with border embroidered with floral design in ochre shades in chain stitch in worsted thread. Waistband embroidered.

British. Black embroidery on white cotton of intertwining ribbon and flower design. Buttonhole and running stitches.

Greek. Embroidered in coloured silks and metal thread. Symmetrical floral design with stylised roses and carnations etc.

Turkish. Decorated at each end with formalised repeating tree design in green and yellow silks and metal threads, on fine cotton.