Showing 125 results

Printed cotton. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was undertaken in 2019.

Female figure outline drawn in glue and mono-printed over in black ink. Background painted in cream, pink and blue. Backed on white card.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract organic design painted in black ink and gouache, similar style of painting on reverse. Painted on paper and backed on white card.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Printed wool scarf featuring images derived from drawings of gravestones produced on Iona Scotland.

Abstract female forms monoprinted onto light coloured paper and adhered to pink paper to create a collage effect. Charcoal is used to draw lines in the background, with strips of cream coloured paper also collaged to the surface. Backed on conservation board.

Abstract figurative relief printed block, printed in black ink on paper to produce a block like pattern. Backed on conservation board.

Figurative brush strokes in pink acrylic paint, outlined in black acrylic on a red ink background. Abstract marks in oil pastel. Work on paper and backed on conservation board.

Abstract collage pieces of paper painted in a spot design, shaded in black conte crayon and adhered to a grey acrylic painted background on paper. Backed on conservation board.

Rectangular motif drawing in conte crayon and collaged onto a piece on cream paper. Ball point pen is applied to the surface creating linear marks in a repeat style pattern. Pink ink splotches in background of design. Similar in design and media to DC 089/3/6/5. Backed on conservation board.

Ink is applied in washes to the surface of the paper, blue opaque gouache renders the background leaving floral shapes to reveal the ink underneath. Black acrylic is used to outline the organic shapes and loosely create a checked pattern in the background. Paper backed on conservation board.

Large scale collage featuring monoprints of industrial architecture and structures. Central to the design is a male figure with monoprinted face and holding a large industrious pole. The design is painted in gouache and features purple, blue and red with charcoal used to outline shapes. Signed "Fraser Taylor". Work on paper and backed on conservation board.

Black crayon is applied to the background in a dense crosshatch pattern. Coloured inks are washed over the surface creating a watery effect. Organic shapes with gestural brush strokes in black ink are applied to the surface of the composition. Paper backed on conservation board.

Collage design of multiple rectangular pieces of paper adhered to white paper. Black pen and ink applied to the surface in a gestural fashion creating linear marks. Circles of bright pink drawing ink in background of design. Backed on conservation board.

Blue ink design with painted lines in bleach. Squares deducted from piece by cutting them and painting them in blue, yellow, orange and lilac acrylic paint. Shapes reintroduced to the piece by taping them from the back. Similar in design and format to DC 089/3/6/6. Annotated verso "F.T.19".

Red ink design with painted geometric shapes. shapes deducted from paper by knife and painted in purple paint, yellow and blue ink, shapes reintroduced to the paper by tapping them from the back to create a collage effect with a flush surface. Similar materials and format to DC 089/3/6/4.

Red ink design with painted check in purple paint. shapes deducted from paper by knife and painted in purple and yellow ink, shapes reintroduced to the paper by tapping them from the back to create a collage effect with a flush surface. Similar materials and format to DC 089/3/6/5.

Abstract drawing of gestural lines and cirlces in ballpoint pen. Collaged pieces attached from reverse using masking tape. Pink and black pen. Annotated verso "F.T.47".

Abstract collage design of architectural shapes on cream paper painted with spot design in grey and black. Adhered to white paper with a light grey painted background.

Crosshatched abstract design on grey paper with collage pieces of cream paper adhered to the surface. Collage pieces in chip like shapes with gestural paint marks in grey and black paint. Similar materials and format to DC 089/3/6/1.

Abstract painted design for textile on black paper with linear paint strokes in cream paint, washed over with black ink creating a crackled effect. Background painted in grey. Annotated verso "FT.35". Similar materials and format to DC 089/3/6/2

Cover design by Fraser Taylor of two embracing figures with graphic background. Cut from sleeve, front section only, no vinyl included.

Vinyl LP, The Bluebells "Cath"

Drawn image of stairs and plants in black and various coloured highlights. Early textile print at RCA. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Collage of 4 black and white photographs of native costume printed on paper.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Spot design drawn in pencil and painted in pink gouache. Two parallel stripes rendered in blue and pink gouache dominating the composition. Similar to DC 089/1/2/4/4.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Brown ink circle design with pink gouache center on cream paper. Similar in design to DC 089/1/2/4/3.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.