7 results with digital objects Show results with digital objects
Large decorative ceramic plate with brown transfer of Robert Burns in a landscape. Text above him reads, 'I Think I'm Feeling Better'. Brown decorative transfer pattern around the edges of the plate. 'Bill Brown, Glasgow 1996, 7/12' on verso.
Brown, William
Polychrome abstract design on purple background. Signed 'Stewart 1966' on right edge.
Stewart, Robert
Panel for the Rose Boudoir, Turin
One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.
Mackintosh, Charles Rennie
Panel for the Rose Boudoir, Turin
One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.
Mackintosh, Charles Rennie
Panel for the Rose Boudoir, Turin
One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.
Mackintosh, Charles Rennie
Panel for the Rose Boudoir, Turin
One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.
Mackintosh, Charles Rennie
Handmade book of written and design work titled ‘History of Ornament’
Large handmade, ring-bound book titled ‘History of Ornament’. Contains a definition of ornamentation followed by a history of ornamentation and information about different historic types and styles of ornamentation, accompanied by hand-illustrated examples in pencil, black and coloured ink and paint. The cover is signed ‘Jane S. Wilson 18/6/1912’. Likely related to a course on the History of Ornament taught as a component of the second-year General Course.
Wilson, Jeanne
Large circular decorative design piece featuring various repetitive marks, shapes and a floral design. Painted in red, blue, pink, green and yellow on a background of brown watercolour. The back of the design reads ‘Jane S. Wilson, 18/6/1912’ in pencil, and ‘GSA 1930-34’ potentially added later in black ink.
Wilson, Jeanne
Handmade book of written work titled ‘Notes on the History of Illumination’
Hand-bound book titled ‘Notes on the History of Illumination’ signed Jean S Wilson. Details the history of book illustration, ornamentation and decoration across different eras, national and local styles. Likely related to a course on the History of Illumination taught as a component of the Design diploma.
Wilson, Jeanne
Printed page of photographs featuring female students
Printed page featuring three scanned black and white photographs. Top left depicts five women, likely GSA students, posed and smiling on a set of stairs; top right depicts two women wearing artists smocks stood next to a plaster bust; bottom right depicts fifteen women, likely students, and one man, likely their teacher, posed on the same stairs. The page is captioned ‘Diploma June 12th 1934 in Design & Decorative Art GSC’.
Wilson, Jeanne
Printed page of images featuring embroidery and calligraphy work
Print on photographic paper containing two images of student work. Left: close-up of sample of embroidered cloth depicting a woman bent to water a plant in blue, green and cream thread, bordered with various decorative marks, shapes and images in multicolour. ‘1932’ and ‘JEAN WILSON’ are embroidered above and below the image in lilac thread. Right: image of a page of illuminated poetry (by Janet Begbie) hand-written in black ink and bordered by coloured ink illustrations relating to the poem’s themes of adventure, youth and travel at sea, in blue, green and red, as well as a decorative border in gold, blue, red and black.
Wilson, Jeanne
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Similar panels appear in Mackintosh's drawings of the east wall of the principal bedroom at The Hill House although it is not certain when they were installed there as early photographs taken in 1904 do not show them. The panels appear to be duplicates of those shown at the Vienna Secession exhibition in 1900 and bought by Emil Blumenfelt; at least one of these (listed as a 'bed curtain') was lent by Blumenfelt to the Turin exhibition in 1902 - although it lacks the lower section of black silk seen on The Hill House panels.
Mackintosh, Margaret Macdonald
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Plate from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks. It suffered damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014, and has since undergone conservation.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Cup from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Saucer from a part set of painted china tea service. Green/yellow lustre glaze over painted flower pattern on white china blanks.
Macbeth, Ann
Copper and enamel mantel clock. The inscription on the clock is taken from John Milton's 'Song on May Morning'.
Dewar, De Courcy Lewthwaite
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Framed textile landscape includes a white felt like background and mesh blue representing water and linen like green to represent land. Includes various pieces of metallic fabric and stitches throughout. Includes an orange grid like mesh within the art and a wood gold frame.
Matthew, Veronica
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Framed embroidered horse includes a gold speckled frame with a black felt like background. A grey horse is stitched on to the black background with a flower on its back; numerous and colourful decorative embroidered stitches surrounding the horse. Includes a few beads and sequins in the design. Allander Framing framed the textile art.
Matthew, Veronica
Dessert spoon from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Dessert fork for Francis and Jessie Newbery
One piece from a twelve-place setting of dining cutlery commissioned from Mackintosh by Fra and Jessie Newbery.
Hislop, David W
Dinner fork for Francis and Jessie Newbery
One piece from a twelve-place setting of dining cutlery commissioned from Mackintosh by Fra and Jessie Newbery.
Hislop, David W
Dessert spoon for Francis and Jessie Newbery
One piece from a twelve-place setting of dining cutlery commissioned from Mackintosh by Fra and Jessie Newbery.
Mackintosh, Charles Rennie
Soup spoon for Francis and Jessie Newbery
One piece from a twelve-place setting of dining cutlery commissioned from Mackintosh by Fra and Jessie Newbery.
Mackintosh, Charles Rennie
Dessert spoon from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Caddy spoon from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Caddy spoon from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea fork from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Soup spoon from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Dinner fork from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Dinner fork from Ingram Street Tea Rooms
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie