- DC 098/1/4
- Series
- c1910-1938
A variety of photographs featuring loose photographs of artworks and GSA students and staff.
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A variety of photographs featuring loose photographs of artworks and GSA students and staff.
Variety of materials relating to the works of Dorothy Doddrell, including designs relating to the creation of First World War Roll of Honours; designs created by Doddrell; life drawing studies; and reference materials.
Doddrell, Dorothy Maria F
A variety of paintings and artworks completed by Archibald Haswell Miller and Josephine Haswell Miller, including urban landscapes, portraits, and military scenes. Some of these items are dated to their time as teaching staff at The Glasgow School of Art.
Miller, Archibald E Haswell
Part of Mary Ramsay artworks
A variety of artworks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint.
This subfond includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.
Ramsay, Mary
Part of Papers of Dorothy Doddrell
Variety of reference materials, including prints and photographs of art works.
Bell, Robert Anning
Part of Papers of Dorothy Doddrell
Variety of designs created by Dorothy Doddrell.
Doddrell, Dorothy Maria F
Material related to Georges-Marie Baltus
A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.
Baltus, Georges-Marie
Art, Design and Architecture collection
Artworks, design pieces and architectural designs related to Glasgow School of Art staff and students.
Items include
Almost all works are by former students and staff or figures related to the history of The Glasgow School of Art. The earliest pieces date from the 16th century and later examples have been purchased from recent Degree Shows. The work is in a variety of media and includes drawings, paintings, prints, sketchbooks, furniture and sculpture. Artists represented include many key figures and the most influential and successful students.
There are also several works from former tutors including Neil Dallas Brown, David Donaldson and Fred Selby, alongside contemporary works by students, donated or purchased at degree show. Key works include those by: Maurice Greiffenhagen, Francis Newbery, John Quinton Pringle, Benno Schotz, Ian Fleming and James D Robertson. Suites of note include large collections of Joan Eardley sketches and paintings, Joan Palmer prints, and architectural drawings by Eugene Bourdon.
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Taylor, Fraser
Pettigrew & Stephens Ltd. brochure (Page 1)
Part of Papers of Dorothy Doddrell
Brochure for Pettigrew & Stephens Ltd. Monogram in lower right corner of cover page attributes the design and execution to Dorothy Doddrell. Advertisements contained inside and on the back cover date the brochure to the 1919-20 season.
Doddrell, Dorothy Maria F
Poster for an exhibition of the work of The Glasgow Girls, 1890-1930
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster for a major exhibition of painting, decorative and applied art by the Glasgow Girls from 1890 to 1930 uses an Eleanor Allen Moore painting as the background. It was a touring exhibition by the Kirkcudbright 2000 group. Over 100 exhibits were provided by the three main Scottish collections of 'Glasgow Girls' work - Glasgow Museums, The Glasgow School of Art and the Hunterian Gallery of the University of Glasgow, and the exhibition ran from 19th Nov to 20th Dec 2010. Artists and makers represented included Annie French, Margaret Gilmour, Norah Neilson Gray, Jessie M. King, Frances and Margaret Macdonald, Jessie Newbery and many others. Several private individuals also lent significant works, many of which had never been viewed in public before. The exhibition was curated by Liz Arthur, formerly a Glasgow Museums curator, who was involved in the last major exhibition on the 'Glasgow Girls' in Glasgow 1990. She also wrote a book to co-incide with this exhibition: 'Glasgow Girls : Artists and Designers 1890-1930' (Alba Printers Ltd, 2010). The exhibition was accompanied by a series of Lunchtime Lectures.
The following additional information was provided by the creator in September 2020:
"During my third year as a Graphic Design student, my fellow student Patrick Macklin who was studying Interior Design approached me with a request for technical help in producing a poster for the “Glasgow Girls” exhibition which he had been asked to produce. As this was the era of pre-digital, creating a poster for printing was quite a specialist task and was really the domain of Graphic Designers.
The artwork began by sourcing an archive image of historical female students in Glasgow School of Art in the Mackintosh era that could be scaled up to the finished size and retain a high enough visual quality. Because the concept that we decided on would heavily reference Mackintosh, I decided to use his signature violet colour and chose the exact colour from a pantone chart, that is so heavily associated with Mackintosh to create a duotone of the archival photograph.
Once I established the finished size of the poster, I drew by hand the printers marks that would establish cropping, registration of the separated colours and alignment of the layers on a sheet of heavy CS10 board (I think I did not eat for a couple of days to afford that board!).
The next stage was to create an area that would convey the information that the poster would communicate to the viewer. As this was the pre-digital era, I had to work out all the line lengths and the subsequent point sizes and weights required for the information block at the foot of the poster using type catalogues, rulers and casting off rulers. Once this was established, I requested to the operator of the GSA’s linotype photosetting machines to print out a galley proof of the type, once I was happy with the layout and weights of the type. I chose the font from the limited range that was available to the operator, as these fonts were mastered on glass slides that would be inserted into the linotype machine and were very expensive and therefore very limited in range. I settled on Book Antiqua as it was one of the least boring of the serif font choices and was also similar to the font used by Prefab Sprout in there “Swoon” album which I had nearly worn out the grooves of by that time!
I then used traditional art materials such as Letraset, drafting film, rubalith, rotring rapidograph pens and scalpels to create the text area. I hand drafted the dashed stroke around the border of the text area to invoke Mackintosh’s distinct use of these in his work. To create harmony and visual balance, I also hand cut a further two perfect squares using a half tone letraset dot matrix on a further layer to fill the void at either end of the “Girls” line of text to make a block so reminiscent of the Japanese wood cut influence in Mackintosh’s typography without being too literal.
It was really difficult in those days to source “camera ready” artwork for the sponsors logos, as companies in those days regarded any activity outside official Design Studios with the utmost suspicion. Eventually we managed to source these and I scaled them to the correct size using an Agfa Repromaster copy camera and the dark room. All these elements were then pasted on to the CS10 backboard or drafting film layers with measurement and precision using low tack spray mount.
The finished artwork was then sent to the Printer to be screen printed. I also supplied the pantone ink numbers they were to use for the screen printing in a list.
I was lucky enough to receive (as payment for my services) a “free” copy of the poster for my portfolio which I still have today!"
Devlin, Alistair
Poster for 'Berlin - Kulturstadt Europas 1988', Germany
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'Berlin - Kulturstadt Europas 1988' [Berlin European City of Culture], Berlin, Germany. Artwork featured is 'Fish and Panhead' by Bruce McLean, 1983.
Not available / given
Poster for an exhibition of paintings by Jock MacInnes
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition of paintings by Jock MacInnes, a graduate of The Glasgow School Of Art. The exhibition was held in the Mackintosh Museum in The Glasgow School of Art's Mackintosh Building from the 27th of October to the 7th of November 1975.
*Not available / given
Poster for 'Glasgow Group, 29[th] Annual Exhibition: Paintings - Print - Sculpture', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for 'Glasgow Group, 29[th] Annual Exhibition: Paintings - Print - Sculpture', McLellan Galleries, Glasgow, 09 Jun 1986-21 Jun 1986. Artwork featured is 'Song of the Black Mirror' by Brian Kelly.
*Not available / given
Poster for exhibition 'James D. Robertson Paintings 1956-2000', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'James D. Robertson Paintings 1956-2000', The Glasgow School of Art, 22 Jul 2000-01 Sep 2000. The artwork featured is 'Inlet', 1980.
*Not available / given
Poster for exhibition 'Tapestries and Paintings: Linda and Derek Green', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Tapestries and Paintings: Linda and Derek Green', Glasgow Arts Centre, Glasgow, 03 Nov 1984-24 Nov 1984.
*Not available / given
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Pettigrew & Stephens Ltd. brochure
Part of Papers of Dorothy Doddrell
Brochure for Pettigrew & Stephens Ltd. Monogram in lower right corner of cover page attributes the design and execution to Dorothy Doddrell. Advertisements contained inside and on the back cover date the brochure to the 1919-20 season.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Part of Papers of Dorothy Doddrell
Small design example. Calligraphic title of 'MENU' with painting of a woman holding fruit.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Poster for an exhibition of work by John O'Connor
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised two exhibitions happening coherently at The Glasgow School Of Art in early 1977. The main feature was an exhibition of work by John O'Connor which was held in the Mackintosh Museum and featured pieces in a variety of mediums including drawing, painting, wood-engraving, graphics and illustration. O'Connor spent a brief period lecturing at The Glasgow School Of Art in the graphic design department from 1978 to 1979. The second exhibition was entitled 'The National Book League Exhibition Of Book Design and Production' and was held in the Mackintosh Library. A duplicate of this poster can be found under reference number GSAA/EPH/10/193.
*Not available / given
Calligraphy, decorated with two fairies: "Come and trip it as you go on the light fantastic toe".
Jackson, May
Poster for exhibition ''Glasgow Girls' Women in Art & Design 1880-1920', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition ''Glasgow Girls' Women in Art & Design 1880-1920', Art Gallery and Museum, Kelvingrove, Glasgow, 24 Aug 1990-06 Jan 1991. The poster features an image of Margaret Macdonald Mackintosh's artwork Opera of the Seas.
Not available / given