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Folder containing 85 black and white photographs depicting Glasgow city scenes of various sizes. All taken by George Oliver apart from two dated c1897. Includes images featuring the Barrowlands, the Gorbals (high-rise flats and tennements), St. Enoch Station and Hotel, West End, New Bedford Cinema, Ingram Street, and the Old Fruitmarket.

Folder containing 50 black and white photographs of buildings of various sizes, taken by George Oliver. Some annotated. All buildings featured are in Glasgow except one of a pub in London which dates from 1948. Also contains 2 photocopies of a line drawing by Thomas Williams depicting a busy cityscene beside a river. Photographs include: Templeton's Carpet Factory, Hampden Park, Glasgow Cathedral, St Enoch Station and Bute Hall.

Folder containing 44 black and white and colour photographs of mostly unidentified shops fronts, all taken by George Oliver. Locations include: Glasgow, Edinburgh, St Andrews, and London. Shops include: grocers, chemists, booksellers, tobacconists, butchers and ironmongers.

Folder containing 60 black and white photographs depicting terraces and tenements in Glasgow, of various sizes and taken by George Oliver. Some are annotated.

Folder containing 19 black and white contact sheets of photographs taken by George Oliver. Some are annotated. Includes: Pollok House, Exhibition Centre, various Glasgow street scenes, the Clyde environment, high-rise flats and tenements.

Folder containing 8 contact sheets and 114 negative strip of photographs taken by George Oliver. Most are annotated.  Although the folder is entitled 'Edinburgh', some of the material is of scenes outwith Edinburgh and of cars. For example: scenes of George's Rolls Royce at Doune, Broughton House and an Albion car dating from 1920. The Edinburgh material includes: Museum of Childhood, Edinburgh University, New Town and George Street lane sales. Some negatives relate to photographs in the previous folder entitled 'Edinburgh Prints'.

Folder containing black & white photographs and contact sheets taken by George Oliver. Most are unidentified. Includes: Milan, Florence, interior of Galleria Vittorio Emanuele II in Milan showing Biffi Caffè, and a replica of Michaelangelo's David in Florence.

Folder containing 147 black and white photographs of artworks taken by George Oliver. Includes: work by Bet Low and Joan Eardley.

Folder containing 10 black and white photographs of contemporary sculpture, taken by George Oliver and of various sizes. Some have been annotated.

Folder containing negative strips and colour slides by Georga Oliver featuring the work of Joan Eardley.

Folder containing contact sheets and negatives of photographs taken by George Oliver relating to theatres and performances within. Most are annotated. Includes: Mull Little Theatre, Perth Theatre, Eden Court, Tom Mariono in St Mary's Cathedral Edinburgh and Traverse Theatre.

Folder containing contact sheets and negatives of photographs, taken by George Oliver in relation to theatre and performance. Includes: Mayfest, Eden Court Theatre, Ochtertyre Theatre and Scottish Baroque Ensemble.

Folder containing black and white photographs taken by George Oliver and of various sizes. Some are annotated. Many are prints from photographs from DC 066/2/60-61. Includes: Joan Eardley.

Folder containing 60 black and white photographs of performances at the Third Eye Centre, taken by George Oliver and of various sizes. Most have been annotated. Includes: Billy Connolly, Tom McGrath, music and dance performances.

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver. Most are annotated. Also includes a handwritten list. Includes: Leith docks 1966, Edinburgh, cars, Catterline, Crail, Rossyln Chapel, Festival of Britain 1951, start of Monte Carlo Rally at Blythswood Square in 1955, vintage motor cars in various locations, Richmond Horse Show 1948 and Glasgow.

Folder containing colour negatives of photographs taken by George Oliver. Most are annotated. Includes: Glasgow Green, Greenock, Exhibition of Scottish Art in North of England, London, Morgot's Studio, Border Warfare at Tramway 1989, Wines from Paris Opening, Holyrood Park Festival Fringe Day 1996 and Glasgow streets.

Folder containing contact sheets and negatives of photographs taken by George Oliver. Most are annotated. Includes: D O Hill/Adamsonn exhibition, a copy of a photograph taken by Annan in 1914 of a Glasgow street scene, and copies of Annan portraits.

Folder containing black and white negatives and contact sheets of photographs taken by George Oliver. Most are annotated. Also contains a handwritten list of titles. Includes: Porche cars, William Johnstone paintings and plaster, guild of motoring writers, Castle Donnington, Cartier Bresson exhibition, Margot Sandeman paintings and Joan Eardley pastel and motoring pre-war.

Folder containing black and white photographs, taken by George Oliver and of various sizes. Some annotated. Some photographs are duplicates of photographs in other folders. Includes: performers and performances from the Third Eye Centre and street performers from the Edinburgh Fringe Festival.

Folder containing work produced by Dugald Cameron during his time on the Industrial Design diploma course at GSA.

These folders contain drawings produced by Harry Anthony Wheeler when he travelled to Italy after being awarded the John Keppie Scholarship in 1948. The John Keppie Scholarship gave a bursary of £100 to one architecture student per year to fund a study trip of their choice. The focus of Wheeler's project was Loggias in Florence, Rome and Venice. Included are 5 "plottings" of the Loggia La Badia near Florence, Wheeler's original portfolio case and 48 loose plates of drawings and photographs which are listed below: Plate 1: Drawing of the courtyard, cortile, open staircase, gateway and loggia of The Bargello Palazzo Del Podesta in Florence. Plate 2: Drawing of the Loggia Bargello in Florence. Plate 3: Drawing of the Loggia Dei Lanzi in Florence. Plate 4: Entrance to the Loggia Dei Lanzi in Florence. Plate 5: Detail of Lion on columns in the Loggia Dei Lanzi in Florence. Plate 6: Loggia Bigallo in Florence. Plate 7: The Ponte Vecchio in Florence. Plate 8: The Pazzi Chapel in Florence. Plate 9: Plan and Elevation drawing of Loggia La Badia near Florence. Pencil and watercolour on white paper. Plate10: Drawing of an elevation of Loggia La Badia in Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 11: Drawing of section detail of the Loggia La Badia near Florence. Wheeler has added comments to this drawing about materials and techniques. Pencil and watercolour on white paper. Plate 12: Detail of Stone Bracket, Loggia La Badia near Florence. Plate 13: Detail of Capital, Loggia La Badia near Florence. Plate 14: Four small photographs (mounted) of Loggia La Badia near Florence. Plate 15: The Dome of The Duomo from The Cloisters, San Lorenzo in Florence. Plate 15a: The Dome of the Medici chapel and church of S.Lorenzo from Giotto's Campanile in Florence. Plate 16: Loggia Ospedale Degli Innocenti in Florence with Della Robbia's Bambini Medalions in the spandrils. Plate 17: Loggia Ospedale Degli Innocenti in Florence. Plate 18: Cloisters, Covent of S. Marco in Florence. Plate 19: Loggia, Academy of Fine Arts in Florence. Plate 20: Small mounted photographs of the Pitti Palace Loggia in Florence. Plate 21: Small mounted photographs of the Uffizi Logia in Florence. Plate 22: Small mounted photographs of Loggia Fiesole in Florence. Plate 23: Small mounted photographs of Loggia S.Giovanni Laterno and Loggia Palazzo Venizia in Rome. Plate 24: Ink drawing of Michaelangelo's Cloister, the National Roman Museum in Rome. Plate 25: Ink drawing of a corner of Michaelangelo's Cloister in Rome. Plate 26: Two small mounted photographs and one drawing of Michaelangelo's Cloister in Rome. The drawing is a study of the columns. Plate 27: Small mounted photographs of Vignola's Loggia's in Campidoglio in Rome. Plate 28: Drawing and a small mounted photograph of The Loggia on the South West side of the Palazzo Farnese in Rome. Plate 29: The Loggia of the Knights of Rhodes in Rome. Plate 30: Small mounted photographs of the Cortile Cancelleria and the Cortile Doria Panfili in Rome. Plate 31: Drawing of the Loggia of Julius II S.Angel's Castle in Rome. Plate 32: Small mounted photographs of the Loggia of S.Angel's Castle in Rome and two modern Loggia's. Plate 33: Drawing of the open arcading on the south west corner at The Doge's Palace in Venice. Plate 34: Drawing of "The Judgement of Solomon" carved in fine grained marble for The Doge's Palace in Venice. Plate 35: Small mounted photographs of The Doge's Palace in Venice. Plate 36: Drawing of The Ca' d'Oro in Venice. Plate 37: Drawings of details from The  Ca' d'Oro in Venice. Plate 38: Small mounted photographs from the Ca' d'Oro in Venice. Plate 39: Small photographs of the facades of palaces in Venice. Plate 40: Drawing of the corner of St Mark's Library in Venice. Plate 41: Pencil drawing of Loggetta Venice. Architect Jacopo Sansovino. Plate 42: Five small photographs of the Library Vecchia, Procuratie Vecchie, Loggetta del Sansovino, Arcading alongside Rialto Bridge and the Palazzo Rezzonico in Venice. Plate 43: Two photographs and a pencil and watercolour drawing of Palazzo Contarini del Bovolo in Venice. The first photograph is of the foot of the staircase with comments by Wheeler about the contrasting brick and stonework textures. The second photograph is the interior of the building's Loggia and the drawing is of the building's facade. Plate 44: Six photographs, four of the Cloister S. Stephano and two of the Cloister S.Carmine in Venice. Plate 45: Five photographs of the Pescheria in Venice. The photographs feature the detail of the Capital Fish's Head Moteif on top of a column, timber brackets, Ca' d'Oro seen from the market, the top Loggia looking over the Grand Canal and some Arcading. Wheeler has commented that the Arcading is Modern Gothic and features textured brickwork. Plate 46: Five small mounted photographs. The photographs feature the sotto portico (meaning under the porch) of the Scuola Giorgo degli Schiavoni with one photograph featuring Wheeler's comments on the alternating column shapes, a Loggia near Ponte Lungo, a colonnade near San Francesca della Vigna and the Cloisters of the Monestry adjoining San Maria Maggiore in Venice. Plate 47: Four small mounted photographs. The photographs feature; A portico with a balcony Loggia above with Wheeler's comments that it is Venetian Gothic, a potico with an arcade above with Wheeler's comments that it is Venetian Byzantine, a Loggia of Modern Building with Wheeler's comments that it is Gothic style and some modelled timber brackets above columns.

This travel report was produced by John Grant MacDonald when he won the Minor Traveling Scholarship in 1955. Minor travelling bursaries of £20 were presented to several students per year at this time. John Grant MacDonald attended The Glasgow School of Art between 1952 and 1959 and studied architecture. The report details MacDonald's journey beginning in Paris and travelling North to Le Harve and ending his trip in London. The report reads like a diary, documenting MacDonald's journey in an imaculate handwritten format. There are also photographs included throughout, featuring various buildings in Paris, Rouen, L'Havre and London. The report is bound in blue, white and red paper, suggesting the French flag.

Slides of RCA student work; fabric details, installation display, catwalks, garments and sketches.

Slides of The Cloth activities; trade show displays, fabric details, catwalks, editorial fashion shoots, records sleeves and book covers. Also includes images of Fraser Taylor at work in the studio and group portraits of The Cloth.

There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.

The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.

The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).

Collection of cloud and sky study photographs. Photographs are mounted on a supporting cardboard backing. Most have a stamp on the support that says "Glasgow School of Art and Haldane Academy".

Folder containing additional work created during post diploma year, mainly designs for a theatre operating table.

Please note: a selection of these items are also available to view digitally under The Cloth Digital images, DC 089/3/4/3.

Folder containing colour and black and white negatives of photographs taken by George Oliver. Some annotated. Includes: cars, a model Midland Bluebird bus in colour, Joan Eardley and a ceramic studio.

Folder containing 6 black and white photographs of Heron House, St Vincent Street, Glasgow, taken by George Oliver.

A box containing 4 black and white photographs of exterior and interior shots of the Scottish Exhibition Centre taken by George Oliver.

Folder containing 84 black and white photographs depicting the clyde environment taken by George Oliver and of various sizes. Some have been annotated but most are unidentified. Includes: numerous pictures of clyde puffers steaming up and down the river, Grangemouth pictured from South Alloa, St Enoch Subway in the 1950s and taxi rank, a sail to the Kyles of Bute from Glasgow, Govan, cranes, bridges and various dock scenes.

Folder containing 13 black and white photographs of parks in Glasgow, taken by George Oliver and of various sizes. Some are annotated. Includes: Glasgow Botantic Gardens and The Necropolis.

Folder containing 3 photographs and 1 contact sheet of historic Glasgow and Dumfries. The contact sheet comprises of photographs of a book containing images of historic Glasgow taken by George Oliver and is dated 1989. The photographs date from c1900, photographer unknown. Includes: photograph mounted on board entitled ' High Street from North, Dumfries'.

Folder containing 5 black and white photographs of the murals of the Catholic Pavilion at the 1938 Empire Exhibition and Crawford's painting 'Tribute to Clydebank'.

Folder containing 4 black and white negative strips and 4 contact sheets of photographs taken by George Oliver. Some are annotated. Includes: high-rise flats, the Gorbals and the Clydeside.

A folder containing 62 black and white photographs of Glasgow people and children, taken by George Oliver and of various sizes. Mostly unidentified. Includes: general street scenes, the Gorbals, Hutchesontown, demolision of tenements, Barrowlands, Ibrox, Glasgow Green, shops, and the Old Fruitmarket. Also includes a leaflet for 'Swing Hammer Swing' Citizen's Company, May 1996.

Folder containing 22 contact sheets and 224 negative of photographs taken by George Oliver. Majority are annotated. Includes: Museum of Childhood, Royal Scottish Museum, Henry Moore statues at Inverleith, New Town, Edinburgh University and Greyfriars graveyard.

Folder containing black and white and colour negatives, contact sheets and photographs. Most have been annotated. Includes: Catterline, Crail (colour negatives), Glencoe and Rannoch Moor.

Folder containing black and white photographs of landscapes taken by George Oliver. Some have been annotated. Includes: Brasov and Bucharest (Romania), Grangemouth, Aberdeen and various Scottish countryside scenes.

Folder containing 9 black and white photographs and 4 negative strips by George Oliver. Includes: Lumsden Sculpture Workshop.

Folder containing black and white photographs, taken by George Oliver and of various sizes. Some have been annotated. Includes: 2 copies of a photograph of Joan Earley painting of small boy with hands in pockets and 2 photographs of a Glasgow street scene.

Folder containing black and white and colour contact sheets, negative strips and photographs, of various sizes. Most are annotated. Includes: Barlinnie's Special Unit exhibitions and arts festivals, and James Cowie drawings.

Folder containing negatives and contact sheets of photographs taken by George Oliver in relation to the Citizen's Theatre and The Goethe Institute. Includes: Goethe Institute, Goethe Medal presentation 1984, Mayfest press conference 1986, Citizen's Theatre board, canteen and backstage staff.

Folder containing black and white photographs, taken by George Oliver and of various sizes. Some annotated. Includes: theatre and musical performance.

Folder containing black and white contact sheets and negatives of photographs taken by George Oliver featuring performers. Includes: Duke Ellington performing at the Glasgow Apollo in 1973, Edinburgh Festival, Allen Ginsberg performing at The Traverse Theatre, Manavishnu Orchestra at Kelvin Hall in 1973 and 'Magic Flute' performed by Scottish Opera at Macrobert Arts Centre in 1974.

Folder containing 70 black and white photographs of performers and artists, taken by George Oliver and of various sizes. Some annotated. Includes: Billy Connolly at the 3rd Eye Centre, Tom Flemming, Edith MacArthur, Walter Carr, Cordelia Oliver, Hugh MacDiarmid, Allen Ginsberg and Jack Knox.

Folder containing black and white contact sheets and negatives of photographs of people taken by George Oliver. Some annotated. Also contains a typed list of the people featuring in the photographs. Includes: many performances and performers at the Third Eye Centre - Polish Realities, Tom McGrath, John Byrne, Margaret Drabble, and Ashkenazy rehearsing at the Macrobert Arts Centre Stirling.

Folder containing black and white contact sheets and negatives of photographs of people taken by George Oliver. Also contains a typed alphabetical list of the people photographed. Includes: Whoopi Goldberg performing at the Third Eye in 1984, Sir Alexander Gibson, Alasdair Gray and Allen Ginsberg at Traverse Theatre.

Folder containing black and white negatives, contact sheets, photographs and colour prints by George Oliver. Most are annotated. Also contains a leaflet for building tours and exhibitions of Charles Rennie Mackintosh in 1994. Includes: Dovecot Tapestry, Scotch Myth at St Andrews, ceramics workshop Edinburgh 1973 and Third Eye book shop.