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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Composition of embroidered fruit and flowers (as triptych). In original frame. Design made for Longcroft, Helensburgh.
Hamilton, Margaret
White cotton table cover with applique. Poor quality design and technique, possibly made at the Saturday morning classes.
*Not available / given
White linen with applique leaf shapes. Possibly made by one of Ann Macbeth's students.
*Not available / given
Blue fabric with geometric design embroidery detail, and pink, gold and black threadwork.
*Not available / given
Part of Embroidered and Woven Textile Collection, Glasgow School of Art
Very small cream bonnet with 2 straight edges. Tape lace swirls and flowers with both tape and needlepoint petals.
*Not available / given
Panel - Madonna and Two Angels
Part of Records and textiles of the Needlework Development Scheme
Austrian. Satin with satin appliqué, embroidered with silks and metal threads in cross, four-sided, lazy daisy, stem, satin stitches, couching with gold work and beads. Inscription "Unsereliebefrau" at base. By Emmy Zweybruck-Proshashka. Vienna.
Zweybruck-Proshashka, Emmy
Part of Records and textiles of the Needlework Development Scheme
German. Worked in white on blue silk. Showing calf lying in field of flowers. By Suse Sardeman-Bermuth, Berlin. Used to be framed.
Sandeman-Bernuth, Suse
Part of Records and textiles of the Needlework Development Scheme
Danish. Traditional work on natural linen incorporating drawn thread work and embroidery in satin-stitch. Relies for its effect on the changes of texture of the embroidery . Design based on stylised flower and plant forms.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
From Berlin, Germany. Worked in white on rust silk. Charming drawing of foal. Used to be framed.
Sandeman-Bernuth, Suse
Fragment of Greek Island Embroidery
Part of Records and textiles of the Needlework Development Scheme
Greek. Embroidered in coloured silks and metal thread. Symmetrical floral design with stylised roses and carnations etc.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Greek. Linen runner with typical bird motifs in satin-stitched coloured silks. The same silks are used to make knotted fringes. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Greek. On coarse linen embroidered in cross-stitch in grey and pink thick cotton yarn. Stylised repeating leaf motif.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
German. On white silk with woven spot design. Embroidered with silk, black cotton and metal threads in cross, four-sided, running, back, fly, satin stitches, couching and French knots. Shades of brown and oragne with naive figures and sacred emblems. The stylised figures and text are similar to those on the Hungertuch (Hunger cloth) Lenten cloth also made by the Munster school in the late 1920s. This was inspired by the 1623 Hungertuch Lenten hangings in Telgte, near Munster.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Portuguese. Part of peasant costume. Closely woven in red wool on white warp. Geometric design in bright colours in loom embroidery - extra weft pulled up in loops on the surface Yellow braid waistband, and pink braid edges.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Yugoslavian. Sleeveless dress with side seams and hem decorated with red, blue and black embroidery. Tasselled braid belt. From Bosnia. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British formal flower motif outlined in chain-stitched metal thread, on linen. Blackwork fillings in silk in several patterns have become worn in places. The motif has been cut out of background and mounted on modern linen. About half the metal thread embroidery is modern restoration. Shows influence of formal Sanish design. Much of the outline is restoration and has been remounted. This work may have been carried out in J&P Coats studio. Another identical and two related motifs, donated to the NDS by John Jacoby are in the Embroiderers' Guild Collection (EG 206). Originally they may have been part of a cover for a long cushion.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Turkish. Decorated at each end with formalised repeating tree design in green and yellow silks and metal threads, on fine cotton.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Swedish. Cloth made for festival decoration. Embroidery in white wool on red cotton. Border design based on snowflakes.
Kockum, Ulla
Part of Records and textiles of the Needlework Development Scheme
Turkish. Handwoven striped silk towel. Border of repeating flower motifs at each end in silk and metal threads. Tasselled fringe.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Scallop-edged cream taffeta apron. Silk and metal threads. Symmetrical floral design incorporating metal thread areas padded with cord. Extensive use of pearl and sequins. Framed.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
English. Fine white corded silk waistcoat with floral border incorporating the rose, thistle and shamrock. Pockets have embroidered flaps. Part of the spotted background has been unpicked. Shows influence of Chinese embroideries. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Muslin with border embroidered with floral design in ochre shades in chain stitch in worsted thread. Waistband embroidered.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Posy of flowers worked in stem-stitch in soft colours on cream silk. Charming naturalistic design.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Pierced 'broderie anglaise' design of circles and flowers on lower half of sleeve and cuff. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Black embroidery on white cotton of intertwining ribbon and flower design. Buttonhole and running stitches.
*Not available / given
Handkerchief, Ayrshire embroidery
Part of Records and textiles of the Needlework Development Scheme
Scottish. Very fine lawn with flower and leaf design at each corner and initial 'A' in pink in one corner. Very fine drawn fillings and drawn hem.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Machine embroidered in grey, pink and black on white silk background. Showing a cupid or angel dancing through flowers and leaves. By Rebecca Crompton.
Crompton, Rebecca
Part of Records and textiles of the Needlework Development Scheme
British. Machine embroidered with design of horse and flowers in black, grey and pink on white silk. Back embroidered with spots. Quilted lining. By Rebecca Crompton.
Crompton, Rebecca
Part of Records and textiles of the Needlework Development Scheme
British. Rose coloured satin cover with figure of a saint, richly embroidered in coloured silks in split stitch and conching. By Joan Nicholson, Bromley.
Nicholson, Joan
Part of Records and textiles of the Needlework Development Scheme
Scottish. Commemorating the Festival of Britain. Design suggests a firework display. In white and coloured embroidery on blue background. Names of designer, Robert Stewart and embroiderer, Kathleen Whyte in small motif on the back.
Stewart, Robert
Part of Records and textiles of the Needlework Development Scheme
British. Showing 'Midhurst - the town in the midst of the woods', with roads, buildings and figures. Very fine stitchery on natural cotton. Framed but unglazed.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Three interpretations of a steeple design in different types of metal threads used in differing techniques. Designed by Geraldine White, worked by Beryl Dean, London.
Dean, Beryl
Rectangular yellow armchair cover. Thought to be by Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Embroidered dark fawn silk and velvet collar. There are several reasons for the attribution to Jessie Newbery: the very fine quality of the fabrics used; the method of construction; the quality of the stitching; the colours used; the simplicity of the design which complements the shape of the collar so effectively and the use of silver metal clasps.
Newbery, Jessie Wylie
Embroidered velvet in mauve and pink silks. Thought to be by Ann Macbeth.
*Not available / given
Fuschia design. Possibly made at one of The Glasgow School of Art's Saturday morning classes, c1905-1910.
*Not available / given
Embroidered tea cosy with flowers and butterfly motif. Possibly made at one of The Glasgow School of Art's Saturday morning classes, early 1900s.
*Not available / given
Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).
*Not available / given
Cream armchair cover. Thought to be by Ann Macbeth.
*Not available / given
Horizontal banner depicting symbolism of Glasgow/St Mungo.
Macbeth, Ann
Orange silk velvet yoke/collar featuring a number of needlework techniques in silk thread worked by a student of The Glasgow School of Art, possibly under Ann Macbeth.
Blue and white linen with applique. Stitched inscription: "A McG". Possibly a student of Ann Macbeth. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
*Not available / given
Thought to have been made by Ann Macbeth.
*Not available / given
White linen with embroidered cross stitch.
*Not available / given
White cotton with embroidery.
McGlashan, Daisy Agnes
Green linen with applique.
McGlashan, Daisy Agnes
Banner design drawn on linen with pencil before stitching. It is attached to a calico lining which is stitched to the top of the hanging. It was designed by Walter Crane and worked by his wife Mary Frances Crane. The motto on banner reads: "Qui corvus pascit pascere potest grues" (He who feeds the raven will be able to feed the crane). The design of the panel is possibly that of Thomas Crane, Walter Crane's father.
Crane, Walter
White linen and embroidery possibly made by Daisy McGlashan. The design and technique show the influence of Jessie Newbery's teaching. The table runner has the number "1911" printed on one edge in ink which could refer to the year it was made. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
McGlashan, Daisy Agnes
Glasgow style tie-back or belt
Glasgow style tie-back or belt, featuring silk, applique and metal studs. 'GSA' embroidered in centre.
*Not available / given
Pair of embroidered birds with flowers in symmetrical design on green and white fabric pink, white, blue, green and burgundy threadwork.
Mackie, Mary