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Wooden chest with twelve small shallow drawers and two larger drawers. Contains collection of cast reliefs of portrait busts, religious scenes, ancient Greek/Roman scenes, military scenes, and architecture.

Plaster cast of female head in profile, thought to be Anna Laurie. "Anna" or similar inscribed top right verso.

plaster cast of Saint Jerome, the patron saint of libraries.

Original: Donatello, c1435–1443. Carved marble in low relief. Original currently in the collection of the Victoria and Albert Museum, London, UK. previously incorrectly referenced as 'Pieta' meaning a depiction of the Virgin cradling Christ's body, due to similarity to Donatello's relief sculpture of the same subject and style.

Carved in relief, female figure in draped clothes. Figure is holding the jug and pouring out water (back view). Original: Jean Goujon, c1550. Marble. Paris, France.

Carved in relief, female figure in draped clothes. Figure is holding the jug and pouring out water (front view). Original: Jean Goujon, c1550. Marble. Paris, France.

Carved in relief, female figure in draped clothes. Figure is leaning on a sythe with a jug pouring out water at her feet. Original: Jean Goujon, c1550. Marble. Paris, France.

Carved in relief, female figure in draped clothes. Figure is carrying an object. Original: Jean Goujon, c1550. Marble. Paris, France.

Cast in dark brown. Head of cherub holding onto two horns, between two carved snakes and fruit.

Medieval style.

Chimera in relief, architectural fragment, probably part of larger scene or collection of panels due to lack of formal border. Annotated ""Chimere", "Hove" (or similar), and "PH-1"(in red).

Head of Cherub with wings in relief in circular panel.

Matron with bambini, sea god, domestic animals (bull, sheep and frog). Original: Marble. Ara Pacis Augustae (Altar of Augustan Peace), Rome, Italy. Bears "Musées Nationaux Moulage, Paris" maker's stamp.

Part of a temple frieze.

In relief. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's stamp.

In relief. Original: c100AD. Marble. Currently in the National Museum, Naples, Italy.

Carved relief of woman sitting looking into mirror. Possible a GSA student piece.

Original: Gian Marco Cavalli, c1490. Marble and bronze. Original currently in the Mantegna Chapel, Basilica di Sant’Andrea, Mantua, Italy. Bears a "Musée de Sculpture Comparée du Trocadero, Paris, 1910 " maker's stamp.

Original: Agostino di Duccio, c1450. Basilica Malatesta, Rimini, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".

Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".

Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.

Roundel, surrounded by fruits. Original: Studio della Robbia, c1490. Glazed terracotta. Original currently in the collection of the National Gallery of Ancient Art in the Palazzo Barberini, Rome, Italy. Annotated "D Brucciani & Co London EC" and "325".

Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.

Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182B Brucciani & Co, London".

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Michelangelo, c1526-1534. Giuliano di Lorenzo de' Medici (12 Mar 1479-17 Mar 1516) was an Italian nobleman, one of three sons of Lorenzo the Magnificent. Original currently in the Medici Chapel in the Church of San Lorenzo, Florence, Italy.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Donatello, c1416. Was placed in a niche on the north wall of Orsanmichele, Florence, Italy. Original in Museo Nazionale del Bargello, Florence, Italy.

Venus with missing arm, supported by dolphin and cherub. Original: Roman copy of Greek statue c2 BC, of Hellenistic style. Listed in the first catalogue of casts as Greek, located in the 'Florence Gallery' and was purchased from D. Brucciani.

Original: Greek sculpture from 184 BC. Original currently in the collection of the Staaliche Museum, Berlin, Germany.

Original: Greco-Roman attribution, shows Mercury God of merchandise and merchants, commonly identified with the Greek Hermes, fleet-footed messenger of the gods.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

Black and white photograph of a bronze male head sculpture sitting on a box. Male figure has a chin strap beard and prominent nose. Says ""Jack Dalziel" - by Helen Biggar - c. 1939" written in blue pen with "92B" circled verso. Jack Dalziel (real name "John") was likely a friend of Helen's.

Black and white photograph of a bronze male head sculpture sitting on top of a box. Male figure has a chin strap beard and prominent nose.

Mater Dolorosa (Latin) refers to the Virgin Mary in relation to the sorrows in her life.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Figure of Mary with the infant Jesus. Original: Michelangelo, 1501-1504. Original currently in the Onze Lieve Vrouwekerk, Bruges, Belgium.

This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: The original scaled Roman statue of c50BC by the sculptor Kleomenes. The Nude male statue, erroneously identified as Germanicus, a member of the family of the Emperor Augustus, probably should be considered a portrait of a member of a wealthy family of the late Republic. Original currently in the collection of the Louvre, Paris, France.