- NMC/0830
- Item
- c1960s
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract design.
Low, Bet
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract design.
Low, Bet
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of village with church.
Miller, John
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Kneeling female figure; parrot on porch.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of singer and microphone.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Microphones and spotlights.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Shrouded figure in foreground, striped background.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Image of bird against abstract background.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Blue and green abstract design.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Two running dogs and arrowed target.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of wolf and arrowed target.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Shrouded figure foreground, coloured striped background.
Brown, Neil Dallas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract figure.
Palmer, Joan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract study of seed head.
Palmer, Joan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Sitter was donor's late husband's aunt.
Crawford, Hugh Adam
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Biblical study of Christ bearing his cross to calvary. This painting was Milne's diploma submission in 1924.
Milne, Robert
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with mountains.
Mackie, Thomas Callendar Campbell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with mountains.
Mackie, Thomas Callendar Campbell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Dick, Jessie Alexandra
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape of bridge over canal.
Oliver, Cordelia
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Cityscape.
Morrison, James
Portrait of Hugh Adam Crawford
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of Hugh Adam Crawford, in white tunic, bearded.
Oliver, Cordelia
Raeburn, Agnes
David Donaldson and the 2nd Year Class, Back Studio, GSA, 42
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of GSA art students, including Dorothy Ballantyne, Marion Fletcher, Sheila Wilson, Tom Gardner (the artist), Jimmy Spiers, Audrey Scarle, Florence Jamieson, Fay Campbell as well as tutor David Donaldson, his wife Pat and son David, plus a life model who is thought to be a music student from Falkirk who studied at The Atheneum.
Gardner, Tom
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Those depicted include Danny Ferguson, Gordon Huntly, Lewis Allan, Eileen Allen, Joan Docherty, Molly Brown and Ishbel Macdonald.
Gardner, Tom
Lunch, Original Refectory, GSA 42/43
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. GSA students and staff featured in this work include (from left to right), amongst others: Harry McLean, GSA student and conservator (seated at table bottom left, resting elbow on table); Hugh Adam Crawford, GSA staff, Drawing and Painting department (standing, front-facing, slightly left of centre); Joan Eadley, GSA student and artist (centre, standing, facing left); John Miller, GSA staff, Drawing & Painting department (slightly right of centre, facing right, carrying portfolio under right arm); Margot Sandeman, GSA student and artist (slightly right of centre, facing right, arms folded, in conversation with Cordelia Oliver); Cordelia Oliver, GSA student, art critic and journalist (slightly right of centre, facing left, in conversation with Margot Sandeman); Margaret McGavin, GSA student and artist (right of centre, adjacent to Cordelia Oliver, front-facing but looking right, in conversation with another female student); David Donaldson, GSA staff, Drawing and Painting department (right of centre, left-facing, positioned between Margaret McGavin and the female student she is talking to); Benno Schotz, GSA staff, Modelling and Sculpture department and sculptor (right hand side, facing left); Timothy Powell, GSA staff, Graphic Design department (right hand side, in the foreground, front-facing, wearing a suit).
Gardner, Tom
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s exhibition installations, even down to the typesetting of the catalogue. The entry for this work explained, ‘The Fairy is guarding the Leaf of Love from the Witch of Evil who has robbed the Tree of Life of all its other leaves.’
MacNair, James Herbert
Blind Window, Certosa di Pavia
Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Painted during their stay in Suffolk, when Mackintosh and Margaret Macdonald had left Glasgow.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Mackintosh produced a number of very similar paintings of stylised bouquets of flowers at this time, c1918-20.
Mackintosh, Charles Rennie
Roof of Napton Church, Norfolk
Sketch of three angels playing musical instruments.
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.
Mackintosh, Charles Rennie
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".
Newbery, Jessie Wylie
Queen Hippolyta's Guard - The Salute
Study of armed guards. Lower right: R. An Bell/1927/Girgenta Queen Hippolyta's Guard. The Salute Verso: Queen Hippolyta's Guard, The Salute/Robert Anning Bell R.A./28 Holland Park Road W.14 (in chalk) A. Bell.
Bell, Robert Anning
Study of a young woman. Verso: Drawing (sanguine), Maurice Greiffenhagen, RA. RP. LLD.
Greiffenhagen, Maurice
Landscape study.
Pringle, John Quinton
Unfinished study of trees.
Pringle, John Quinton
Unfinished abstract landscape. Lower left: The early stages of a water colour drawing (subsequently damaged) made by Mr. J. Q. Pringle when at Whalsay.
Pringle, John Quinton
Study of woman holding a plate.
Strang, William
Student copy of original seascape by John Constable. Possibly painted by John Laurie.
*Not available / given
Portrait of young man standing in front of fireplace.
Wilson, Helen F
Valley village with viaduct. Possibly the South of France.
*Not available / given