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Includes material for Project 3, Second Year to design a weaver's workshop at Colonsay, from the initial idea, submission 1, submission 2, submission 3, to the final details drawings. It includes photos of 3D model as well.

Free hand sketches showing first submission sections AA , BB, and CC as well as two elevations - one facing east and the other facing west all in scale 1:100. These drawings show the basic elements within the workshop structure.

Free hand sketches showing the tools required for weaving tasks taken from measured drawings by Gordon McLean. Tasks include: Table loom, warping frame, spool rack, spinning wheel, and tapestry frame.

Free hand sketches showing another design idea for the workshop including plan and section all in scale 1:100. The sheet includes feedback and notes from the examiner.

Free hand sketch showing the upper floor plan showing two bedrooms, staircase, and the roof.

Free hand sketches showing two elevations all in scale 1:100 representing the third attempt to develop the weaver's workshop elevation facing west and the other facing the east using the main finishing materials.

Materials related to project 6 to design St. Ninian's episcopal church at Isle of Whithorn includes:

• location plan, scale 1:2500
• plan, roof plan, sections AA, BB, CC, and DD, all in scale 1:100.

The architectural drawings on cartridge paper show designs for a small project using vernacular construction methods and materials in a new way. The architect's idea is to use stone material to build thick walls with curved corners and support a wood panel roof which gives a sense of harmony with the surrounding landscape.

Material related to the writing of a history essay studying three Victorian buildings from Glasgow situated in the pedestrian precircuit area of Buchanan Street (No. 21-31, 106-112, and 123-129). It consists of 23 pages (with no binding) done in the form of hand writing with some photos and free hand sketches. The aim is to identify if there is any similarities among these buildings in terms of architectural façade styles and interior functional spaces.

Free hand sketch showing farmhouses in Bishopton facing the east describing the gap between the right hand cluster of building and the left hand cluster of buildings, filled by the farmhouse giving it the most important position and forming the third side of the courtyard.

Architectural drawings presenting the first submission of project 1 (Exhibition stand) including free hand sketches of plans, section, and elevation, all in scale 1:50 (approx.).

Free hand drawing showing the site plan for project 2 Evergreen Club identifying the two main points to enter the site, the main roads surrounding the site, and trees and grass.

Free hand drawing on tracing paper showing the site plan for project 2 Evergreen Club identifying the natural environmental factors (sun path/during one day), with the north arrow to indicate wind direction, the names of the main roads surrounding the site, the types of trees and grass, infrastructure, and the types of materials within the site.

Free hand drawing related to the site analysis for project 2 Evergreen Club showing the elevation to Marborough Avenue indicating the types of trees and grass, and the types of materials of the surrounding buildings and their heights.

Free hand sketch showing the ground floor plan in progress representing the second attempt to improve the design idea showing more details and rearranging the functional spaces and furniture accordingly.

Free hand sketch showing the ground floor plan in scale 1:100 representing the third attempt to develop the weaver's workshop design.

Free hand sketches showing the upper floor plan in scale 1:100 representing the third attempt to develop the weaver's house upper plan including more details with the roof plan. The sheet includes the drawing of the elevation looking east according to the new edition of the floor plans.

Architectural drawings on cartridge paper represents the final submission of the weaver's house project at Colonsay. The paper includes drawings of four elevations (north view, east view, west view, and south view). All drawing are in scale 1:100, showing the finishing materials used on the building exterior elevations.

Architectural photos on a cartridge paper representing the final submission of the weaver's house project on Colonsay. The paper includes four photos of a 3D model, described as:

• "View looking towards entrance"
• "Elevation facing prevailing wind"
• "Courtyard side"
• "Interior view showing double height work space & sleeping gallery".

Includes material related to Second Year, project 6 to design St. Ninian's episcopal church at Isle of Whithorn.

Material related to the writing of a history essay studying three Victorian buildings from Glasgow.

Drawings related to project.

A copy of the ground floor plan showing the architectural details that the architect did for his summer project, second year.

A photograph taken by the architect showing the front view of the coach house from the main road (Eldon Street). The coach house's layout is on a diagonal position giving the front elevation and the other side elevation a good angle to face the main road traffic.

A tracing paper drawing showing the architectural details of the upper floor plan in scale 1:50, showing the functional spaces including: coach house, stables, coachman's living room, coachman's bedroom, bathroom, sorting/store room and hayloft.

A tracing paper drawing showing the architectural details of the north-west elevation and south-west elevation in scale 1:50, showing the external views of the building with finishing materials. The north west elevation gives an idea of the original outdoor building view before adding the corrugated sheets as mentioned on the ground floor plan. Black ink is used to render the building lines and window shades, while Zip-a-Tone has been used to render shadows created by the different levels of the external building's parts.

A copy of the upper floor plan showing the architectural details that the architect did for his summer project, second year.

A copy of sections BB and CC showing the architectural details that the architect did for his summer project, second year. The original title stated it as sections AA & BB, but the drawings show sections BB and CC.

Material related to the summer project, second year studying the design of a coach house at 47 Eldon Street, Greenock. It includes survey notes, photos taken by the architect, architectural detail drawings and copies. Present owners at the time of creation this series is Argyll & Clyde Health Board.

12 cartridge paper sheets including free hand sketches of the coach house ground floor plan, upper floor plan, section CC, section BB, section AA, N.W elevation, N.E elevation, S.W elevation, S.E elevation, and several architectural details including gate, window, and cast iron fireplace. Although these drawings are all free hand sketches, they also include details of the entire building's dimensions and materials used indoors and outdoors.

A photograph taken by the architect focusing on the left side of the front elevation to see the linearity of this side comparing with the pitch-roof on the right hand side.

A tracing paper drawing showing the architectural details of the ground floor plan in scale 1:50, showing the functional spaces including: coach house, stables, coachman's living room, and coachman's kitchen/dining room. A dotted line on the north west side shows the position where a line of corrugated sheets are added later.

A tracing paper drawing showing the architectural details of sections BB and CC in scale 1:50, showing the interior spaces, finishing materials, structural system and construction methods. Section BB shows the stables and the hayloft, and section CC shows the coach house and sorting/store room. The original title stated it as section AA & BB, but the drawings are of sections BB and CC.

A tracing paper drawing showing the architectural details of the south-east elevation and north-east elevations in scale 1:50, showing the external views of the building with finishing materials. Black ink is used to render the building lines and window shades, while Zip-a-Tone has been used to render shadows created by the different levels of the external building's parts.

A tracing paper drawing showing the architectural details of the sectional perspective AA in scale 1:50, showing the interior spaces, finishing materials, structural system and construction methods. The left hand side of the building includes the stables and the hayloft showing the way the architect tries to address the connection between these functional spaces in a sectional perspective.

A copy of the sectional perspective showing the architectural details that the architect did for his summer project, second year.

A copy of south-east & north-east elevations showing the architectural details that the architect did for his summer project, second year.

Job files related to the project.

Hand-painted design for screen-printed headsquare. Bordered, it depicts two figures with two comets. Pink, orange and grey on a cream background. Unrelated screen printed design on reverse.

Job files and drawings related to the project.

Includes:

• Legal and Administrative Paperwork
• Correspondence and Information on Events
• Publications (including information on starting MAC magazine).

This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.

Drawings related to project.

Drawings related to project.

Material created during Christopher Platt's third year of studies including part time projects relating to architectural design, details and analysis.

Material related to studying examples of living with the river such as a lake dwellings from Japan, Kohama 6000 B.C describing the strategic reasons behind the design of such community dwellings. All the drawings are freehand sketches on tracing paper showing the site plans from an iron age village addressing the way to reach these dwellings from mainland by canoes. Another example of living with the river is the pile dwellings or the Saigon Shacks where they built on piles raised above the water because there is not enough room on the mainland for more houses.

Third Year Part Time material, featuring two essays.