- NMC/1633H
- Item
- 13th century to 16th century
Turquoise glaze on both sides. Blue, black, brown and white hand-painted figure on recto with some gold leaf.
*Not available / given
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Turquoise glaze on both sides. Blue, black, brown and white hand-painted figure on recto with some gold leaf.
*Not available / given
1st piece of rim fragment with cream glaze and band of blue, light turquoise, and red/brown paint on recto. Small band of blue paint on verso.
*Not available / given
Slightly curved fragment with blue glaze and dark green hand-painted design and bands on recto. Blue glaze with dark green hand-painted Arabic writing and a green band on verso.
*Not available / given
Rim fragment with cream glaze and blue, turquoise, red, and dark brown hand-painted patterns on recto. '15 SAVEH' and '15' handwritten on verso. Saveh is a city in Iran.
*Not available / given
Small fragment with raised blue hand-painted pattern. 'SAVEH 11' handwritten on verso. Saveh is a city in Iran.
*Not available / given
2nd piece of rim fragment with cream glaze and band of blue, light turquoise, and red/brown paint on recto. Band of blue paint on verso.
*Not available / given
Fragment with blue glaze on recto and cream glaze with brown/gold hand-painted pattern on verso. Handwritten letters on one edge - possibly 'C S RAZ.'
*Not available / given
Rim fragment with cream glaze and dark blue, red, turquoise, and gold hand-painted pattern on recto. Cream glaze with hand-painted red band and black Arabic inscription on verso.
*Not available / given
Fragment with cream glaze and light yellow/gold hand-painted patterns and figures riding horses on recto. Cream glaze with brown hand-painted designs on verso.
*Not available / given
Rim fragment from dish or plate. Hand-painted black Arabic writing on recto. 'GOMBAZ KAOUE near Persepolis' handwritten on verso. Persepolis is a city in Iran.
*Not available / given
Small fragment with cream glaze and gold hand-painted face on recto. Blue glaze with faint green hand-painted pattern on verso.
*Not available / given
Part of group of 31 glazed and gilded pottery fragments from Persia/Egypt/Syria. Includes imagery of ornamental designs, figures, animals, and Arabic/Cufic lettering.
*Not available / given
Fragment of wall hanging bowl or dish. Yellow/gold glaze on recto with hand-painted light brown swirl pattern.
*Not available / given
Rim fragment with cream glaze and yellow/gold hand-painted design on recto. Gold hand-painted patterns with figure on verso. Possibly small handwritten letters on an edge.
*Not available / given
Rim fragment from dish or plate. Cream glaze with yellow/gold hand-painted pattern with crown on recto. Small area of cream glaze and red/brown section of hand-painted band on verso.
*Not available / given
Triangular shaped ceramic fragment with cream glaze with yellow/gold hand-painted design on recto.
One of thirty-one different pottery fragments from Persia/Egypt/Syria. Likely brought to the Glasgow School of Art to be used as teaching aids.
*Not available / given
Fragment from what might be a tile. Hand-painted flower and petal shapes in blue, black, yellow, and turquoise paint. '85' and 'SHAH ISF' handwritten on verso. Shah (Persian) is a title given to the emperors/kings and lords of Iran.
*Not available / given
Turquoise glaze and hand-painted black band with white Arabic inscription.
*Not available / given
Rim fragment with cream, blue, and black paint with hand-painted band on recto. Hand-painted blue and black bands on verso with metallic/mineral shine.
*Not available / given
Fragment with aqua green glaze over embossed pattern on recto. '24' handwritten on verso.
*Not available / given
Small fragment with cream glaze and yellow/gold, blue, and red hand-painted designs with gold leaf on recto.
*Not available / given
Fragment of dish or plate. Cream glaze with dark blue, turquoise, black, red, hand-painted figures and animal on recto with some gold leaf. Cream glaze with turquoise, blue, and red hand-painted figures on verso with some gold leaf. One large crack down the centre.
*Not available / given
Slightly curved fragment with pastel blue glaze on recto and verso.
*Not available / given
Rim fragment with green/brown glaze with dark blue hand-painted desgin on recto. Dark blue glaze on verso.
*Not available / given
Rim fragment with cream glaze and blue and black hand-painted band on recto. Cream glaze with hand-painted black band with what might be Arabic writing on verso.
One of thirty-one different pottery fragments from Persia/Egypt/Syria. Likely brought to the Glasgow School of Art to be used as teaching aids.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Leather bound book cover with ornate incised decoration on front and inside cover with gilding and red and blue pigment. Exposed paper underneath leather shows Arabic lettering.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Chinese Emperor ceramic figure
Cream coloured glazed ceramic Chinese figure in court dress. Some damage (repaired) to neck and missing hands. Old paper label with no. 629/20 and 'Sch 76' in red paint inside figure suggest that it was part of the School's handling collection.
*Not available / given
Small ceramic vase with paper label on side, "Various No 46". Bottom and top are chipped.
*Not available / given
The Glasgow School of Art still life object, candlestick
Simple metal candleholder on circular tray base with row of piercings on base. Part of the GSA handling collection, 'GSA 49' in red paint on base.
*Not available / given
The Glasgow School of Art still life object, candlestick
Metal, possibly brass, simple inverse funnel shape candlestick from the GSA handling collection with 'GSA 927' marked in red on the base.
*Not available / given
The Glasgow School of Art still life object, candle holder
Heavy, machined brass candle holder. Threaded bore in base suggests that there may have been other parts to this originally, possibly the base for a candelabra. Part of the School handling collection, marked 'sch 40' in red paint on base.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Japanese style paper stencil featuring wave motif, probably used as a teaching resource.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze (Block XL from the North frieze)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Chest containing collection of cast reliefs
Wooden chest with twelve small shallow drawers and two larger drawers. Contains collection of cast reliefs of portrait busts, religious scenes, ancient Greek/Roman scenes, military scenes, and architecture.
*Not available / given
Japanese style paper stencil featuring flowers, probably used as a teaching resource.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.
Plaster cast of Borghese Warrior
Part of Plaster Casts
Original: Also known as: Discobolus, Fighting Gladiator, Hector, Heros Combattant, Borghese Gladiator. Particularly admired for its truthful rendering of anatomy. A Hellenistic sculpture actually portraying a swordsman, created at Ephesus about 100 BCE. Listed in first catalogue of casts as Greek, in the Louvre and was bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Photographed in GSA in 1915.
Large red glazed ceramic vase with red marking on bottom "GSA 581". Due to information in a 1958 inventory, vase can be dated pre-1958. It may be a student piece or could have been bought and used as a teaching aid.
*Not available / given
Brass lantern treated with gold finish with cut-out ornamental design on top and bottom. Has glass covering for light, cut wires on bottom which would have been attached to light bulb inside. Lantern would have been attached to the wall. Back of lantern has red marking, "SCH-302". Indented stamp on top front of lamp, "ALLAN & CO". Due to information in an inventory, lantern can be dated pre-1958.
*Not available / given
Japanese style paper stencil featuring patterned borders, probably used as a teaching resource.
*Not available / given
Plaster cast of Laocoon and his Sons
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. All that remains is a fragment of a hand.
Original: This statue group was found in 1506 on the Esquiline Hill in Rome and immediately identified as the Laocoon described by Pliny the Elder as a masterpiece of the sculptors of Rhodes: Agesander, Athenodoros and Polydorus around 40-30 BC. It shows the Trojan priest Laocoon and his sons Antiphantes and Thymbraeus being strangled by sea serpents. In 1587 Giovanni Battista Armenini's treatise on painting and recommended all students to draw from the casts of the finest statues in Rome- 'the Laocoon, the Hercules, the Apollo, the Great Torso....' of the Belvedere. Listed in first catalogue as Greco-Roman and that the original is located in the Vatican. Original currently in the collection of the Vatican Museums, Rome, Italy.
This item was damaged in the fire in the Mackintosh Building on 23rd May 2014. It underwent conservation and consolidation work in 2016.
Plaster cast of Borghese Warrior
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Also known as: Discobolus, Fighting Gladiator, Hector, Heros Combattant, Borghese Gladiator. Particularly admired for its truthful rendering of anatomy. A Hellenistic sculpture actually portraying a swordsman, created at Ephesus about 100 BCE. Listed in first catalogue of casts as Greek, in the Louvre and was bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of the Dying Slave
Part of Plaster Casts
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.
Original: Michelangelo, originally for the tomb of Pope Julius II in 1505, began to carve the Slaves in 1513, as part of a modified project. On the Pope's death, the project changed once again, for financial reasons. Michelangelo donated the Slaves to Roberto Strozzi, who brought them to France. Original currently in the collection of the Louvre, Paris, France.
Plaster cast of Standing Discobolus (Discophoros)
Part of Plaster Casts
Original: Discovered in 1781 on Esquiline Hill. Considered to be a copy of an earlier Greek original. The popularity of the sculpture in antiquity was no doubt due to its representation of the athletic ideal. Discus-throwing was the first element in the pentathlon, and while pentathletes were in some ways considered inferior to those athletes who excelled at a particular sport, their physical appearance was much admired. This was because no one particular set of muscles was over-developed, with the result that their proportions were harmonious. Listed in the first catalogue of casts as Greek, located in Vatican and bought from Brucciani. Original currently in the collection of the Louvre, Paris, France.
Photographed in GSA 1915.